Reprint This!: dc universe

Showing posts with label dc universe. Show all posts

Wednesday, February 10, 2010

Reprint This! Update on Gahan Wilson

Be careful what you wish for department: I've loved Gahan Wilson's work for many years. He's an amazing talent, and while you may never find a consensus as to precisely when Playboy was no longer really worth the effort, it's clear that the cartoons have been the best thing about the magazine for many years, and Wilson's the best of those.

Fantagraphics has pleased me greatly by releasing this fantastic collection of all of Wilson's gleefully surreal and macabre work for Playboy. It is one hell of a presentation. It's three hardback collections in a slipcase with a plexiglass backing. The back cover of each volume features a different hilarious photo of the 79 year-old artist's face and hands pressed up against glass; boxed in the slipcase, it looks like he's been crammed into the box and is praying for release. Each book has a die-cut cover and, while arranged chronologically, is divided into sections by inserted pages repeating the die-cut of the cover.

This can't have been a cheap book to produce, and the price tag confirms it: $125 is a lot to pay at retail. It's worth every penny, as, apart from the bells-n-whistles of the presentation, it does contain every single drawing that Wilson did for Playboy, along with short stories, appreciations by Hugh Hefner and Neil Gaiman, and an interview with the artist by Gary Groth. It's nearly 1000 pages long, the cartoons are printed at their original publication size (that is, mostly one to a page), and it's all done on just about the nicest paper available. It's a book that just oozes quality.

And yet... there's a part of me that wishes there was a little less to it. Don't misunderstand me; Fantagraphics has created an amazing tribute, and I'll treasure my copy, but $125 is a really tall order. The presentation and the supplements are wonderful, but I can't help but wish that Fanta made this material available in a series of inexpensive softcover volumes as well. I feel at least a little strongly that great comics should be available to as wide a range of buyers as possible. Then again, I thought that about the thematically similar complete hardcover editions of Calvin & Hobbes, The Far Side and Don Martin's work for Mad and nobody's put out anything resembling mass market editions of those, so I'm not holding my breath. Thanks for realizing one Reprint This! request, Fantagraphics, but could you make sure the next one you fill is just a little more affordable?

Read more of what little I've written about the artist at A Journal of Zarjaz Things.

Read other reviews of Gahan Wilson: Fifty Years of Playboy Cartoons:

Jeet Heer at Comics Comics
John Hogan at Graphic Novel Reporter
Laurel Maury for the San Francisco Chronicle
The Comics Panel at the Onion AV Club

Every month, I pick out a few upcoming collected editions that sound a little neat, and pass those along to readers in what surely must be the least objective "collected editions" news around. For example, you'd do well to talk to your local comic shop about Dark Horse's April offerings. For one, they've got a hardcover collection of all of Evan Dorkin and Jill Thompson's Beasts of Burden stories. I've read a couple of these and they are really quite good. The series is about a menagerie of dogs and cats who defend a small community against weird supernatural grotesqueries, and I guarantee you that the last page of the second issue will send the meanest chill up your spine you've ever felt. They're also issuing a paperback edition of Frank Miller and Dave Gibbons' complete, 600-page Martha Washington series. Actually, I don't much care for this title at all, but 600 pages of Gibbons drawing anything sounds good for only thirty bucks.

But the really, really cool thing is this: A long time ago in a market far, far away, Dark Horse had issued full reprints of Marvel's old Star Wars series, the one by Roy Thomas, Archie Goodwin, Carmine Infantino and Walt Simonson, among others, but it was at a disagreeable price point and I never bought them. But in June, Dark Horse is doing them in their successful omnibus line of reprints, and you'll be able to get the first 26 issues of the series in one volume for only $25. Good job; I will probably buy that!

I will also be passing on IDW's forthcoming Li'l Abner series, but I'm glad to hear about it. The comic strip by Al Capp ran for forty years, leaving behind a downright odd film adaptation that featured both Julie Newmar and Billie Hayes, a tie-in soda called Kickapoo Joy Juice which, as Ski / Mountain Dew clones go, was just fine by me, and an amusement park called Dogpatch USA which still sits abandoned in the middle of nowhere, Arkansas, attracting explorers and Airsoft players. Some years ago, Kitchen Sink embarked on a complete reprint of the series that never finished, and, to hear my dad tell it, didn't get to the strip's really good years that started in the late 1950s. My dad probably likes Li'l Abner more than you, mind. Anyway, it's another addition to IDW's "Library of American Comics" imprint, a big line which nobody can afford but which we're glad to see available anyway.

I don't know whether you've tried to read Marvel or DC's forthcoming solicitations, but it's been getting harder and harder to separate the gems from the dross, in part because, as an eyeball-bludgeoning glance at the graphic novel shelves at Borders will confirm, the companies are hell-bent on rereleasing everything that they publish in these flimsy, 144-page things which retail for $14.99 and which get battered all to heck on the shelves. Nevertheless, somewhere in those fields of crap, if you look through DC's summer notes - they will be offering eight separate hardcovers detailing the thousands of pages of their current "Blackest Night" storyline - you'll see that the publisher is releasing a second Showcase collection of classic Doom Patrol episodes by Arnold Drake and Bruno Premiani. The first volume was easily one of the highlights of the line, and if you enjoy high-concept adventure stories, you'll probably get a kick out of these crazy sixties comics.

Lastly this time (yeah, it's a short one), we're still waiting on confirmation about what the forthcoming two volumes of Judge Dredd Restricted Case Files will contain, but the big news from Rebellion is the formal announcement of two July books: The Stainless Steel Rat and Al's Baby, two titles drawn by Carlos Ezquerra which I have wanted to see reprinted for such a long time. Place your orders now, friends, and tell everybody you know. The Stainless Steel Rat, based on three novels by Harry Harrison, is 36 episodes of twist-filled, high-concept, con-artist sci-fi from the early eighties, and Al's Baby is 33 episodes of hilarious mob-comedy about a hitman who cannot convince his wife, the godfadda's dotta, to have a baby, so he's got to carry one himself to avoid a pair of concrete boots. Cross-dressing, getaway cars, first trimester cravings, high explosives, labor pains and sleeping with the fishes, it's all here and it's very funny. Spread the word!

That's all for this month! See you in March!

Tuesday, November 10, 2009

Reprint This! Update on Showcase Presents

By now, I think everybody knows about DC's line of big, black-and-white reprints, Showcase Presents. By taking a warts-and-all approach to archiving the company's Silver- and Bronze-age material, they've made great chunks of their past available in a convenient format for the first time ever. In doing so, they've allowed audiences to reevaluate hidden treasures (both Bat Lash and Enemy Ace turned out to be even better than hoped), while also showing that certain blasts from the past really weren't worth the effort (try the third, overwrought, volume of Justice League of America if you must, or the insanely repetitive War That Time Forgot).

Unfortunately, one of the company's recent releases, Eclipso, falls in the latter category. This collection is only about 300 pages long and I still couldn't finish it. The series, created by Bob Haney and Lee Elias, originally ran in the anthology title House of Secrets from 1963-66. It has some notoriety for a handful of episodes drawn by Alex Toth, but even those can't elevate the material. It concerns a peace-loving friend of humanity, scientist Dr. Bruce Gordon, who got into a fight with a witch doctor in the Pacific and was scratched by a black diamond. Now, whenever there's an eclipse, Gordon dons a ridiculous leotard and funny hat and becomes Mr. Hyde, or, I mean, the Incredible Hulk, that is, Eclipso. It's an unbearably simplistic and repetitive adventure story, with by-the-numbers plots that wouldn't pass muster on a Hanna-Barbera Saturday morning cartoon from the period. Toth's episodes at least look the best, but the bulk of the book is drawn by Jack Sparling, and it is some pretty ugly work. These are comics which can very safely be avoided.

Well, even though Eclipso isn't to my taste, DC has done a terrific job in packaging his exploits. While most of the Showcase line brings you about 500 pages of comics for around $17, this is the second in a little sub-line that has been termed "Skinny Showcases." These are ideal for shorter-run characters like Eclipso, who do not have as much material as the A-list stars, but maintain a following nonetheless. These have a smaller page count - around 300 pages - for just ten bucks. Even though I didn't care for the material myself, the package and the price point makes it a great bargain, and I'm pleased that DC will be using it again in the spring with the release of Dial H for Hero, a 1966-68 adventure series by Dave Wood and Jim Mooney.

DC releases about one Showcase Presents volume a month, most recently the second collection of The House of Secrets, focussing on the early 1970s incarnation of the book as a horror anthology. Upcoming in the line are DC Comics Presents: The Superman Team-Ups, a third collection of Wonder Woman, the early 1970s Secrets of Sinister House, a third volume of World's Finest and the Dial H for Hero book mentioned above. The long-overdue Suicide Squad, originally solicited two years ago, has re-emerged on Amazon with a June 2010 release date.

Read more of what I've written about the DC Universe at A Journal of Zarjaz Things.

Read other reviews of Showcase Presents Eclipso:

RKB at Pigs of the Industry
Jon the Crime Spree Guy at Central Comic Zone

These are the only reviews I've seen for this book. If you've reviewed it, let me know and I will link to it here!

In other news from the last month, DC has a pair of interesting projects coming in the spring. They're doing a collected edition of their incredibly fun oversized Wednesday Comics, with the pages shrunk to a little more manageable 11x17, and with the pages arranged so that each storyline will become its own 12-part chapter. They're also repackaging the first twelve issues of the excellent Losers series by Andy Diggle and Jock into a single collection - they had previously been released as two trade paperbacks - in anticipation of the feature film adaptation. That will be in theaters in March, and the new collection on shelves in February.

DC's also been publishing these pretty nice omnibus collections of Jack Kirby's work for the company, work that's probably due one of those nice little updates like I did for the Showcase line above, to be honest. Anyway, if I've counted right, there are eight out there now, and the ninth, reprinting a big chunk of the 1940s Newsboy Legion series, is due out in March.

Speaking of Kirby, of course you know his biographer and friend Mark Evanier is, with Sergio Aragonés, one-half of the team behind the delightful Groo the Wanderer. Back in June, I mentioned a Groo Treasury, which was planned for October from Dark Horse. Well, October came and went without it. Mark confirmed, at the Marvel Masterworks Message Board, that Dark Horse has been sourcing better-quality films of some of the earlier material. The book has been postponed and will be resolicited when it is ready to go.

IDW has tentatively scheduled the first three of their Archie reprint books for next summer. As we've mentioned before, these are not the same as the near-monthly line of hardcover, chronological archives that Dark Horse is starting up. These include a "Best of Dan DeCarlo" collection in May, followed by a look at the 1946-48 period of the newspaper strip in June, and least promisingly, a run of the mid-1960s Pureheart the Powerful superhero material in July.

Fantagraphics has announced that they'll be releasing a series of Golden Age anthologies edited by Greg Sadowski. There are six books in the series, and they'll presumably be scheduled from 2010 through at least 2012. They include collections of Alex Toth, Basil Wolverton, Jack Cole and Dick Briefer, along with anthologies of forgotten horror comics and rare work from the EC Comics regulars.

Over at Down the Tubes, John Freeman has posted details about the third in Reynolds & Hearn's Century 21 collections of classic Gerry Anderson strips. Seems I was mistaken in assuming this book, entitled Escape from Aquatraz, is a Stingray-only collection. Like its predecessors, it collects work from several different series by Ron Embleton, Frank Bellamy, Ron Turner and others. It's due in British stores later this month, and a fourth book, which Steve Holland reports as being titled Above and Beyond, is planned for the spring.

Lastly this time, well, I got my hopes up that Rebellion and Diamond would have stopped butting heads, since the comic shop supplier is, as mentioned last month, planning to distribute both of the British company's December offerings to the American direct market. Unfortunately, fans interested in the two January releases will have to buy them from other sources, because Diamond's skipping them again. They both sound very much worth it: the second in a series of four hardback collections of the massive ABC Warriors "Volgan War" epic (the first of which was reviewed last month over at my review blog) and the most recent set of Strontium Dog stories, "Blood Moon." Wherever you track them down, they're sure to set all your thrill-circuits buzzing!

That's all for this month! See you in December!

Thursday, October 1, 2009

Reprint This! Five Short Suggestions

THE AMAZING WORLD OF DC COMICS

Together with its more commonly-seen counterpart, Marvel's FOOM, this professionally-assembled "fan"zine brought together interesting news features, interviews and otherwise-unseen production art, giving a fascinating look behind the scenes of the publisher in the 1970s. I only had two issues as a kid, one of them a special issue spotlighting the Lynda Carter Wonder Woman TV show, but I enjoyed the heck out of them. Back issues are both ridiculously scarce and jawdroppingly pricey, particularly the high-demand one looking at the Legion of Super-Heroes.

This is the sort of thing that, if DC doesn't really want to bother repackaging, they could certainly license it out to TwoMorrows or somebody, who have shown, with all of their archiving of classic fanzines, that they could do a great job with it.

NERO WOLFE by John Broome and Mike Roy

For just over a year, from 1956-57, there was a daily Nero Wolfe comic strip. While credited to Wolfe's creator Rex Stout, it was actually drawn by Mike Roy and scripted by Silver Age DC Comics superstar John Broome, best known for his writing the resurrected Flash and Green Lantern adventures in the sixties.

Stout reportedly wasn't very taken with the strip, and while this sample shows that Broome correctly noted Mr. Wolfe's eccentric schedule, he otherwise got much of Wolfe's fussiness wrong. The fan group "The Wolfe Pack" assembled a PDF of many of the strips, which you can view at their website, but several of the strips are unfortunately in very poor quality. One of these days, I may have to trek up to Athens and spend the day in the UGA Library printing pages from fifty year-old papers to read 'em myself. Or somebody like IDW could just put a nice book out for me...

ONE BIG HAPPY by Rick Detorie

Perhaps one of the least likely suggestions I've come up with for this feature. NBM released some collected editions of this popular daily feature in the late 90s, but none of them apparently sold very well, and I think this very overlooked daily has probably missed its chance to be a major breakout.

Readers know that there's a lot to it beyond the silly puns and wordplay; Ruthie and her older brother Joe are just about the most perfect little kid double-act on the modern comics page, every bit as weird and oddball as my own two children. If you're one of the many who lost touch with One Big Happy over the years, I suggest it's absolutely worth another look.

PONYTAIL by Lee Holley

Holley worked as an assistant to Hank Ketcham in the late 1950s before starting this incredibly cute daily panel comic about a freewheeling teen girl. I have not seen very much of this comic, which ran for twenty-eight years and is well-remembered by comic aficionados both for Holley's wonderful, loopy inking style, and for its sweet, nostalgic depiction of small-town teen life, with malt shoppes, pizza joints, hot rods, lettermen's jackets and jalopies. Either IDW or Fantagraphics would do well to look into this classic.

Sherm Cohen has been posting scans from Dell's 1960s Ponytail comic book over at Cartoon SNAP for the last month or so. You can also read one of the backup strips from that comic over at my own Zarjaz Journal from last year.

SUPER-HIP by Arnold Drake and Bob Oskner

Don't say I never gave you anything, Johnny Bacardi, because this one's for you! In 1950, when comic books were downright ridiculously weird, DC (or, more accurately, National, the company that would become DC in time) used to publish comedy titles "starring" movie stars like Bob Hope and Jerry Lewis. The Bob Hope comic was among the longest-lasting of these, but by 1965, even it had shown its age. So to keep things all groovy and relevant for the kids, Arnold Drake and Bob Oskner turned the book into a demented melange of superheroes, wacky monster comedies and with-it Carnaby Street Swingin' London cool. Enter, with issue # 95, Bob Hope's nephew Tadwallader Jutefruce, the secret identity of the flying, guitar-playing, shape-changing Sultan of Swingers, Super-Hip!

I only have one of these issues, and it's one of the nuttiest comics I own. They're actually scarce as all get-out, because Silver Age collectors, only interested in superhero continuity, never thought twice about the Bob Hope comic, and often had no idea that DC's most genuinely odd creation was fighting vampires and squares within its pages. DC long ago lost the license to reprint the Bob Hope comic, and I imagine his estate would probably charge a penny or two for reupping the license rights, but it would seem that in the last fifteen issues of The Adventures of Bob Hope, Bob only appeared as a host character.

Actually, I wonder whether the trademark on Super-Hip has lapsed. Normally, a publisher has to use a character somewhere, somehow, every few years to keep the trademark active, but Super-Hip hasn't appeared in any comic book for four decades. If so, any enterprising publisher could tweak the "Bob Hope" image and call him "Ted" or "Bill" or something and otherwise reprint these outright, couldn't they? Well, if anybody does, I hope they just remember to cut Drake's and Oskner's estates a royalty check or two. They were great talents, and their offbeat little creation should, in a just world, be earning a little money from people like me who'd love to snap this up. (Of course, if DC still owns Super-Hip, we're probably in for a long wait. They still haven't said a word about Angel and the Ape, The Inferior Five OR Sugar and Spike, the cads!)

Thursday, September 10, 2009

Reprint This! Update on Thunderbirds

The archivist, everything-in-order side of me doesn't approve of them, but Reynolds & Hearn has released the first two volumes in a series of large-format reprints of Gerry Anderson tie-in comics. These feature the lovely artwork of Ron Embleton, Mike Noble, Frank Bellamy, Eric Eden and others, with adventures from the comic versions of Thunderbirds, Stingray, Captain Scarlet and others. These originally ran in 1965-69 in the pages of the anthology TV Century 21 and its sequels and spinoffs. The first volume features an introduction by Chris Bentley, who makes a strong case for including this comic alongside Eagle and 2000 AD as the three most important and influential of British comics.

As a sampler, these are very good books. I finished the first one and enjoyed most of the ten stories in it, though I was disappointed by the reproduction of the Stingray adventure "Haunting of Station 17." I realize that reprinting double-page spreads is a challenge, but it's always a bummer to see artwork and word balloons disappear into a book's gutter. It's made worse when it's such lovely painting by Ron Embleton, and when the pages have an outside margin of about an inch. These could surely have been laid out with a greater inside margin to prevent that happening,

Otherwise, the book is a very good sampler of the comic, with a mix of short stories and the longer epics. It leads with a really interesting Fireball XL5 story which crosses over into both Stingray and Lady Penelope, which instantly disproves the old thought that a similar crossover in Battle Picture Weekly was British comics' first - TV21 beat them by thirteen years! My favorite story in the book was another Lady Penelope serial, drawn by Frank Langford. This, and many of the other stories here, were scripted by regular Gerry Anderson TV scribe Alan Fennell, but there's an interesting Zero X story about a planet of skeleton monsters written by Angus P. Allan, who went on to write the majority of the strips in Look-In during the 1970s and 1980s, which is worth a read. There never was a Zero X TV series; this was the ship that International Rescue and Spectrum had to keep getting out of trouble.

At any rate, Reynolds & Hearn released two volumes of this series in the spring. A third, "Escape from Aquatraz," and apparently focussing just on Stingray episodes, is due before Christmas. I would have preferred straight reprints of everything in their original order - I don't suppose we'll ever get such a thing - but whether you just want to kick back with some nostalgic, escapist fun or would like to reappraise some artwork that was even better than you thought it was, you should certainly check these out.

Read more of what (very little) I've written about Ron Embleton at A Journal of Zarjaz Things.

I have not any real reviews for this book, only previews. If you see a review of it, or post one yourself, let me know and I will list it here.

In other news this month, I do like to make updates when something from the Reprint This! wish list makes it back into print. Rebellion has made this reader at least a little happy by issuing a new, limited edition collection of the first storyline for the grouchy, future detective Armitage by Dave Stone and Sean Phillips. The reprint appears in the freebie "graphic novel" bagged with Judge Dredd Megazine # 287, and it's available in US shops now. If you're going digital, you can purchase PDFs or CBRs of this Megazine and the reprint (130 pages in all) from Clickwheel for just $3.99.

It's been strongly hinted that a follow-up edition, featuring some of the Charlie Adlard-drawn episodes, might appear in another Meg before the end of the year. Hopefully all the time spent adding these episodes to the company's digital archive will count towards a proper bookshelf edition before much longer!

I haven't thought of it in years, but when I was a kid, Dik Browne's Hägar the Horrible was one of my family's favorite strips. There have been dozens of paperbacks over the years, but it's finally getting the archival hardback treatment from Titan. The first collection, featuring all the strips from 1973-74, is due in November. Titan's look back at the British wartime strip Jane is finally back on the schedule as well. It was anticipated some months ago but delayed due to production issues. Still no sign of their long-overdue Best of Battle book, sadly.

A few months ago, I passed along the rumor, originally reported by Chris Duffy at the mostly-defunct "Comic Books Are Interesting" blog, that the obscure King Aroo, a delightful, surreal, pun-filled 1950s strip by Jack Kent, might be due for a collection. Publishers Weekly this month confirmed that IDW does indeed have a collection planned for 2010. It's part of their "Library of American Comics" imprint, and other strips selected for 2010 releases include Blondie and Secret Agent X-9. The latter strip was scripted by Dashiel Hammett, the godfather of American detective fiction, and drawn by Alex Raymond, and I've been curious to see it for many years now. Preceding all of these, however, is a collection of a later Raymond strip, the detective drama Rip Kirby, which began in 1946. IDW plans five volumes compiling all of Raymond's work on the title before his untimely death in 1956; the first of these fifty-dollar hardcovers is due late next month, and a second in March of next year.

I enjoyed the volume of Fred van Lente and Ryan Dunlavey's Action Philosophers that I read. I read at The Comics Reporter just yesterday that Evil Twin Comics is releasing a big collection of all three volumes, along with four bonus stories, later in the year. It's wacky, biographical fun, very well drawn, and a great gift for the know-it-all academic type in your life.

The two "Skinny Showcases" from DC that I have mentioned before are both out. Bat Lash, reviewed the other day at my Bookshelf blog and Eclipso are each about half as thick as a usual Showcase for around half the price. Two other anticipated "Skinny Showcases" are off the table for now: the Ramona Fradon Super Friends was cancelled without explanation at the beginning of the summer, and The Creeper was axed in favor of a hardcover, color collection of all Steve Ditko's episodes, including the late 1970s ones from the World's Finest anthology which were not planned for the Showcase. That's due in 2010.

This month's Marvelman update: Kurt Amacker interviewed writer Alan Moore last week, and he certainly seems to think that a collected edition of his old series is in the works. Even if, Alan being Alan, he'd like Marvel to publish the book without his name on it.

Finally this time, assuming Diamond can be trusted to deliver them, Yen Press's brand-spankin' new editions of Kiyohiko Azuma's oddball, addictive family comedy Yotsuba&! should be in stores today. They've reissued the first five volumes and brought out the first English-language edition of the sixth, with at least two more scheduled for 2010.

That's all for this month! See you in October!

Monday, August 10, 2009

Reprint This! Update on The Actress and the Bishop

You know what you probably don't have nearly enough of in your comic boxes and shelves? Sequential art by Brian Bolland. It's possible you have a copy of The Killing Joke, and a smattering of Judge Dredd episodes, and you might have decided that his artwork is good enough to overlook the dated and dull script of Camelot 3000, but since Bolland elected to concentrate on cover art so many years ago, actual strip work has been hard to come by.

In the late 1980s, Bolland contributed a pair of three-page strips to the anthology comic A 1. They star a mismatched duo called the Actress and the Bishop and were told in rhyming couplets and they are quite wonderfully silly, and of course the artwork was completely lovely.

About fifteen years later, Bolland finally finished a 17-page followup to the initial episodes. Called "The Thing in the Shed," it is a delightfully loopy little story which bounces from suburban dread to missing pets to Biblical recreations to cowboy adventure. Bolland invented the perfect little format to draw whatever the heck he wants to, as either the frumpy, comical Bishop or his gorgeous, frequently naked housemate Actress remember or imagine, in their rhyming narration, old books or lost loves.

"The Thing in the Shed" first appeared, I believe, in 2005's Bolland Strips!, a wonderful hardback co-published by Knockabout and Palmano Bennett which collects all, or just about all, of the oddball little shorts that Bolland has scripted and drawn over the years, either for himself or for small publishers. But for newer readers, the Georgia-based publisher Desperado has just released a wonderful little 32-page Actress and the Bishop one-shot comic, so for just $3.99, you get all of the duo's appearances, along with a couple of pin-ups. Sure, I normally spotlight bookshelf editions in this blog, but since there's so little of these characters available, a traditional comic book is a perfectly good way to get everything, and cheaply.

Desperado does not currently have this title available in its online store (and if they do, their postage rates are a little high for a single issue), but any good comic shop can order it for you, if they don't have it in stock already. Stop by your local funnybook store on the way home today - and tell 'em Reprint This! sent you!

Read more of what I've written about Bolland at A Journal of Zarjaz Things.

Read other reviews of this book:

James Hunt at Comics Daily
Rich Johnston at Bleeding Cool

In other news from the last month, there was a very brief flurry of excitement over Marvel Comics' announcement that they had acquired the rights to the British superhero Marvelman from his creator Mick Anglo, until it became evident that what they had were the rights to tell new stories with the character, and to reprint his original 1950s adventures, which even devotees of old British comics like me find to be pretty dated and dull. Marvel is said to be still working out details to pave the way for the 1980s series written by Alan Moore and Neil Gaiman. Certain trademarks created for and exclusive to the 1980s series, owned by Todd McFarlane and by Dez Skinn respectively, still stand in the way for this series to be reprinted. I decided some time ago that I would update this blog on the first with a feature, and on the tenth with a general news roundup, with a "breaking news" update, should any of the features get called up for duty. Suffice it to say that I'm still not anticipating writing a "breaking news" update on Alan Moore's Marvelman any time soon, though I certainly hope that I'm wrong!

Speaking of Marvel and Alan Moore, the publisher has released a giant Captain Britain omnibus edition that massively expands the material in the existing trade paperback collection of material written by Moore and drawn by Alan Davis. The existing book just reprints the Moore material, even though he came on board after several episodes that were scripted by Dave Thorpe which established the "Jasper's Warp" storyline. As a result, that book is a little patchy and hard to follow at first. The collection also carries on, after the end of Moore's tenure, and reprints several episodes from Captain Britain's mid-eighties Marvel UK title that were written by Jamie Delano.

You know, I was expecting more announcements from San Diego, but I really didn't see anything huge as far as reprints go. I suppose the possibility of Marvelman was the biggest one for most folks. On the other hand, Fantagraphics did tell everybody that they're finally planning a spring 2010 launch for their long-delayed Pogo reprint line, and they also announced a forthcoming archival project for Ernie Bushmiller's Nancy. Interestingly, the publisher is apparently not planning to delay their Nancy books looking for print-ready copies of the rare strips from the first few years; they'll be starting with volume two and release the first book sometime down the road. Most everything else I heard was hyping new projects and not reprints, however.

As far as actual solicitations go, DC has finally decided to put together a second volume of the 1990s Shade the Changing Man by Peter Milligan and Chris Bachalo. It's said to contain issues 7-13 and is scheduled for November. Milligan is currently scripting Hellblazer for their Vertigo imprint, and the first collection of his work there is planned for October. The big news, I'd say, is that DC has finally solicited the long overdue collection of the classic 1940s Captain Marvel storyline "The Monster Society of Evil," in time for Christmas.

Also in the latest solicitations, IDW has a pair of highly-anticipated books. The company is rolling out the first in their planned series of five Bloom County archival hardcovers in October, along with the late Dave Stevens' much-loved The Rocketeer, which will come, as speculated, in two different hardcover editions. There's a $30 book which reprints all of the character's adventures, and also an oversized, deluxe $75 version which will contain an additional hundred pages of sketches, pinups and other supplemental material.

That Woody Allen comic strip I was mentioning, with the Buckminster Fuller introduction? It's real. No kiddin'!

Lastly this time, Bear Alley Books has released details of their third and fourth collections: a complete run, across two volumes, of Johnny Future by Alf Wallace and Luis Bermejo. 51 episodes of this superhero strip originally appeared in the British anthology title Fantastic, alongside a host of Marvel superhero exploits, in the late 1960s. The books will feature new covers by Garry Leach.

That's all for this month! See you in September!

Sunday, May 10, 2009

Reprint This! Update on Starman

I finished reading the second of DC's new Starman Omnibus collections, and I have to say that this is emphatically the right way to do a collected edition of a modern book. The fifty-buck hardcover reprints thirteen issues of James Robinson's superhero series, along with the first of the series' annuals and three issues from the anthology Showcase which feature the supporting players, along with considerable background details, commentary and sketches from the artists, who include Tony Harris, Guy Davis and Steve Yeowell.

If you've never had the pleasure of reading Starman, I really believe this is among the two or three best American comics of the '90s. It's the story of Jack Knight, a reluctant second-generation hero and the sixth to use the name, who defends the beautiful art deco metropolis of Opal City from bizarre crime. It's a book more about family and heritage and honor than it is fisticuffs and the usual superhero shenanigans. Robinson occasionally displays a tin ear for dialogue, but his narration is really captivating, and it's easy to get caught up in the grand sweep of Opal and her champions.

A detour to New York City to consult one of the DC Universe's original heroes, the Sandman, is so note-perfect that the publisher should use it to teach new writers how to craft an engaging crossover, and a later story which pits Jack and two unlikely allies against a demon in a poster is surprising at every turn, with a clever conclusion that will have a lasting, fascinating impact on future stories. It's definitely a title worth reading, and thumbs up to DC for creating such a nice package. They plan to publish the complete 81-issue series and all of its side stories and supplements in six of these omnibus volumes.

Read more of what I've written about James Robinson at A Journal of Zarjaz Things.

Read other reviews of this series:
Van Jensen at ComicMix
Randy Lander at Inside Joke Theatre
Greg Oleksiuk at PopMatters
Jason Sacks at Comics Bulletin
Paul W. Smith at Den of Geek

In other news, perhaps the month's biggest announcement has come from Alan Moore, confirming the rumors that Top Shelf will be issuing a complete edition of his "published-in-many-places" comedy The Bojeffries Saga. This new collection will include a new 24-page story that artist Steve Parkhouse is said to be tackling now. Moore's announcement came in the second part of the mammoth interview that Pádraig Ó Méalóid conducted for The Forbidden Planet Blog.

Fantagraphics has unveiled a little more about their forthcoming collection of Gahan Wilson Playboy cartoons. It's still on track for an October release. The three-volume slipcased hardcover is going to set you back a tidy $125, which means I'm putting $10 a paycheck in the kitty for this starting now. The book will feature introductions by Neil Gaiman and Hugh Hefner, and not only every cartoon that Wilson's contributed in his fifty-one year tenure with the mag, but his fiction and accompanying illustrations as well. The behemoth will clock in at more than 1000 pages. Can't wait, even if my accountant might want to have a word or two with me about it.

Speaking of Playboy, Dark Horse's collection of the two issues of the Hef-published Trump, mentioned here back in January, has been delayed and is due out in mid-August. This will feature classic work by Harvey Kurtzman, Will Elder, Jack Davis, Al Jaffee, Wally Wood, Mel Brooks, Max Shulman and many others. Incidentally, my son finished the first half of Fantagraphics' Humbug, the magazine that followed Trump, and not only proclaims it to be awesome, but also wants it noted that he's the only modern-day tween to have read it.

In what sounds like it was a late April Fool's Day joke which went a little far, it's been strongly rumored that IDW is preparing a collection of Jack Kent's long-running newspaper strip King Aroo for later in the year. The strip ran for an impressive sixteen years before winding down in 1965, but it's incredibly obscure because only a single paperback collection was ever issued, in 1953, and because it only appeared in a handful of papers for most of its run. Some of the sample strips available online show it to be an incredibly charming and silly strip, reminiscent of Pogo with its puns and quirky characters, and while I'm curious to see more, I think IDW has something of an uphill climb selling this almost unknown character to a modern audience.

Speaking of Pogo, most recent word on the grapevine is that we'll be waiting until sometime in 2010 for the new line of Fantagraphics collections to get going.

And speaking of IDW, whether they are going to do something with King Aroo or not, they are planning a reprint of Elaine Lee and Michael Kaluta's 1980s SF serial Starstruck with new coloring.

Over at DC, it looks like Peter Milligan's well-regarded '90s take on Shade the Changing Man is finally getting some long-overdue attention. A collection of the first six issues was released many moons ago, and it's finally getting a second later this year. Personally, I find Shade to have aged very badly, but I'm still looking forward to this earlier stuff from the run. But before that, DC is prepping hardcover collections from some of the other titles in their run, similar to the Starman books, including Fables and Alan Moore's Tom Strong. And they've finally solicited the Eclipso "Skinny Showcase" I've been talking about for August:

SHOWCASE PRESENTS: ECLIPSO TP
Written by Bob Haney
Art by Lee Elias, Alex Toth, Jack Sparling and Bernard Baily
Cover by Bernard Baily
One of the strangest comics villains ever stars in this volume collecting HOUSE OF SECRETS #61-80! On an expedition in the South Pacific, scientist Bruce Gordon’s dark side is unleashed after being exposed to a black diamond. Transformed into the powerful Eclipso, he embarked on an evil rampage as his good side attempted to reassert control.
Advance-solicited; on sale August 26 • 296 pg, B&W, $9.99 US

If you're enjoying Drawn & Quarterly's collections of the Moomin comic strip, and who in their right mind isn't?, then you might want to check out some reissues of the classic Moomin picture books that Tove Jansson did in the 1960s and 1970s. The publisher is starting up a new line of children's books called D+Q Enfant devoted to "lost classics and new soon-to-be classics" which will include the old Moomin series. Fine, give me another reason to want to have another kid before too long.

When I featured a blurb last month about our friends at Titan Books, I didn't have any news about Roy of the Rovers. Well, there's a new set of 1970s strips due in June - 208 pages of "scorching soccer action" from the period that introduced the hotheaded character Paco Diaz and took a hardline stance against hooliganism in the stands. Down the Tubes also points out that Titan's long-delayed Best of Battle is finally scheduled for next month as well. Fingers crossed!

That is all for this month. I would like to thank everybody for reading and all the nice e-mails, and also let everybody know that June's updates will be a little delayed. Look for the feature article on the 5th and the news update on the 15th. Happy reading!

Friday, May 1, 2009

Reprint This! Steve Ditko

Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected several titles which should be on bookshelves, but at this time are not.

Artist Steve Ditko has earned accolades, praise, the thanks of a grateful comic-lovin' world and even a Jonathan Ross-helmed documentary for the BBC on the strength of his work. One of comics' most notorious recluses, the quiet artist was blowing kids' minds in the sixties with his work on characters like Spider-Man, Dr. Strange, the Creeper and the Question, all of whom he created or co-created. In the seventies, his workload didn't slow down much, even if his profile was a good deal lower than previously. For the publisher Charlton, he drew hundreds of pages for their horror titles, while continuing to occasionally draw more conventional adventure stories. The stuff he was doing was sometimes outlandish or utterly unconventional, but it all shares two common traits: it all looks terrific and it's all out of print and quite difficult to find.

Marvel has released some of the artist's work for them in a large-format collection entitled Marvel Visionaries: Steve Ditko, but most of his work for DC and Charlton has not been seen since it originally appeared. Since DC owns almost all of the output from Charlton (everything, I understand, save the small amount of material which the creators themselves re-purchased, such as the superhero comic E-Man) and has even incorporated some of their more successful trademarks into their own continuity, I don't believe there's really anything stopping DC from assembling a package of some of these strips. (Reader Martin Wisse suggests that much of this material might also be held by Roger Broughton's company; Devlin Thompson told me that months ago and I should have remembered.)

Killjoy, for example, was a completely bizarre character who "starred" in a pair of delightful eight-page episodes. Almost nothing about the character was shown or revealed; the focus was on the villains who were whining and protesting that nobody had the right to interrupt their evil schemes. You wouldn't expect to find satires about government and corporate obstinance in the back of a children's funnybook in 1973-74, but there they were, a pair of wonderful, high-concept comedies masquerading as something about superheroes. They'd be forgotten if scans hadn't shown up over at The Groovy Age last year, although reprints of the two stories did show up in a small press collection called The Ditko Package in 1989.

In fact, there are several small press collections out there, not the least of which are the ones that Ditko's company has had a hand in. But none of these have had the ability to work with several different publishers to assemble something more consistent. Of course, even his major work is not readily available in a simple format - I don't believe you can just buy a single book with all of his Dr. Strange episodes without getting a lot of later, inferior work in the same package, for instance - but a broad anthology might be possible, and show off a lot of interesting material in one place. Blake Bell's wonderful site Ditko Looked Up includes a fascinating stripography which mentions several books I've never seen. He drew the final issue of something called Morlock 2001 and the Midnight Men for Atlas/Seaboard, for instance, as well as a couple of issues of Tiger-Man for that publisher, and four issues of Stalker for DC in 1975. Other work was a little sporadic at the time.

Apart from the horror comics and Shade the Changing Man, which I wrote up in an earlier Reprint This! and which deserves its own collection, and twelve episodes of Starman which appeared in the pages of Adventure Comics, there were unusual things like the first issue of Man-Bat, three episodes of the Kirby-created Demon and contributions to DC's SF anthology Time Warp. But best of all these things, from my perspective anyway, was the fantastic Odd Man.

I was about seven, and already a voracious comic reader, when DC started running house ads announcing the huge new expansion coming to their lineup. Called "The DC Explosion," one of these ads showed a group of characters who'd be getting their own titles or back-up series. The thunderously bizarre Odd Man was among the crowd in this one ad (you can see it at Fanzing's article about the debacle), and I was determined to see his story, and so I started scouring the Eckerd Drugs and 7-11s and Majik Markets for the issue of Shade the Changing Man which would feature the character. It was never released. As many of you know, the DC Explosion rapidly backfired into what we call the DC Implosion, and the contents of Shade # 9 were junk-published internally by the company for trademark protection.

I thought that was it for the Odd Man for almost fifteen years until I learned that Detective Comics # 487 published the story, or, as it turned out, a revised version of it, apparently with the cliffhanger ending jerry-rigged into an conclusion. I looked in every comic shop, junk store and flea market in north Georgia for this book, and could have assembled a complete decade's run of Detective except for # 487 until I finally heard about that new-fangled eBay thing that folk were talking about, and got an account just to buy this comic. And lots of other junk, but that came later.

At any rate, there remains a heck of a lot of great Ditko artwork out there which has never been republished. Unfortunately, some of the Marvel material includes licensed properties like Micronauts and Rom, to which the publisher no longer has the rights. But it's long past time to get started on a proper retrospective of this great artist's work. Sure, you're probably not going to coax a quote out of him for the back cover, but how about it, DC?

Friday, April 10, 2009

Update on Indiana Jones

In 1981, Marvel Comics got the license to release a three-issue adaptation of the hit film Raiders of the Lost Ark. The comic turned out to be pretty terrible, even if goodwill and curiosity turned the three-parter into a commerical hit. You know how Indy figures things out silently in the movies, and acts without telling people what he's up to? That's not how Indy works in that comic. Anyway, Marvel continued their license and released a pretty successful series of follow-up stories under the title The Further Adventures of Indiana Jones from 1983-86. This was a pretty uneven title, but it was occasionally very entertaining. The book seemed to suffer from the lack of a consistent creative team, but even if some of the contributions were a little underwhelming, you can tell from rereading the stories that veterans like John Byrne, Denny O'Neil, Howard Chaykin, Archie Goodwin and David Michelinie all enjoyed working with the character, and doing something a little different than the typical Marvel title.

Dark Horse has been Indy's comic home for several years now, and last year, they landed the rights to the old Marvel series, which had lapsed. The publisher has a really interesting reprint line, principally used for their licensed properties like this, Aliens or Buffy, which repackages about 350 pages in color for $25 in a format a little smaller than a standard American comic. Dark Horse had already released two of these Omnibus editions for their own Indiana Jones miniseries in 2008. This is the first Omnibus to reprint the Marvel series, and it collects the three-part Raiders adaptation and the first 12 issues of the ongoing series. Despite some genuinely awful coloring (as noted with examples in February at my LiveJournal), the comic has aged pretty well for something with so many thought balloons on the page, and the creators put Indiana through some pretty thrilling and fun paces. It's certainly worth checking out!

I have not seen any substantive reviews of this book. If you see any or have written any, drop me a line and I will list them here.

In other reprinting news, Yen Press has announced the release dates for the next three volumes of Yotsuba&!, the addictive family comedy series by Kiyohiko Azuma which had previously been published by ADV Manga. Volume six is due out in September, with the next two following in December and in April 2010.

There have been rumors for ages that DC Comics will one day be releasing a complete collection of the 1940s Captain Marvel storyline "The Monster Society of Evil," a much-loved serial that ran for several months and was recently revisited by writer/artist Jeff Smith in a very fun new version. Looks like we'll finally be seeing this classic in December. The Amazon listing is right here if you'd like to pre-order it.

In other DC news, looks like they've finalized plans for their Showcase Presents volumes through the end of the year, in a mix of $17 regular 500-page books along with ten buck 300-page "Skinny Showcases" in the summer, although it does appear they are slowing the number of titles released to allow people to actually catch up to them. Titles include Super Friends in May, The Creeper in June, the long-awaited Western adventure Bat Lash and the fourth collection of 1960s Batman in July; Eclipso in August; Warlord in September; House of Secrets volume two in October; DC Comics Presents the Superman Team-Ups in November; and the third volume of Wonder Woman in December.

News of some other new releases from the good fellows over at Titan have crept out. October should see a sixth collection of Charley's War along with new sets of stories from Dan Dare ("Safari in Space") and Modesty Blaise ("Death in Slow Motion," with the previously-announced October collection, "Scarlet Maiden," moved forward to August). No announcements yet about a third set of Jeff Hawke adventures - the second collection was reviewed last month over at my bookshelf.

Viz has not formally announced it yet, but it looks like they've got a plan for Rumiko Takahashi's InuYasha that I can get behind. The series, her longest-running but, to my mind, the least compelling, recently concluded and the 56th digest collection was issued in Japan in February. I picked up a few of these cheaply, but the prospect of having 56 of the darn things on my shelf was a little unappealing. Fortunately, it looks like they're going to begin issuing the series in their "VizBig" line, which collects three digests in a thick package priced about the same as two of the smaller ones, starting in November. They've already had some success with Dragon Ball, Rurouni Kenshin and Fushugi Yugi in this format, and I'm much more likely to follow InuYasha to its conclusion if I can spend less money on it, and not have to devote shelf space to 56 little books.

Finally this time, Rebellion looks to have settled on October for release of the fifth Sinister Dexter collection - the fourth volume was just issued in England - and the first proper collection of the excellent Judge Dredd epic "Mechanismo." This should include the first two arcs, with artwork by Colin MacNeil and Peter Doherty, which were once compiled by the previous book publisher Hamlyn in an incomplete package, but ideally this one will also include the never-before-reprinted third arc, with art by Manuel Benet.

See you next month! Thanks for reading!

Tuesday, March 10, 2009

Reprint This! Update on Grant Morrison's "The Flash"

About twelve years back, one of my favorite comics writers, Grant Morrison, co-wrote a memorable nine-issue run of DC Comics' The Flash in conjunction with his then-partner, Mark Millar. It was an exciting, engaging run of very good comics, and DC has finally put it back in print. And they've bumbled it completely.

DC decided to to reprint the nine issues across two trade paperbacks, padding out the second with a three-parter that Millar wrote himself. So if you, dear reader, would like to read all of Morrison's nine comics, you have to buy two books. Worse, there's still a fair chunk of story missing. Morrison's run comprises a pair of three-part adventures, with three "one-shots" between them. The last of these "one-shots," however, is actually the last part of a three-episode crossover with the other DC titles Green Arrow and Green Lantern. DC's collection doesn't contain any backstory or recap of what happened in those comics; you'll have to scour the back issue bins to find them.

So, to recap: a proper Morrison Flash reprint should have contained eleven issues. These would be the nine that he co-wrote and the two crossover issues. Instead, DC reprinted twelve issues: the nine Morrison wrote and what is to my mind an unrelated three-parter, and they did it in two books when it could have fit in one. What a shambles; you'd do well to avoid these collections until somebody at DC gets their head screwed on right and does it correctly.

Read more about what I've written about Grant Morrison at A Journal of Zarjaz Things

I have not seen any substantive reviews of this book. If you see any or have written any, drop me a line and I will list them here.

In other reprinting news, the good folk at Down the Tubes have mentioned some interesting news from English publishers Reynolds & Hearn: A little later this month, they're releasing a pair of paperback collections which compile a random assortment of strips based on old Gerry Anderson properties, including some of the Thunderbirds material I've mentioned once before in this feature. Other series in the books include Fireball XL-5, Lady Penelope and Captain Scarlet & the Mysterons, along with Zero-X, which Wikipedia tells me was a spacecraft which crosses between the continuity of a couple of these Supermarionation shows.

The comics feature work from the likes of Frank Bellamy, Mike Noble and Ron Embleton, and originally appeared in the anthology TV21. Amazon ordering links: volume one and volume two.

Back in October, I mentioned that Fantagraphics has a complete collection of Sam's Strip by Mort Walker and Jerry Dumas due out soon. This arrived in most comic shops last week, or you can order the $22.99 softcover from the publisher now. Chad Nevett reviewed the book last month for Comic Book Resources.

Finally this month, IDW announced at February's WonderCon that they'll be bringing out a complete edition of Dave Stevens' The Rocketeer. There will be a standard hardcover and an oversized deluxe edition with several pages of previously unpublished drawings, both of which will contain all of the original episodes, and they're due out in October. Editor Scott Dunbier and new colorist Laura Martin talked about the project at Comic Book Resources.

See you next month! Thanks for reading!

Tuesday, February 10, 2009

Reprint This! Update on The Freak Brothers

First things first: a welcoming wave to Chris Mautner over at Comic Book Resources, whose new column Collect This Now! has jumped on the Reprint This! bandwagon. It's always nice to have more people shouting at publishers with you. That said, I've got my next six features sketched out, so don't write about anything I'm planning to, would ya?

Anyway, once upon a time, you could buy The Fabulous Furry Freak Brothers at Sears. No kidding. The old Sears outlet store at Belmont Hills shopping center in Smyrna, Georgia had a small section of clearout books and magazines. It was there that we found the old collection of the X-Men "Phoenix Saga" for about three bucks, and a handful of these lunatic comics which were certainly not aimed at eleven year-olds. Frankly, I was afraid to have them in the house. I read a friend's copies, and never really warmed to them at the time, on account of drugs, in Reagan's America, being the devil's business.

Well, if your mind is a little more open than mine was in 1982, then you'll be incredibly pleased to know that one of America's funniest comic series has been compiled in a mammoth, 624-page edition by Knockout Press, sporting this lovely Rian Hughes-designed cover. This is said to contain every single appearance by Gilbert Shelton's trio of goofball ne'er-do-wells, who move from one dingy San Francisco apartment to another, when they're not running a bus to New York, starting a commune, being hijacked by terrorists or becoming leaders of the planet's most powerful religion. Shelton has not done nearly enough work in comics; these stories feature some of the funniest plots I've ever followed, with one lunatic right turn after another building situations into a spectacular pyramid of chaos. He and his co-writers (Dave Sheridan and Paul Mavrides are also credited) have a masterful sense of making their stories appear to be stream-of-consciousness silly, but in some of the longer tales, most notably "The Idiots Abroad" and "Grass Roots," every little piece that appears is vital to the overall plot, and the spiralling catastrophe that follows. This is really great stuff.

Knockout's presentation is really impressive. It's a little thicker than a Marvel Essentials, printed on glossy paper with a dust jacket. It contains two color sections and includes all sorts of bonus material, including posters, magazine covers and a series of hilarious cutaway diagrams of the various superstructures and amusement parks said to be part of the Rip Off Press empire. In all, the book is just a jawdroppingly good presentation of some fantastic comics. You should get a copy for yourself today.

Read a little more about this volume:

The Rag Blog has some prerelease hype
Alex Fitch interviews Shelton at Panel Borders
Other than these, I have not seen very much in the way of proper reviews of the book in hand. Most of what I found were copies of the original announcements and notifications of Shelton's British book-signing tour. If you reviewed this book, drop me a line and I will link to it here.

Each month, I like to pass along a little news about reprint projects I find interesting, as I find announcements of them. This month, IDW led into the big, NYCC weekend with this word about a really great new series...

IDW Publishing is pleased to announce the forthcoming release of The Bloom County Library. Beginning in October 2009, each of the five volumes will collect nearly two years worth of daily and Sunday strips, in chronological order. This will be the very first time that many of these comic strips have been collected, and the first time in a beautifully designed, hardcover format. The books will be part of IDW's Library of American Comics imprint, and designed by Eisner Award-winner Dean Mullaney.

"Fans have pestered me for years," said Berkeley Breathed, "for this ultimate Bloom County collection in that polite, respectful badgering way that only fans can manage. Thank God I can now tell them something better than just 'please remove your tent from my lawn.' I can say, 'It's coming!"

Berkeley Breathed's Bloom County is one of the most popular and critically acclaimed newspaper strips of modern times. Premiering on December 8th, 1980 — a month after the election of Ronald Reagan as President — the strip brought to the comics pages a unique amalgam of contemporary politics and fantasy, all told with hilarious humor and wit.

The beloved and quirky denizens of Bloom County include Opus, Steve Dallas, Bill the Cat, Milo Bloom, Michael Binkley, and Cutter John. Breathed was awarded the Pulitzer Prize for Editorial Cartooning in 1987 for his work on Bloom County. The strip was published in an astounding 1200 newspapers.

The phenomenon that was Bloom County spawned a merchandizing bonanza, as well as two spin-off strips, Outland and Opus. The first paperback collection of the strip, Loose Tails, sold over one million copies. Bloom County paperbacks cumulatively sold over six million copies. At the height of the strip's popularity, Breathed walked away on August 6th, 1989.

IDW Publishing Special Projects Editor Scott Dunbier conceived the series. "I'm absolutely thrilled to be editing the Bloom County Library," said Dunbier. "This is a series that I can't wait to hold in my hands."

The Bloom County Library will also contain a series of "Context Pages" sprinkled throughout the volumes. These pages will provide perspective for the reader, presenting a variety of real-life events and personalities that were contemporary at the time of original publication.

At the con, probably the biggest news came from Yen Press, who announced that they'd be picking up the license for Kiyohiko Azuma's Yotsuba&!, which ADV has been ignoring for more than a year now. Volume six will be released in the fall.

In other reprinting news, DC's latest solicitations reveal several interesting books coming in the spring. Here are four that caught my eye:

SHOWCASE PRESENTS: SUPER FRIENDS VOL. 1 TP
Written by E. Nelson Bridwell and Dennis O'Neil
Art by Ric Estrada, Vince Colletta, Ramona Fradon, Bob Smith and Kurt Schaffenberger
Cover by Alex Toth
The superstars of the 1970s animated adventures star in this new, bargain-priced volume collecting SUPER FRIENDS #1-24!
Advance-solicited; on sale May 27 • 448 pg, B&W, $9.99 US

STARMAN OMNIBUS VOL. 3 HC
Written by James Robinson
Art by Tony Harris, Gene Ha, Dusty Abell, Phil Jimenez, J.H. Williams III and others
Cover by Tony Harris
In this third volume Opal City is terrorized by Dr. Pip, an eccentric bomber. Plus, Starman teams up with Batman to save the life of Solomon Grundy. Collecting STARMAN #30-38, STARMAN ANNUAL #2, STARMAN SECRET FILES #1 and THE SHADE #1-4.
Advance-solicited; on sale June 17 • 432 pg, FC, $49.99 US

BAYOU VOL. 1 TP
Written by Jeremy Love
Art and cover by Jeremy Love
"BAYOU, which tackles racism and violence in 1930s Mississippi, is as hypnotic as it is unsettling." — Wired
The first book from the original webcomics imprint of DC Comics is here! South of the Mason-Dixon Line lies a strange land of gods and monsters; a world parallel to our own, born from centuries of slavery, civil war, and hate.
Lee Wagstaff is the daughter of a black sharecropper in the Depression-era town of Charon, Mississippi. When Lily Westmoreland, her white playmate, is snatched by agents of an evil creature known as Bog, Lee's father is accused of kidnapping. Lee's only hope is to follow Lily's trail into this fantastic and frightening alternate world. Along the way she enlists the help of a benevolent, blues-singing swamp monster called Bayou. Together, Lee and Bayou trek across a hauntingly familiar Southern Neverland, confronting creatures both benign and malevolent, in an effort to rescue Lily and save Lee's father from being lynched.
BAYOU VOL. 1 collects the first four chapters of the critically acclaimed webcomic series by Glyph Award nominee Jeremy Love.
Advance-solicited; on sale May 27 • 8.375" x 6", FC, 160 pg, $14.99 US

PREACHER BOOK ONE HC
Written by Garth Ennis
Art by Steve Dillon
Cover by Glenn Fabry
"Features more blood and blasphemy than any mainstream comic in memory. Cool." — Entertainment Weekly
Available for the first time in hardcover, preacher Jesse Custer begins his dark journey to find God, in this volume collecting PREACHER #1-12, plus pinups from PREACHER #50 and #66. After merging with a bizarre spiritual force called Genesis, Texan preacher Jesse Custer has become completely disillusioned with the beliefs to which he had dedicated his entire life. Now possessing the power of "the word," an ability to make people do whatever he utters, Custer begins a violent and riotous journey across the country. Joined by his gun-toting girlfriend Tulip and the hard-drinking Irish vampire Cassidy, Custer loses faith in both God and man as he witnesses dark atrocities and improbable calamities during his exploration of America. This new collected edition features an all-new introduction by series writer Garth Ennis.
Advance-solicited; on sale June 24 • FC, 352 pg, $34.99 US • Mature Readers

Super Friends is interesting because of that very nice price point - definitely one to grab for the under-tens in your house, and cheap enough to give to 'em with a package of crayons. Starman is quite probably the best mainstream American comic of the '90s - it's that or Morrison's Doom Patrol anyway - and this complete repackaging is just gorgeous. The Bayou collection is a nice vote of confidence from DC towards its webcomic initiative, and while I still, blasphemously, think Preacher would have been improved by hinting and not showing its excesses, this looks to be an interesting repackage of the title.

Finally this time, MI-6.co.uk reports some good news from Titan:

Fans of the comic-strip James Bond adventures will be thrilled to learn that the final two compendiums from Titan Books are on the way. Once released, Titan will have published all 52 of the classic stories since their original syndication in newspapers from 1958 to 1983, including seven adventures not released in the UK.

The penultimate title and sixteenth in the Titan Books collection will be "The Girl Machine", due for release on 30th June 2009 in the UK and USA. Previously skipped over in earlier releases, "The Girl Machine" will include the titular adventure as well as "Beware Of Butterflies" and "The Nevsky Nude".

All three stories were drawn by Yaroslav Horak and written by Jim Lawrence and were first published in the Daily Express between 1973 and 1974 and have not been seen since their original syndication.

The volume will also contains a brand new introduction by one of the Bond cast and a host of exclusive feature material.

The final and seventeenth collection from Titan will take its title from 1976 strip adventure "Nightbird". Rounding out the series, the volume will also include "Hot-Shot" and "Ape of Diamonds". The reason these stories were skipped over earlier in the series is often rumoured to be connected to rights issues, but this is incorrect. The real reason the strips were passed over in 2007 will become apparent when the volume is released in early 2010. All three adventures were written by Jim Lawrence and drawn by Yaroslav Horak.

More next month!

(Originally posted Feb 10 2009 at hipsterdad's livejournal.)

Friday, December 19, 2008

Reprint This! Update on One Pound Gospel

Viz released the last episodes of Rumiko Takahashi's One Pound Gospel in English for the first time this month. This series, with three or four new installments released every couple of years over a two decade run, has long been overdue for a proper digest edition with the artwork in its original configuration. In the mid-90s, Viz released three collections in their old graphic novel format, but let those go out of print. Now the series, which finally concluded in 2007, is available in full in four digests.

It's an incredibly cute and occasionally hilarious comedy about a weak-willed boxer named Kosaku who cannot stop his unhealthy eating habits, and can't get over his doomed crush on an attractive young nun who sees a spark of potential in him. Kosaku kind of radiates between a hopelessly ingratiating dimwit and the great underdog hero for whom you'll enjoy cheering in the ring, and his supporting cast, notably his long-suffering coach, provides endless fun. Sister Angela, meanwhile, has her own (quite small) supporting cast, notably the mother superior who understands neither boxing nor Sister Angela's support of this clumsy young fighter.

It's a delightful comedy of errors and manners, with excellent artwork and hilarious moments. Possibly the best is a great five-part story in the third volume, in which everybody misunderstands everybody else and a rival boxer with an awful intestinal problem that keeps forcing his matches with Kosaku to be postponed conspires to make everybody's situation unbearable. It's really great stuff, and you should definitely look into it!

Read more of what I've written about Rumiko Takahashi at A Journal of Zarjaz Things.

Read other reviews of One Pound Gospel:
Ai Kano at Animanganation
Greg McElhatton at CBR
Pop Culture Shock
Greg Hackman at Mania.com
Connie at Slightly Biased Manga

In related reprinting news, Pat Mills is interviewed about the classic Charley's War, which he wrote for Battle Picture Weekly in the early 80s, over at Comicon.

Titan is planning two Modesty Blaise books for 2009: The Lady Killers in April and The Scarlet Maiden in October.

Here's some more information about the forthcoming collections of Steve Ditko's The Creeper and Sergio Aragones' Bat Lash, planned for June and July 2009:

SHOWCASE PRESENTS: THE CREEPER TP
Writers: Steve Ditko, Don Segall, Dennis O'Neil, Bob Haney, Len Wein and Michael Fleisher
Artists: Steve Ditko, Neal Adams, Dick Giordano, Mike Peppe, Jack Sparling, Dick Dillon, Sid Greene, Irv Novick, Ernie Chua, Jose Luis Garcia-Lopez and Mike Royer
Collects: SHOWCASE #73, BEWARE THE CREEPER #1-6, THE BRAVE AND THE BOLD #80, JUSTICE LEAGUE OF AMERICA #70, DETECTIVE COMICS #418, 447 and 448, THE JOKER #3 and 1ST ISSUE SPECIAL #7
$9.99 US, 296 pages

SHOWCASE PRESENTS: BAT LASH TP
Writers: Sergio Aragones, Dennis O'Neil, Nick Cardy, Len Wein and Cary Bates
Artists: Nick Cardy, Mike Sekowsky, George Moliterni and Dan Spiegle
Collects: SHOWCASE #76, BAT LASH #1-7, DC SPECIAL SERIES #16 and stories from JONAH HEX #49, 51 and 52
$9.99 US, 240 pages

(Originally posted December 19, 2008, 12:35 at hipsterdad's livejournal.)

Monday, December 1, 2008

Reprint This! Sugar and Spike

Sugar and Spike were a pair of babies who toddled around trying to make some sense of the incredibly bizarre world of grown-ups. They communicated in their own "baby talk" language with all infants, whether human or animal, and had oddball little adventures interacting with things they couldn't quite explain. One of the hallmarks of the series, outside of the silly slapstick that drove the funny plots, was the strange wordplay. None of the babies, for example, knew the word "door," but they knew it was a thing that would swing, and so doors would be referred to as "swingy things."

A tremendously popular strip in its day, DC was glad to indulge its creator's wishes and so Sugar and Spike was, unlike most kid-friendly trademarks, not merchandised very much, and no other artists ever worked on it. There was, briefly, an TV cartoon; it was a low-budget, limited-to-no animation offering which appeared as part of a program called Video Comics on Nickelodeon when I was in elementary school. (LJ's dramaqueer might remember it, even if nobody else saw it.)

Apparently, Sheldon Mayer suffered from cataracts which made it increasingly impossible for him to draw the strip. With sales of this kind of material sagging in the early 70s anyway, DC shelved the book. After Mayer recovered from surgery, he resumed drawing it, but few of these were published in the US, but instead they showed up in various South American and European countries where the series was still quite popular. There are apparently about fifteen years' worth of Sugar and Spike which few readers in the States have seen. In the early 1980s, some of these were used in a few issues of the digest-sized anthology Best of DC, sometimes in the company of Mayer's teen-comedy Binky (an Archie knockoff) or Arnold Drake's Stanley and His Monster, other fun sixties strips whose time, DC felt, had mostly passed.

I have absolutely no idea how much Sugar and Spike material is out there. The few websites that are out there (such as this one) aren't much help in tracing the international editions of the comic. But good heavens, DC, if ever a book was made for your Showcase Presents line, it's got to be this one. Considering that many of the later editions of its 98-issue American run leaned heavily on reprints, they could probably compile everything in just three of those 500-page books before even starting on all the material first published overseas.

DC's made a pretty good case for using the Showcase line to spotlight all the genres other than superheroes that they used to do well, with good representation from the war and horror lines, and one or two Westerns. But they haven't even started touching the really fun comedy stuff from the 1950s and 1960s. This is long overdue, and Sugar & Spike should spearhead it. It will go over well with amateur historians, with kids who will just eat this stuff up, and with anybody who will get a kick of some really solid cartooning. So how about it, DC?

(Originally posted December 01, 2008, 12:32 at hipsterdad's livejournal.)

Friday, November 21, 2008

Reprint This! Update on Herbie

I finally finished the first of Dark Horse's Herbie Archives. It was released earlier in the fall, and while the price point is a little steep at $50, a near-mint condition copy of any of the ten issues reprinted in it will set you back at least $20, so it works out pretty well in the end. Herbie was a very weird kid's comedy book, starring "a little fat nothing" of a son who drives his father to screaming distraction with his apparently sedentary lifestyle. His dad doesn't realize that Herbie is in fact the most powerful person on the planet, who can talk to animals, travel in time and clobber the Loch Ness Monster, and who hobnobs with Winston Churchill, Mao Zedong, the Beatles and U Thant.

Herbie Popnecker was created by Richard E. Hughes and Ogden Whitney. Hughes was the editor of ACG, a small comics company that didn't make it through the sixties. Herbie appeared sporadically in some of their sci-fi anthology books before getting his own title, which ran for three years. Hughes and Whitney died many years ago, but their bizarre little fat nothing of a character has been winning over new fans ever since.

I'm very pleased with the quality of the collection. Dark Horse is planning to reprint the full run in three hardbacks, the second of which is due next month and the third in the spring. They don't include some of the other gag strips which originally appeared in the books, but they do include many of the cute house ads for the next issue of the comic. They shot from really nice copies of the comics, with minimal restoration of the color, but it looks far better than certain scans which can be found at torrent sites. It is certainly worth your time, and I strongly encourage readers to give it a try!

Read more of what I've written about Herbie at A Journal of Zarjaz Things.

Read other reviews of Herbie:
Hilary Brown and Garrett Martin at Shazhmmm
Adam at Rack Raids
Mike Sterling at Progressive Ruin
Kristy Valenti at comiXology
Variety

In related reprinting news, DC has apparently made some neat plans for next summer. While they haven't formally announced anything, a look at Amazon shows that they are planning at least three volumes in a slightly rejigged Showcase Presents series.

You're probably aware that the Showcase Presents books reprint around 500 pages of classic comics for $16.99. But DC has offered many well-remembered characters who never made it to that many pages in their original iteration. So next summer, DC will release three thinner Showcase books - each around 300 pages for $9.99. These will reprint The Creeper by Steve Ditko, Bat Lash by Sergio Aragones and Nick Cardy, and Eclipso by Bob Haney and Jack Sparling, apparently with some rare fill-in work by Alex Toth. Each will come out the same month as the traditional 500-page book. Good show, DC - I will buy all three!

(Originally posted November 21, 2008, 08:35 at hipsterdad's livejournal.)

Friday, October 3, 2008

Reprint This! Black Orchid

Black Orchid was a very novel idea for a series in its day. The character's background and even her real name were kept from the reader. The series dispensed with a standard cast and location, and even a "secret identity" like pretty much all superheroes of the time maintained. Each episode's focus was on whatever new criminal organization or scheme that Black Orchid, with her powers of flight and superhuman strength, had decided to bring down. This was very much a concept ahead of its time, and its stories are told with energy and often very clever plotting.

Whoever she was behind the mask, Black Orchid was one of the last characters created by Sheldon Mayer. By 1973, he had already been with DC Comics or one of its antecedents for over thirty years, and had a hand in editing or writing many of its Golden Age classics. In 1956, of course, he created Sugar & Spike, a title that ran (off and on and not always domestically) for better than thirty years, and one certainly due its own Reprint This! entry as well. He was also the editor of DC's venerable horror anthology House of Mystery for about two decades. Black Orchid was one of his last regular adventure titles, and even though it really didn't find favor with the audience of its day, it has many fans who fondly remember her brief appearances in comics.

It is probably worth noting that Neil Gaiman resurrected the character as part of DC's long-running strategy of keeping corporate trademarks active by letting new talent pitch new ideas with them. His three-part Black Orchid miniseries, with art by Dave McKean, created a new iteration of the character who later got her own series at the Vertigo imprint in the early 90s, but, frankly, all that mess was good for was letting a new audience know that Sheldon Mayer's good stuff was available in back issue departments.

Black Orchid first appeared as the lead feature in three issues of Adventure Comics (# 428-430) before taking a recurring place as a backup feature in The Phantom Stranger. Mayer apparently wrote only a few of these backup episodes, with the rest penned by writers who included Michael Fleisher. These used to be in pretty good supply, and priced low in better comic shops, but I've seen those prices rise as I've tried to fill the gaps in my set.

A Black Orchid collection is long overdue, and wouldn't be that difficult for DC to compile. Her eleven episodes (if I've counted right) could be printed in a 120-page paperback. It might not be quite the license to print money that an Angel and the Ape book would be, but it's a wonderful title which deserves to be seen again, and a fine sampling of DC's more unusual fare from the era. You're long overdue in bringing Mayer back into print, so how about it, DC?

(Originally posted October 03, 2008, 05:00 at hipsterdad's livejournal.)

Friday, January 18, 2008

Reprint This! 24. The World's Greatest Superheroes

The World's Greatest Superheroes, which began in 1978, could be compared to a daily strip version of DC's long-running Justice League of America comic, in which some of Earth's mightiest defenders, operating from an orbital satellite, match wits against evil supervillains. The first serial featured Superman, Wonder Woman, Flash and Aquaman against the immortal Vandal Savage. The second sidelined Aquaman, and Batman and Robin joined the others in a battle with Dr. Destiny, master of dreams. The third and fourth serials also featured Black Lightning.

In mid-1979, the series was retitled The World's Greatest Superheroes Present Superman, and the Man of Steel got the strip, now written by Paul Levitz, all to himself for a few more years. I lost track of it when my dad stopped going into his office every day and bringing a copy of The Atlanta Constitution home. Nor would my folks change their subscription from the afternoon Journal to the morning paper, despite all the good comics like Peanuts running in the morning. In 1983, the strip went to Sundays-only, and it was cancelled in 1985.

When I was a kid, I was incredibly aggravated that the strip became a Superman-only serial, because I enjoyed the other characters, especially Wonder Woman and the Flash. At the time, I figured that they reworked it due to the Christopher Reeve Superman film, which was released at Christmas, 1978. Since I tracked down some scans of the series online, and got hold of some 1980 episodes from the UGA library, I'm still certain that's the case, but I'm also struck by how unusual a drama serial with multiple characters feels. Pasko must have found it a great challenge to hop back and forth between the heroes in their individual situations with only three panels a day. In the first serial, Wonder Woman gets caught in a trap at the Empire State Building, and then the action shifts to the Flash in the Arctic, and then to Superman in Egypt. Two months later, Wonder Woman is still tied up in New York City!

In 1980 or so, DC released a digest-sized collection of the first serial, with the panels rearranged to fit two or three per page. Evidently it didn't sell well enough to follow up, so these stories haven't been seen in more than 25 years except by afficionados. Serial newspaper strips are incredibly fun to read in collected editions, though. Titan's been proving that with their addictive James Bond 007 and Modesty Blaise books, with Jeff Hawke newly joining their lineup. Marvel US is thought to be planning a collection of their Stan Lee-scripted Spider-Man strip later this year - there's an edition already out in England via Panini. Marvel always seems to execute the good ideas before DC can get theirs ready, so even if DC got started now, it would be months before we could see any such collected edition. However, these are incredibly fun stories which are sure to spark fond memories from readers, and the growing market for trade collections and reprints would surely have room for these strips. Presented right, as, say, a three-volume collection, you'd have a winner... or it might even work as a Showcase Presents. So how about it, DC?

Many thanks to Jared Bond for providing these nice scans from the series. Most appreciated!

Next week, Reprint This! wraps up with five other features I'd like to see again, but didn't feel like subjecting everybody to longer essays about for one reason or another.

(Originally posted January 18, 2008, 06:10 at hipsterdad's livejournal.)

Reprint This!