Showing posts with label alan moore. Show all posts
Showing posts with label alan moore. Show all posts

Saturday, October 31, 2009

Reprint This! Scream!



Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected several titles which should be on bookshelves, but at this time are not.

When it comes to British comics, here at Reprint This! we normally talk about individual features, rather than entire anthologies where the material was first seen. However, there are so many missing gems from the entire run of the 1984 comic SCREAM! that, to be blunt, the whole enterprise deserves to be seen again. For fifteen issues, host "Ghastly McNasty" gave kids some genuinely memorable little frights in a horror comic the likes of which Britain never saw again.



Scream!, which warned readers that it was "not for the nervous!," was an anthology comic from IPC that used much of the talent from the publisher's stablemates 2000 AD and Eagle. Each issue presented a new installment of five regular features, along with one-off frighteners and a reprint of Graham Allen's silly comedy "Fiends and Neighbors," which originally appeared in Cor!! in the early seventies.

Many big names from the period were regular contributors. Apart from one-off stories brought to you by the likes of Steve Parkhouse, Barrie Tomlinson, Jim Watson, Cam Kennedy, Simon Furman, Steve Dillon, Look-In veteran Angus Allen and the late Jose Casanovas, every issue started with a really great Dracula serial, where the villain moved to England and carried on a war with vampire hunters. The Dracula File was written by Rogue Trooper's Gerry Finley-Day, and illustrated by Cursitor Doom's Eric Bradbury. The artwork was just gorgeous, and the story was a really entertaining rollercoaster of ancient curses, last-minute escapes and implausible shocks, huge fun from start to finish.



You also had paranormal investigation with The Nightcomers by Tom Tully and John Richardson, in which a brother and sister reunite twenty years after their parents died looking into a haunted house, and Terror of the Cats, written by John Agee and by Simon Furman, in which a small village is under siege by maddened housepets and feral strays. But the ones that everybody remembers are Monster and the gleefully malevolent Thirteenth Floor.

Monster has a little more notoreity, thanks to its odd, footnote appearance in Alan Moore's bibliography. Apparently, he was given the first episode to script, setting up a strange, really creepy tale of suburban horror. The first installment is told in flashback, as a young kid - twelve year-old Ken Corman - buries his cruel father, who was killed by an unseen resident of a locked upstairs room. The artwork, credited to "Heinzl," is a little pedestrian, but it's one heck of a great setup, and one of Moore's unheralded triumphs. The story proper begins in episode two, as John Wagner and Alan Grant take over, with much better artwork by Jesus Redondo. What follows is a little more conventional than what Moore promised, but still darn entertaining. In the attic, Ken finds his hideously deformed, superhumanly strong uncle Terry, locked away from prying eyes. The two of them go on the run, for an extended chase epic that lasted several months after Scream!'s untimely demise.

Wagner and Grant, working with Jose Ortiz, were also responsible for The Thirteenth Floor, in which a malicious supercomputer installed in a tower block "protects" its residents by using a hidden "virtual reality" holodeck thingy on its secret thirteenth floor to "put the frighteners" on anybody from the outside who's bothering them. Unfortunately, Max the computer, whom everybody secretly rooted for no matter how nasty he was, turned out to be really good at his job, and so loan sharks and vandals kept turning up dead from heart attacks. Max's next step was to hypnotize a resident into dumping the bodies somewhere away from the building, but both his programmer and the police guessed that there was something strange going on...

While Max himself, the cold, silky-voiced devilish anti-hero, was clearly inspired by HAL 9000, his strip was very much a product of its time, and hit that cultural milepost where films like Superman III, War Games and Electric Dreams were playing on the era's fears of early PCs taking over the world. In time, Max the computer moved on to other assignments, including watchdogging a department store and working for Her Majesty's Secret Service, and his bodycount dropped sadly, but it was still great fun. In all, the series ran for about four years.

While The Thirteenth Floor was a long-running hit, Scream! itself was not. A combination of low sales, upset mothers and industrial action at IPC saw the weekly comic killed in under four months, one of the shortest lifespans of any of these newspaper anthologies. Sadly, this wasn't a case like Thunder or Tornado, where the lackluster contents explained away the short run; every issue of Scream! just oozed quality. Officially, Scream! was merged with Eagle, but only Monster and The Thirteenth Floor made the transition. Max's adventures lasted into 1987, and Ken and Uncle Terry's continued for a few more months.

In 2007, a small outfit called Hibernia published a little short-run reprint of the first eleven episodes of The Thirteenth Floor, and that seemed to get a little talk about the strip for the first time in a while. What's really needed, however, is a straight reprint of Scream! in its entirety. The whole fifteen issue run could easily fit in one bumper volume. Even with advertisements, the package would be a little slimmer than a Marvel Essential. Do it up on nice paper and keep the original dimensions, and I think this is a worthwhile project. If somebody like Titan gets going with this, why, we could see it on shelves in time for next Halloween! Doesn't that sound wonderful?

Special thanks to Malcolm Kirk for helping out with some credits for this entry. Also, the Scream! fan site, Back from the Depths, is huge fun and includes a few samples of these episodes. Check it out, and tell 'im your old pal the Hipster Dad sent you!

Thursday, September 10, 2009

Reprint This! Update on Thunderbirds

The archivist, everything-in-order side of me doesn't approve of them, but Reynolds & Hearn has released the first two volumes in a series of large-format reprints of Gerry Anderson tie-in comics. These feature the lovely artwork of Ron Embleton, Mike Noble, Frank Bellamy, Eric Eden and others, with adventures from the comic versions of Thunderbirds, Stingray, Captain Scarlet and others. These originally ran in 1965-69 in the pages of the anthology TV Century 21 and its sequels and spinoffs. The first volume features an introduction by Chris Bentley, who makes a strong case for including this comic alongside Eagle and 2000 AD as the three most important and influential of British comics.

As a sampler, these are very good books. I finished the first one and enjoyed most of the ten stories in it, though I was disappointed by the reproduction of the Stingray adventure "Haunting of Station 17." I realize that reprinting double-page spreads is a challenge, but it's always a bummer to see artwork and word balloons disappear into a book's gutter. It's made worse when it's such lovely painting by Ron Embleton, and when the pages have an outside margin of about an inch. These could surely have been laid out with a greater inside margin to prevent that happening,

Otherwise, the book is a very good sampler of the comic, with a mix of short stories and the longer epics. It leads with a really interesting Fireball XL5 story which crosses over into both Stingray and Lady Penelope, which instantly disproves the old thought that a similar crossover in Battle Picture Weekly was British comics' first - TV21 beat them by thirteen years! My favorite story in the book was another Lady Penelope serial, drawn by Frank Langford. This, and many of the other stories here, were scripted by regular Gerry Anderson TV scribe Alan Fennell, but there's an interesting Zero X story about a planet of skeleton monsters written by Angus P. Allan, who went on to write the majority of the strips in Look-In during the 1970s and 1980s, which is worth a read. There never was a Zero X TV series; this was the ship that International Rescue and Spectrum had to keep getting out of trouble.

At any rate, Reynolds & Hearn released two volumes of this series in the spring. A third, "Escape from Aquatraz," and apparently focussing just on Stingray episodes, is due before Christmas. I would have preferred straight reprints of everything in their original order - I don't suppose we'll ever get such a thing - but whether you just want to kick back with some nostalgic, escapist fun or would like to reappraise some artwork that was even better than you thought it was, you should certainly check these out.




Read more of what (very little) I've written about Ron Embleton at A Journal of Zarjaz Things.

I have not any real reviews for this book, only previews. If you see a review of it, or post one yourself, let me know and I will list it here.




In other news this month, I do like to make updates when something from the Reprint This! wish list makes it back into print. Rebellion has made this reader at least a little happy by issuing a new, limited edition collection of the first storyline for the grouchy, future detective Armitage by Dave Stone and Sean Phillips. The reprint appears in the freebie "graphic novel" bagged with Judge Dredd Megazine # 287, and it's available in US shops now. If you're going digital, you can purchase PDFs or CBRs of this Megazine and the reprint (130 pages in all) from Clickwheel for just $3.99.

It's been strongly hinted that a follow-up edition, featuring some of the Charlie Adlard-drawn episodes, might appear in another Meg before the end of the year. Hopefully all the time spent adding these episodes to the company's digital archive will count towards a proper bookshelf edition before much longer!




I haven't thought of it in years, but when I was a kid, Dik Browne's Hägar the Horrible was one of my family's favorite strips. There have been dozens of paperbacks over the years, but it's finally getting the archival hardback treatment from Titan. The first collection, featuring all the strips from 1973-74, is due in November. Titan's look back at the British wartime strip Jane is finally back on the schedule as well. It was anticipated some months ago but delayed due to production issues. Still no sign of their long-overdue Best of Battle book, sadly.




A few months ago, I passed along the rumor, originally reported by Chris Duffy at the mostly-defunct "Comic Books Are Interesting" blog, that the obscure King Aroo, a delightful, surreal, pun-filled 1950s strip by Jack Kent, might be due for a collection. Publishers Weekly this month confirmed that IDW does indeed have a collection planned for 2010. It's part of their "Library of American Comics" imprint, and other strips selected for 2010 releases include Blondie and Secret Agent X-9. The latter strip was scripted by Dashiel Hammett, the godfather of American detective fiction, and drawn by Alex Raymond, and I've been curious to see it for many years now. Preceding all of these, however, is a collection of a later Raymond strip, the detective drama Rip Kirby, which began in 1946. IDW plans five volumes compiling all of Raymond's work on the title before his untimely death in 1956; the first of these fifty-dollar hardcovers is due late next month, and a second in March of next year.




I enjoyed the volume of Fred van Lente and Ryan Dunlavey's Action Philosophers that I read. I read at The Comics Reporter just yesterday that Evil Twin Comics is releasing a big collection of all three volumes, along with four bonus stories, later in the year. It's wacky, biographical fun, very well drawn, and a great gift for the know-it-all academic type in your life.




The two "Skinny Showcases" from DC that I have mentioned before are both out. Bat Lash, reviewed the other day at my Bookshelf blog and Eclipso are each about half as thick as a usual Showcase for around half the price. Two other anticipated "Skinny Showcases" are off the table for now: the Ramona Fradon Super Friends was cancelled without explanation at the beginning of the summer, and The Creeper was axed in favor of a hardcover, color collection of all Steve Ditko's episodes, including the late 1970s ones from the World's Finest anthology which were not planned for the Showcase. That's due in 2010.




This month's Marvelman update: Kurt Amacker interviewed writer Alan Moore last week, and he certainly seems to think that a collected edition of his old series is in the works. Even if, Alan being Alan, he'd like Marvel to publish the book without his name on it.




Finally this time, assuming Diamond can be trusted to deliver them, Yen Press's brand-spankin' new editions of Kiyohiko Azuma's oddball, addictive family comedy Yotsuba&! should be in stores today. They've reissued the first five volumes and brought out the first English-language edition of the sixth, with at least two more scheduled for 2010.




That's all for this month! See you in October!

Monday, August 10, 2009

Reprint This! Update on The Actress and the Bishop

You know what you probably don't have nearly enough of in your comic boxes and shelves? Sequential art by Brian Bolland. It's possible you have a copy of The Killing Joke, and a smattering of Judge Dredd episodes, and you might have decided that his artwork is good enough to overlook the dated and dull script of Camelot 3000, but since Bolland elected to concentrate on cover art so many years ago, actual strip work has been hard to come by.

In the late 1980s, Bolland contributed a pair of three-page strips to the anthology comic A 1. They star a mismatched duo called the Actress and the Bishop and were told in rhyming couplets and they are quite wonderfully silly, and of course the artwork was completely lovely.

About fifteen years later, Bolland finally finished a 17-page followup to the initial episodes. Called "The Thing in the Shed," it is a delightfully loopy little story which bounces from suburban dread to missing pets to Biblical recreations to cowboy adventure. Bolland invented the perfect little format to draw whatever the heck he wants to, as either the frumpy, comical Bishop or his gorgeous, frequently naked housemate Actress remember or imagine, in their rhyming narration, old books or lost loves.

"The Thing in the Shed" first appeared, I believe, in 2005's Bolland Strips!, a wonderful hardback co-published by Knockabout and Palmano Bennett which collects all, or just about all, of the oddball little shorts that Bolland has scripted and drawn over the years, either for himself or for small publishers. But for newer readers, the Georgia-based publisher Desperado has just released a wonderful little 32-page Actress and the Bishop one-shot comic, so for just $3.99, you get all of the duo's appearances, along with a couple of pin-ups. Sure, I normally spotlight bookshelf editions in this blog, but since there's so little of these characters available, a traditional comic book is a perfectly good way to get everything, and cheaply.

Desperado does not currently have this title available in its online store (and if they do, their postage rates are a little high for a single issue), but any good comic shop can order it for you, if they don't have it in stock already. Stop by your local funnybook store on the way home today - and tell 'em Reprint This! sent you!




Read more of what I've written about Bolland at A Journal of Zarjaz Things.

Read other reviews of this book:

James Hunt at Comics Daily
Rich Johnston at Bleeding Cool




In other news from the last month, there was a very brief flurry of excitement over Marvel Comics' announcement that they had acquired the rights to the British superhero Marvelman from his creator Mick Anglo, until it became evident that what they had were the rights to tell new stories with the character, and to reprint his original 1950s adventures, which even devotees of old British comics like me find to be pretty dated and dull. Marvel is said to be still working out details to pave the way for the 1980s series written by Alan Moore and Neil Gaiman. Certain trademarks created for and exclusive to the 1980s series, owned by Todd McFarlane and by Dez Skinn respectively, still stand in the way for this series to be reprinted. I decided some time ago that I would update this blog on the first with a feature, and on the tenth with a general news roundup, with a "breaking news" update, should any of the features get called up for duty. Suffice it to say that I'm still not anticipating writing a "breaking news" update on Alan Moore's Marvelman any time soon, though I certainly hope that I'm wrong!




Speaking of Marvel and Alan Moore, the publisher has released a giant Captain Britain omnibus edition that massively expands the material in the existing trade paperback collection of material written by Moore and drawn by Alan Davis. The existing book just reprints the Moore material, even though he came on board after several episodes that were scripted by Dave Thorpe which established the "Jasper's Warp" storyline. As a result, that book is a little patchy and hard to follow at first. The collection also carries on, after the end of Moore's tenure, and reprints several episodes from Captain Britain's mid-eighties Marvel UK title that were written by Jamie Delano.




You know, I was expecting more announcements from San Diego, but I really didn't see anything huge as far as reprints go. I suppose the possibility of Marvelman was the biggest one for most folks. On the other hand, Fantagraphics did tell everybody that they're finally planning a spring 2010 launch for their long-delayed Pogo reprint line, and they also announced a forthcoming archival project for Ernie Bushmiller's Nancy. Interestingly, the publisher is apparently not planning to delay their Nancy books looking for print-ready copies of the rare strips from the first few years; they'll be starting with volume two and release the first book sometime down the road. Most everything else I heard was hyping new projects and not reprints, however.




As far as actual solicitations go, DC has finally decided to put together a second volume of the 1990s Shade the Changing Man by Peter Milligan and Chris Bachalo. It's said to contain issues 7-13 and is scheduled for November. Milligan is currently scripting Hellblazer for their Vertigo imprint, and the first collection of his work there is planned for October. The big news, I'd say, is that DC has finally solicited the long overdue collection of the classic 1940s Captain Marvel storyline "The Monster Society of Evil," in time for Christmas.




Also in the latest solicitations, IDW has a pair of highly-anticipated books. The company is rolling out the first in their planned series of five Bloom County archival hardcovers in October, along with the late Dave Stevens' much-loved The Rocketeer, which will come, as speculated, in two different hardcover editions. There's a $30 book which reprints all of the character's adventures, and also an oversized, deluxe $75 version which will contain an additional hundred pages of sketches, pinups and other supplemental material.




That Woody Allen comic strip I was mentioning, with the Buckminster Fuller introduction? It's real. No kiddin'!




Lastly this time, Bear Alley Books has released details of their third and fourth collections: a complete run, across two volumes, of Johnny Future by Alf Wallace and Luis Bermejo. 51 episodes of this superhero strip originally appeared in the British anthology title Fantastic, alongside a host of Marvel superhero exploits, in the late 1960s. The books will feature new covers by Garry Leach.




That's all for this month! See you in September!

Sunday, May 10, 2009

Reprint This! Update on Starman

I finished reading the second of DC's new Starman Omnibus collections, and I have to say that this is emphatically the right way to do a collected edition of a modern book. The fifty-buck hardcover reprints thirteen issues of James Robinson's superhero series, along with the first of the series' annuals and three issues from the anthology Showcase which feature the supporting players, along with considerable background details, commentary and sketches from the artists, who include Tony Harris, Guy Davis and Steve Yeowell.

If you've never had the pleasure of reading Starman, I really believe this is among the two or three best American comics of the '90s. It's the story of Jack Knight, a reluctant second-generation hero and the sixth to use the name, who defends the beautiful art deco metropolis of Opal City from bizarre crime. It's a book more about family and heritage and honor than it is fisticuffs and the usual superhero shenanigans. Robinson occasionally displays a tin ear for dialogue, but his narration is really captivating, and it's easy to get caught up in the grand sweep of Opal and her champions.

A detour to New York City to consult one of the DC Universe's original heroes, the Sandman, is so note-perfect that the publisher should use it to teach new writers how to craft an engaging crossover, and a later story which pits Jack and two unlikely allies against a demon in a poster is surprising at every turn, with a clever conclusion that will have a lasting, fascinating impact on future stories. It's definitely a title worth reading, and thumbs up to DC for creating such a nice package. They plan to publish the complete 81-issue series and all of its side stories and supplements in six of these omnibus volumes.




Read more of what I've written about James Robinson at A Journal of Zarjaz Things.

Read other reviews of this series:
Van Jensen at ComicMix
Randy Lander at Inside Joke Theatre
Greg Oleksiuk at PopMatters
Jason Sacks at Comics Bulletin
Paul W. Smith at Den of Geek




In other news, perhaps the month's biggest announcement has come from Alan Moore, confirming the rumors that Top Shelf will be issuing a complete edition of his "published-in-many-places" comedy The Bojeffries Saga. This new collection will include a new 24-page story that artist Steve Parkhouse is said to be tackling now. Moore's announcement came in the second part of the mammoth interview that Pádraig Ó Méalóid conducted for The Forbidden Planet Blog.




Fantagraphics has unveiled a little more about their forthcoming collection of Gahan Wilson Playboy cartoons. It's still on track for an October release. The three-volume slipcased hardcover is going to set you back a tidy $125, which means I'm putting $10 a paycheck in the kitty for this starting now. The book will feature introductions by Neil Gaiman and Hugh Hefner, and not only every cartoon that Wilson's contributed in his fifty-one year tenure with the mag, but his fiction and accompanying illustrations as well. The behemoth will clock in at more than 1000 pages. Can't wait, even if my accountant might want to have a word or two with me about it.

Speaking of Playboy, Dark Horse's collection of the two issues of the Hef-published Trump, mentioned here back in January, has been delayed and is due out in mid-August. This will feature classic work by Harvey Kurtzman, Will Elder, Jack Davis, Al Jaffee, Wally Wood, Mel Brooks, Max Shulman and many others. Incidentally, my son finished the first half of Fantagraphics' Humbug, the magazine that followed Trump, and not only proclaims it to be awesome, but also wants it noted that he's the only modern-day tween to have read it.




In what sounds like it was a late April Fool's Day joke which went a little far, it's been strongly rumored that IDW is preparing a collection of Jack Kent's long-running newspaper strip King Aroo for later in the year. The strip ran for an impressive sixteen years before winding down in 1965, but it's incredibly obscure because only a single paperback collection was ever issued, in 1953, and because it only appeared in a handful of papers for most of its run. Some of the sample strips available online show it to be an incredibly charming and silly strip, reminiscent of Pogo with its puns and quirky characters, and while I'm curious to see more, I think IDW has something of an uphill climb selling this almost unknown character to a modern audience.

Speaking of Pogo, most recent word on the grapevine is that we'll be waiting until sometime in 2010 for the new line of Fantagraphics collections to get going.

And speaking of IDW, whether they are going to do something with King Aroo or not, they are planning a reprint of Elaine Lee and Michael Kaluta's 1980s SF serial Starstruck with new coloring.




Over at DC, it looks like Peter Milligan's well-regarded '90s take on Shade the Changing Man is finally getting some long-overdue attention. A collection of the first six issues was released many moons ago, and it's finally getting a second later this year. Personally, I find Shade to have aged very badly, but I'm still looking forward to this earlier stuff from the run. But before that, DC is prepping hardcover collections from some of the other titles in their run, similar to the Starman books, including Fables and Alan Moore's Tom Strong. And they've finally solicited the Eclipso "Skinny Showcase" I've been talking about for August:

SHOWCASE PRESENTS: ECLIPSO TP
Written by Bob Haney
Art by Lee Elias, Alex Toth, Jack Sparling and Bernard Baily
Cover by Bernard Baily
One of the strangest comics villains ever stars in this volume collecting HOUSE OF SECRETS #61-80! On an expedition in the South Pacific, scientist Bruce Gordon’s dark side is unleashed after being exposed to a black diamond. Transformed into the powerful Eclipso, he embarked on an evil rampage as his good side attempted to reassert control.
Advance-solicited; on sale August 26 • 296 pg, B&W, $9.99 US





If you're enjoying Drawn & Quarterly's collections of the Moomin comic strip, and who in their right mind isn't?, then you might want to check out some reissues of the classic Moomin picture books that Tove Jansson did in the 1960s and 1970s. The publisher is starting up a new line of children's books called D+Q Enfant devoted to "lost classics and new soon-to-be classics" which will include the old Moomin series. Fine, give me another reason to want to have another kid before too long.




When I featured a blurb last month about our friends at Titan Books, I didn't have any news about Roy of the Rovers. Well, there's a new set of 1970s strips due in June - 208 pages of "scorching soccer action" from the period that introduced the hotheaded character Paco Diaz and took a hardline stance against hooliganism in the stands. Down the Tubes also points out that Titan's long-delayed Best of Battle is finally scheduled for next month as well. Fingers crossed!




That is all for this month. I would like to thank everybody for reading and all the nice e-mails, and also let everybody know that June's updates will be a little delayed. Look for the feature article on the 5th and the news update on the 15th. Happy reading!

Thursday, January 24, 2008

Reprint This! 25. Coda

Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

I decided to do this series of articles based on an earlier, three-part feature, but chose to keep it limited to 24 titles for the sake of personal convenience and to make sure I had an end in sight as I did my daily writing. But there are plenty of other great comics that deserve to see the light of day as well. Here are five others which would be great to see again... which I'd certainly buy if only my local comic shop could order them from somebody!



HERBIE by Richard E. Hughes and Ogden Whitney

I don't know nearly enough about this series, which is incredibly odd and readable, save that you do not wish to mess with the ultra-powerful Mr. Popnecker, else he'll bop somebody with that there lollipop. Herbie first appeared in American Comic Group's Forbidden Worlds in 1958, and made periodic appearances before getting his own title in 1964. ACG went out of business in 1967. Back issues are incredibly scarce and start at around $20 for good condition copies. There's no telling who might have the rights to Herbie, suggesting that any compilation would probably be a long time in coming. However, an episode was reprinted in 2005's Art Out of Time and there were a couple of mid '90s black and white reprints with new art from celebrity fans like Bob Burden and John Byrne, so I reckon somebody must know. (edited to add: LJ's spook_town informs us that the rights to ACG's library may currently belong to Roger Broughton. So, D&Q, Fanta, y'all go invite him around for drinks, okay?)



JAMES BOND by Takao Saito

Yeah, that's the same scan everybody's got. That's why we need a reprint. In 1964, Gildrose licensed four James Bond novels to Shokakugan, and Takao Saito, who'd later create Golgo 13, adapted them in monthly installments for Boy's Life. The stories were: Live and Let Die (9 parts, 1964-65), Thunderball (7 parts, 1965-66), On Her Majesty's Secret Service (9 parts, 1966) and The Man With the Golden Gun (8 parts, 1966-67). Single-volume editions were later issued and are highly prized by collectors.



JOSIE AND THE PUSSYCATS by Dan DeCarlo

All of it. Not a "best of." By DeCarlo. With his name on it. And while I'm at it, I'd like a pony.



THIRD WORLD WAR by Pat Mills, Carlos Ezquerra, Sean Phillips, John Hicklenton, Steve Pugh and others

Okay, so there are probably more representative images from 3WW that I could have used, but none of them would raise the eyebrows of my gamer geek girlfriend. It ran in the pages of Crisis from 1988-90. I maintain some small hope that Rebellion will announce a two-volume collection before we get too old and gray. This is certainly the most likely of these five, and I only moved it to the coda because Ezquerra got a couple of spotlight articles already.



PROPER V FOR VENDETTA WITHOUT THAT #$@&*! COLORING by Alan Moore and David Lloyd

Thinking that the first two-thirds of V for Vendetta is supposed to look like anything other than the above is like thinking that Humphrey Bogart is supposed to be wearing an ochre yellow jacket in Casablanca. And I'm missing five issues of Warrior, where it first appeared, so my set's not complete. Unfortunately, DC has the rights to V, and DC and Alan Moore don't get along anymore, so we'll probably see a complete Dan DeCarlo Josie before we ever see this restored to its proper, beautiful black and white.


* * *

That's that for Reprint This! as a regular feature, but I'll still use the tag from time to time when something occurs to me and I want to see an old favorite on bookshelves again, or when some publisher does the right thing and announces something good is coming up. As was mentioned some weeks ago, Vertical's bringing Osamu Tezuka's Black Jack to us in a new English edition and Thunderbirds was already out in a UK-only collection nobody'd heard of, so that's two down and 27 total to go. If one of your favorites is somewhere on this list, link to it, talk about it and let publishers know. Every bit of buzz helps!

(Originally posted January 24, 2008, 09:03 at hipsterdad's livejournal.)

Wednesday, October 17, 2007

Reprint This! 14. Marvelman

UPDATE: Marvel Comics have obtained the rights and are reissuing the series, with new coloring, as both periodicals and collected hardback editions.


Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected two dozen titles which should be on bookshelves, but at this time are not.

One title that is near the top of everybody's reprint wish list is the lawsuit-laden, litigation-heavy story of MARVELMAN. This series, originated by Alan Moore and Garry Leach, originally appeared in the black and white British anthology title Warrior before evolving into a color American comic. But it was based on a much older property, and the companies that published Marvelman in the 1980s have all had their assets and intellectual property rights divided among so many squabbling parties that this, of the 25 series I propose in the Reprint This! feature, may be the least likely of them all to ever reappear, despite the public desire to see it again...



The character of Marvelman was created in late 1953 by Mick Anglo, a writer for a British publishing company called L. Miller & Son. They had been repackaging American comic stories of Captain Marvel - the superhero who shouts "Shazam!" - for the British market, but found themselves in a fix when Captain Marvel's original publisher, Fawcett, shut down. Anglo devised Marvelman and some associates as quick replacement characters for the popular feature, and their new adventures, in a variety of comic titles, continued through the 1950s, with reprints continuing the titles until their cancellation in 1963.

Twenty years later, a revamped, modernized Marvelman was included among the offerings in the first issue of Warrior. Written by Alan Moore and with art by Garry Leach and Alan Davis, the new series appeared in the comic's first 21 issues. This is the series that everybody wants to read again. Placing larger-than-life characters into something like the real world and considering the ramifications of their superpowered struggles has since become almost old hat in superhero fiction, but Marvelman did it first and arguably did it better than anybody since.

Detailing the left turns and road blocks in this series would take too long, and it is all laid out in other sites like Wikipedia. Suffice it to say that, for a number of reasons, Marvelman ceased appearing in Warrior after its 21st issue. At the same time, the rights for an American reprint book, retitled Miracleman to avoid even more litigation from a certain US publisher, were purchased by Eclipse Comics. They reprinted - if I understand correctly - 20 of the Warrior episodes, colorized and shrunk to fit the smaller US page size. When they completed the available episodes, Alan Moore, with new artists Chuck Austen and John Totleben, resumed the series for their new American publisher. Miracleman was a huge hit for Eclipse, and reached a natural end with its sixteenth issue. It was revived in the early 1990s by Neil Gaiman - to whom Moore transferred his share of the rights - and Mark Buckingham, but the closure of Eclipse Comics in 1993 left the story incomplete, and a flurry of lawsuits from contesting parties making claims on the property has meant that the celebrated series can only be found in back issue boxes.

So on the face of it, a Marvelman/Miracleman reprint would be the simplest thing ever: one book containing all of the episodes from Warrior in their original black and white, a second book containing Miracleman # 7-16, and a third containing Neil Gaiman's run. With back issue prices just this side of ridiculous, there's clearly demand. But the lawsuits to which I keep referring have shut this series down. There isn't anybody who wouldn't like to see Marvelman again and read what all the fuss is about, and enjoy rare work by Moore and Gaiman, two of modern comics' most celebrated writers, but many of those anybodies suggest that they have a claim towards sharing in the profits of such an enterprise.

Just to further complicate matters, the original series briefly included an appearance by a British super-agent called Big Ben, created by Warrior's publisher, Dez Skinn with the intention of debuting in Marvelman before being spun off into his own series...



Just this month, a promotional image for a proposed Big Ben television cartoon made the rounds of the comic blogs. If that takes off, how's that going to affect any Marvelman volume that features the character, I wonder?

(Originally posted October 17, 2007, 11:43 at hipsterdad's livejournal.)

Monday, July 9, 2007

Reprint This! 4. Axel Pressbutton



Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. You might consider it a companion to my Weekly Comics Hype, which is taking a short summer vacation, except while that's preaching to a potential audience, this is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected two dozen titles which should be on bookshelves, but at this time are not.

One missing gem is AXEL PRESSBUTTON by Steve Moore and Steve Dillon, among others. This is a science fiction serial about a cyborg gun for hire who lost more than half his body to a carnivorous plant. He has teamed with Mysta Mistralis, a clone with an unfortunate past.



Axel Pressbutton originally appeared as a character in a monthly comedy strip called "Three-Eyed McGurk and His Death Squad Commandos" in the fanzine Dark Star in 1979, and later resurfaced in a weekly strip called "The Stars My Degradation" in the pages of the music paper Sounds in 1980. Many of these strips were drawn by Alan Moore, who's probably better known for some writin' you might have read, under the pseudonym Curt Vile.

In 1982, Axel was one of the featured stars in Dez Skinn's anthology book Warrior, now teamed in 6-8 page episodes with a troubleshooting lady named Mysta Mystralis, the Laser Eraser, for more traditional, serialized adventures. Here, the odd balance of SF action and sexy, juvenile humor really meshed well. The episodes were originally drawn by Steve Dillon, but his other commitments forced him to drop out after a year. Pressbutton appeared sporadically after that, with occasional other appearances by the bizarre supporting character Zirk occasionally filling in. Zirk's artists included Garry Leach and Brian Bolland.

Most, if not all, of the Warrior episodes were colorized, badly, and reprinted in US format by Eclipse Comics in a six-issue series. A year later, new episodes began in another Eclipse title called Laser Eraser and Pressbutton. This doesn't seem to have lasted for much longer than six issues, but the artists included Dillon, David Lloyd and Mike Collins. I think these were Steve Moore's last comics work for many years; he went on to the editorial staff of Fortean Times, where he spent much of the 1990s investigating cryptids and crop circles, before returning to comics with work for Rebellion and for America's Best in 2001.

So you see, there is a variety of material out there, in a number of formats and from a number of publishers. And there have been further whispers of new material; both Rufus Dayglo and Jon Haward have been rumored to be working on new episodes and prepping some sort of collection. But honestly, somebody need to put this all together, from the start. Not only because you get some rare work by so many well-known artists, but the only time this rare Alan Moore artwork has been reprinted has been in samples in those biographies and tributes that came out in 2003. I'd love to see all of those again. I'm not sure who actually owns the rights; they may be shared between Steve Moore and all the artists, much as Marvelman was between its creators. But whoever's out there, how about it?



(Originally posted July 09, 2007, 03:09 at hipsterdad's livejournal.)