Showing posts with label alan grant. Show all posts
Showing posts with label alan grant. Show all posts

Saturday, October 31, 2009

Reprint This! Scream!



Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected several titles which should be on bookshelves, but at this time are not.

When it comes to British comics, here at Reprint This! we normally talk about individual features, rather than entire anthologies where the material was first seen. However, there are so many missing gems from the entire run of the 1984 comic SCREAM! that, to be blunt, the whole enterprise deserves to be seen again. For fifteen issues, host "Ghastly McNasty" gave kids some genuinely memorable little frights in a horror comic the likes of which Britain never saw again.



Scream!, which warned readers that it was "not for the nervous!," was an anthology comic from IPC that used much of the talent from the publisher's stablemates 2000 AD and Eagle. Each issue presented a new installment of five regular features, along with one-off frighteners and a reprint of Graham Allen's silly comedy "Fiends and Neighbors," which originally appeared in Cor!! in the early seventies.

Many big names from the period were regular contributors. Apart from one-off stories brought to you by the likes of Steve Parkhouse, Barrie Tomlinson, Jim Watson, Cam Kennedy, Simon Furman, Steve Dillon, Look-In veteran Angus Allen and the late Jose Casanovas, every issue started with a really great Dracula serial, where the villain moved to England and carried on a war with vampire hunters. The Dracula File was written by Rogue Trooper's Gerry Finley-Day, and illustrated by Cursitor Doom's Eric Bradbury. The artwork was just gorgeous, and the story was a really entertaining rollercoaster of ancient curses, last-minute escapes and implausible shocks, huge fun from start to finish.



You also had paranormal investigation with The Nightcomers by Tom Tully and John Richardson, in which a brother and sister reunite twenty years after their parents died looking into a haunted house, and Terror of the Cats, written by John Agee and by Simon Furman, in which a small village is under siege by maddened housepets and feral strays. But the ones that everybody remembers are Monster and the gleefully malevolent Thirteenth Floor.

Monster has a little more notoreity, thanks to its odd, footnote appearance in Alan Moore's bibliography. Apparently, he was given the first episode to script, setting up a strange, really creepy tale of suburban horror. The first installment is told in flashback, as a young kid - twelve year-old Ken Corman - buries his cruel father, who was killed by an unseen resident of a locked upstairs room. The artwork, credited to "Heinzl," is a little pedestrian, but it's one heck of a great setup, and one of Moore's unheralded triumphs. The story proper begins in episode two, as John Wagner and Alan Grant take over, with much better artwork by Jesus Redondo. What follows is a little more conventional than what Moore promised, but still darn entertaining. In the attic, Ken finds his hideously deformed, superhumanly strong uncle Terry, locked away from prying eyes. The two of them go on the run, for an extended chase epic that lasted several months after Scream!'s untimely demise.

Wagner and Grant, working with Jose Ortiz, were also responsible for The Thirteenth Floor, in which a malicious supercomputer installed in a tower block "protects" its residents by using a hidden "virtual reality" holodeck thingy on its secret thirteenth floor to "put the frighteners" on anybody from the outside who's bothering them. Unfortunately, Max the computer, whom everybody secretly rooted for no matter how nasty he was, turned out to be really good at his job, and so loan sharks and vandals kept turning up dead from heart attacks. Max's next step was to hypnotize a resident into dumping the bodies somewhere away from the building, but both his programmer and the police guessed that there was something strange going on...

While Max himself, the cold, silky-voiced devilish anti-hero, was clearly inspired by HAL 9000, his strip was very much a product of its time, and hit that cultural milepost where films like Superman III, War Games and Electric Dreams were playing on the era's fears of early PCs taking over the world. In time, Max the computer moved on to other assignments, including watchdogging a department store and working for Her Majesty's Secret Service, and his bodycount dropped sadly, but it was still great fun. In all, the series ran for about four years.

While The Thirteenth Floor was a long-running hit, Scream! itself was not. A combination of low sales, upset mothers and industrial action at IPC saw the weekly comic killed in under four months, one of the shortest lifespans of any of these newspaper anthologies. Sadly, this wasn't a case like Thunder or Tornado, where the lackluster contents explained away the short run; every issue of Scream! just oozed quality. Officially, Scream! was merged with Eagle, but only Monster and The Thirteenth Floor made the transition. Max's adventures lasted into 1987, and Ken and Uncle Terry's continued for a few more months.

In 2007, a small outfit called Hibernia published a little short-run reprint of the first eleven episodes of The Thirteenth Floor, and that seemed to get a little talk about the strip for the first time in a while. What's really needed, however, is a straight reprint of Scream! in its entirety. The whole fifteen issue run could easily fit in one bumper volume. Even with advertisements, the package would be a little slimmer than a Marvel Essential. Do it up on nice paper and keep the original dimensions, and I think this is a worthwhile project. If somebody like Titan gets going with this, why, we could see it on shelves in time for next Halloween! Doesn't that sound wonderful?

Special thanks to Malcolm Kirk for helping out with some credits for this entry. Also, the Scream! fan site, Back from the Depths, is huge fun and includes a few samples of these episodes. Check it out, and tell 'im your old pal the Hipster Dad sent you!

Saturday, October 10, 2009

Reprint This! Update on The John Stanley Library

Drawn & Quarterly have released the first two books in their John Stanley Library, a planned multi-volume series reprinting much of the beloved cartoonist's work for Dell in the 1960s. Drawn & Quarterly have apparently obtained the rights to all of Stanley's Dell work except for Little Lulu (a multi-volume collection of which has been in stores for some years now), and the first two books in the series are available now.

Finances have forced me to leave the first of the Nancy books on the shelf for now, but I did pick up the first collection of Melvin Monster, which was released in the summer. It's a $20 hardcover which collects all the stories from the first three issues of the title. The series is sort of the spiritual antecedent of Akira Toriyama's Cowa, set in a small suburban town populated by monsters and beasties, but just next door to an oblivious middle American city. Melvin is the exasperating son of two gruesome parents, Mummy and Baddy, who wish only the worst for their offspring, but he confounds them by wanting to do insensible things like go to school and not get eaten by his pet crocodile.

The strip would be huge fun in anybody's hands, but Drawn & Quarterly has really made this book shine. It's designed by Hipster Pad fave Seth, who was apparently looking to emulate those half-forgotten books you used to find on odd old relatives' shelves. I think he really tapped into a something neat here. The book looks a little more, shall we say, prestigious than the material might warrant, but it really evokes its time all the same. The plan is to reprint Melvin in three $20 editions, each collecting three issues of the original comic. The slightly larger Nancy book lists for $25 and the 336-page first volume of Thirteen Going On Eighteen, due later this month, retails for $35. Second volumes for each of these titles are expected in 2010.




Normally, I suggest that you read more of what I've written about the creator or character or publisher at A Journal of Zarjaz Things, but in this case I have not.

Read other reviews of the Melvin Monster book:

KC Carlson at Westfield Comics
Rod Lott at Bookgasm
Jason Sacks at Comics Bulletin
Frank M. Young at Stanley Stories




In other news from the last month, following the success of recent hardcover repackagings, DC has added an annual collection of Bill Willingham's Fables to their lineup, with the first edition released earlier this month. The six-issue trade paperbacks have been perennial sellers for Vertigo, so going the deluxe hardcover route has been a foregone conclusion. You can read Willingham's introduction to the new collection at Vertigo's blog. Although, I honestly have to say that DC could easily release two or three a year to get started. With close to 90 issues of this ongoing series, it will be a long, long while before this line of hardcovers gets concluded.




Webcomics! There are far too many out there for me to keep up with what might, or might not, ever get a collected edition, but when something as entertaining as Randall Munroe's xkcd gets a bookshelf treatment, it's a given that I'll be telling you about it. Here you go, eighteen bucks, with a portion of the sale going to charity.




A very strong rumor from last month's Anime Weekend Atlanta: Vertical, who've been publishing all those lovely editions of Osamu Tezuka comics, are planning a 2010 release of Ayako, a dark, if not downright depressingly bleak, postwar family drama which originally ran in 1972-73.




Meanwhile, Dark Horse, who proved with their three Herbie Archives that they know how to manage the repackaging of somebody else's old comic books very well indeed, have struck a nifty-sounding deal with Archie Comics. 2010 will bring you the first in a series of nice leather-bound $50 volumes reprinting every story, chronologically, across four lines, one each for Archie, Jughead, Betty and Veronica. And here's the wild part: they're planning to release a new book every month. I'm sure that's the best way to get all this old stuff republished quickly, but I also think that I don't have $600 a year to spend on old Archie Comics.




I was either ignorant of or dismissive towards the superhero titles from Marvel UK in the late '80s and early '90s, but with a creative team like Dan Abnett, John Tomlinson and Gary Erskine, I think Knights of Pendragon, the story of a present-day incarnation of the knights of the round table, might turn out to be interesting. The series ran for 33 issues from 1990-93, and John Freeman has reported that Panini's releasing a collected edition of the first nine later this month. It has a new cover by Erskine, and you can read more about his contributions over at Scotch Corner.




Rumor has it that the "Skinny Showcase" line from DC has been successful enough to warrant a third volume. The sixties feature Dial H for Hero is tentatively scheduled for the spring. Fans of the line have probably noticed by now that the cover price for the regular Showcase Presents editions has gone up by a buck. 500-odd pages for $18 is still a pretty good price. Marvel has been a little tight-lipped about their similar Essential line. Surely the third Moon Knight collection, due in December, won't be the last, but the company does not seem to have announced anything definite.




Comics Reporter Tom Spurgeon found this fascinating one: WW Norton is publishing a mammoth collection of Herblock's editorial cartoons. The $35 hardcover will contain 250 images in print, with a more expansive collection of 18,000 on an accompanying DVD. Wowza. Paging Mike Luckovich, get your originals cleaned up...




I discovered Erika Moen's delightful webcomic DAR last month. The artist assembled a collected edition of the work earlier in the year, but it was delayed several times thanks to problems with bluenosed printers who didn't appreciate the sometimes explicit nature of the bawdy, no-holds-barred comic. Joanna Draper Carlson has a full interview with Moen at her website this week; you can order the book direct from Moen at DAR's site.




Lastly this time, Rebellion has had some disappointments this year in actually getting Diamond to solicit their wonderful collected editions of 2000 AD, so we are pleased as punch to see that two have made it into the distributor's latest catalog, and could be in US stores by the end of the year. Continuing their line of popular "phone book" reprints of 300 or more black-and-white pages, these are the first volumes of my all-time favorite comic Robo-Hunter by John Wagner, Alan Grant and Ian Gibson, and Anderson: Psi Division, written by Wagner and Grant, and with several artists including Gibson, Brett Ewins and Barry Kitson. Rebellion has shown with their complete, warts-and-all collections of Ace Trucking and Ro-Busters that they can really do a great job of collecting both the main series along with ephemera and easily-forgotten one-offs, so I'm hoping that the Anderson book contains the remarkably weird and wonderful "Mind of Edward Bottlebum," which previous collections of the character have routinely skipped.




That's all for this month! See you in November!

Tuesday, October 21, 2008

Reprint This! The Daily Star Judge Dredd strip



Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected several titles which should be on bookshelves, but at this time are not.

One missing gem is the JUDGE DREDD newspaper strip which originally appeared in the pages of The Daily Star. Various teams worked on the series, initially John Wagner, Alan Grant and Ron Smith, and later Ian Gibson. Three samples from the Wagner-Grant-Gibson team are included here. The strip ran for about sixteen years under various teams, concluding in the late 1990s, but it's the first few years of material which is most crying out for a reprint.



Judge Dredd was, of course, created by Wagner and Carlos Ezquerra in 1977 for the pages of Britain's new sci-fi comic anthology 2000 AD, debutting in the second issue. He's a gruff, impartial, impatient policeman-plus who patrols the mean streets of the lunatic future megalopolis of Mega-City One, located on what's today the eastern half of the US. Thirty-one years and 1600 issues later, Dredd is still going strong, with a very nice reprint program going to keep his regular weekly adventures in print. But Dredd has appeared in several other outlets over the years. In 1981, the Daily Star commissioned a weekly episode of the strip. These were produced by Wagner, Grant and Smith and many, but not all of them, were collected in an annual series of five slim Judge Dredd Collections published by Fleetway, and many of these were then recompiled into a hardcover Judge Dredd Mega-Collection in 1990.

After a few years, Dredd was transitioned into a regular Monday-Friday continuity slot, typically telling tales across nine to fifteen weeks. Gibson began alternating with Mike Collins in 1988 before Collins became the regular artist. In time, the strip lost its regular team and a large number of different writers and artists contributed - Andy Diggle, Gordon Rennie, Mark Millar and Carlos Pino all put in time telling stories of Dredd and his world.



The weekly Star Dredd was pretty entertaining, but the daily version is the real treat. Admittedly I'm incredibly biased - even moreso than usual - because it combines two of my favorite things about comics: reading daily strip sequences and Ian Gibson's artwork. Readers never got the idea that Wagner and Grant were just hacking this out while saving their best ideas for 2000 AD. There's a great one that deals with the stupid Mean Machine Angel trying to convince some criminals who have built robot replicas of his dead criminal family that no, really, there never was any lost Angel Gang loot; they really did spend it all. Another features the talking horse from the classic "Black Plague" story getting Dredd's help to deal with some Cursed Earth slavers, and it's all done with that classic tongue-in-cheek and over-the-top mix of black comedy and violent melodrama that nobody does better than John Wagner.

Rebellion has been doing some really wonderful collected editions of 2000 AD series, but the slightly smaller dimensions of these books wouldn't flatter the material as well as something a little larger. Titan Books has, of course, been earning praise for their large-format collections of classic British newspaper strips like James Bond, Jeff Hawke and Modesty Blaise. I suggest that something in that format, with supplemental interviews and background material, as well as a complete "stripography" in the back, would be exactly what the daily Dredd needs. With a decent page count, Rebellion could conceivably reprint all the Wagner and Grant episodes in two books before evaluating whether to continue with the other material. I'm enough of a completist that I'm all in favor of seeing everything, but two's a good starting point. How about it, Rebellion?




Before I leave you this week, I do have a couple of other notes about some reprints my readers might find interesting.

I first heard of Mort Walker and Jerry Dumas's 1960s feature Sam's Strip - a comic strip about comic strips - in Walker's book Backstage at the Strips, a great book which I obtained and read years ago and did not realize was missing from my shelves until a couple of weeks ago when I went looking for it. Anyway, Fantagraphics will have a complete collection of this oddball and charming strip, which ran for less than two years, on your shelves in December. Read more about Sam, and the current fad of prestige reprints, over at Westfield Comics.

Also, had a pretty good suggestion at his Let's Anime blog: the long-running 1970s-80s crazy future ESPer action of Chojin Locke. I'd like to see more of that, too!

And, I probably didn't do Richard Bruton justice when I mentioned The Uncollecteds a couple of months back, but if you enjoy people talking about rare old comics that need new editions, you'll really like this series over at Forbidden Planet's blog, so check that out!

(Originally posted October 21, 2008, 05:43 at hipsterdad's livejournal.)