Friday, January 1, 2010

Reprint This! Jack Ziegler



Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected several titles which should be on bookshelves, but at this time are not.

I discovered Jack Ziegler when I was in high school. The Campbell High library really was a pretty good one, with some nifty collections of old comics, and it was there that I discovered Hamburger Madness, which I believe was the first of several books which reprint Ziegler's work from the pages of The New Yorker and other magazines. I flipped through the pages, hit a gag about the amenities available at the "Apex Motel" and collapsed into a fit of librarian-infuriating guffaws the likes of which that library had never seen before, or since. I closed the book, checked it out and didn't dare open the covers again until I got to the lunchroom.



Ziegler joined the regulars of the New Yorker in 1975, but he had a few exciting years of work under his belt before then. He was one of the first regulars for National Lampoon in 1969 or so, and also spent some time submitting to Esquire. Ziegler credits the great Harvey Kurtzman, then working as Esquire's cartoon editor, as being very important to his development and growth as a cartoonist.

Over the course of the seventies, Ziegler became the poet laureate of surreal observations of suburbia. I believe that he inherited Charles Addams' old crown as the New Yorker's best cartoonist, and proved an obvious inspiration to The Far Side's Gary Larson. Ziegler's is a world of puns and silly wordplay and skewed technology, where toasters and backyard grills become subversively fetishized. From his looks at intown barflies to dial-a-joke lines, Ziegler is rarely mean-spirited, but skewers his targets with a loving, twinkling wit that nobody else in comics manages quite as well. He's absolutely a treasure, and it's long past time he found broader recognition and praise.



Many of Ziegler's cartoons have been collected over the years in a variety of books, some of which are out of print. Apart from Hamburger Madness, you can find many of his cartoons in the collections Marital Blitz, Olive or Twist?, How's the Squid? and the aptly-named The Essential Jack Ziegler. This was one of a Lee Lorenz-edited series that was released in 2000 and features a very informative interview along with several dozen cartoons.

Thanks to the wonderful Complete Cartoons of the New Yorker collection, with its accompanying DVD, I do have copies of plenty of Ziegler cartoons which have not appeared in book form. However, I sure would like a nice, oversized hardcover putting lots of material together in one place. I think such a book is long overdue; Ziegler's so long been underrated by our hobby that a really nice package would go a long way towards getting him the notice and the praise that he's certainly due outside of New Yorker afficionados. So how about it, somebody?

Tuesday, December 15, 2009

Reprint This! 2009 Year in Review

This has been a fantastic year for getting great old properties back in print. Between IDW's line of hardcover reprints of classic newspaper comics, at least twenty essential collections of 2000 AD strips, Drawn & Quarterly bringing us the fascinating world of Yoshihiro Tatsumi's experiments in gekiga, Fantagraphics releasing everything I want yet cannot afford in big, beautiful editions and DC bringing back the hotdamned essential Bat Lash to their Showcase line, I have bought way more reprints of old comics than new ones, and I am probably not alone. But, as Graham Chapman once warned us, "this is no time for complacency!" While looking over the last three years of Reprint This! features, I myself noticed no fewer than two dozen things which were not on top of other things, or, I mean, not yet reprinted. So here's a look back at everything that Reprint This! has featured, and whether exciting announcements have been made or we're still, tragically, left crossing our fingers.

The Amazing World of DC Comics,
Ambassador Magma,
Angel and the Ape and
The Angry Planet: No news or rumors from any publishers on these features.

Armitage: Three of Armitage's earliest stories were reprinted by Rebellion in supplements bagged with Judge Dredd Megazine in 2009.

Axa: No news or rumors from any publishers on this feature.


Axel Pressbutton and
Barbarella: No news or rumors from any publishers on these features.

Black Jack: The ninth volume in a planned series of 17 is due for release in February 2010.

Black Orchid,
Cat's Eye and
Cobra: No news or rumors from any publishers on these features.

Steve Ditko: Killjoy / Odd Man: Fantagraphics has started a series reprinting 1950s Ditko work from various publishers, but there have been no announcements regarding his 1970s work for Charlton and DC.

Doctor Who Adventures: An editor for this magazine stated on the Doctor Who Forum in November that they have no plans to collect these comics.

Doonesbury: There have been no rumors about a proper, archival collection of the series, but the latest book, Tee Time in Berzerkistan, reprints a few hundred recent strips and was released in November.


Flex Mentallo and
Grimly Feendish: No news or rumors from any publishers on these features.

Herbie: Has been collected in its entirety in three hardcovers from Dark Horse.

Rian Hughes' 2000 AD work,
The Inferior Five and
Takao Saito's James Bond: No news or rumors from any publishers on these features.

Johnny Red: Volume one of this series is due in the spring from Titan.

Josie & the Pussycats: No news or rumors from Archie Comics on this feature.


Judge Dredd in the Daily Star and
Jungle Emperor: No news or rumors from any publishers on these features.

Major Eazy: Volume one of this series is expected in the summer of 2010 from Titan.

Marvelman: Marvel has obtained the rights to the 1950s series; no announcement has been made about the 1980s version written by Alan Moore and Neil Gaiman.

Missionary Man,
Nero Wolfe and
The New Adventures of Hitler: No news or rumors from any publishers on these features.


Oh Wicked Wanda!,
One Big Happy,
Ponytail and
Pussycat: No news or rumors from any publishers on these features.

Rat Pack: Volume one of this series is expected in the summer of 2010 from Titan.

Robot Archie,
Sapphire & Steel and
Scream!: No news or rumors from any publishers on these features.


Shade the Changing Man: No news or rumors from DC Comics on this feature.

The Stainless Steel Rat: It's strongly rumored that Rebellion is planning a complete reprint in the summer of 2010.

Steed & Mrs. Peel: No news or rumors from any publishers on this feature.

Sugar and Spike: An episode was reprinted in Abrams' recent Toon Treasury of Classic Children's Comics, but DC has not announced anything more for this feature.

Super-Hip and
Third World War: No news or rumors from any publishers on these features.

Thunderbirds: Ongoing reprints of all the Gerry Anderson properties are continuing in a series of large paperbacks entitled Century 21. The third and fourth volumes are due out in 2010.

Tippy Teen and
UFO Robo Gurendaiza: No news or rumors from any publishers on these features.


Urusei Yatsura and
a restored, black-and-white V for Vendetta: No news or rumors from any publishers on these features.

Gahan Wilson: The complete reprinting of Wilson's Playboy cartoons is due very soon and, I hope, will be reviewed here next month.

The World's Greatest Superheroes: No news or rumors from DC Comics on this feature.

Zenith: No word from the publisher on this feature. Rights issues exist.




We also had a few disappointments from properties that we had hoped to see in 2009 but did not emerge. The worst offender was certainly Fantagraphics' Pogo. The publisher announced in February 2007 that they had the rights and that Jeff Smith would be designing their books. They've since announced their catalog for the first half of next year and Pogo's still nowhere to be seen.

Other publishers, however, have been pretty far behind expectations in getting the work we'd hoped to see to us. Drawn and Quarterly has pushed back the first collection of Thirteen Going on Eighteen into next year. Top Shelf's Marshal Law omnibus is almost a year late. Titan postponed the 1954-55 first volume of Roy of the Rovers indefinitely, choosing to focus on 1980s material, and still hasn't made a formal announcement about Misty.




Still, 2009 must be remembered, overall, as a terrific year for reprints. There was a lot of surprising, fun stuff on shelves this year, including Bat Lash, Bloom County, Humbug, Rip Kirby, Ro-Busters, Sam's Strip and Swallowing the Earth, and 2010 looks to be really great as well. With that in mind, here are ten books, all either formally announced or heavily rumored, that Reprint This! is looking forward to seeing in the next twelve months:

Al's Baby by John Wagner and Carlos Ezquerra, from Rebellion
Ayako by Osamu Tezuka, from Vertical
The Bojeffries Saga by Alan Moore and Steve Parkhouse, from Top Shelf
Captain Marvel and the Monster Society of Evil by CC Beck and Otto Binder, from DC
Dial H for Hero by Dave Wood and Jim Mooney, from DC
James Bond: Nightbird by Jim Lawrence and Yaroslav Horak, from Titan
King Aroo by Jack Kent, from Titan
Penny Century by Jaime Hernandez, from Fantagraphics
Secret Agent X-9 by Dashiell Hammett and Alex Raymond, from IDW
The Stainless Steel Rat by Kelvin Gosnell and Carlos Ezquerra, from Rebellion

I've got a couple of dollars under my mattress for each of these, so you publishers get to work now!

Happy Holidays, everybody!

Sunday, December 6, 2009

Reprint This! Update on The Stainless Steel Rat



Exciting news from the good droids over at Rebellion. Amazon fishing in the UK has brought to light a listing for The Stainless Steel Rat, Kelvin Gosnell and Carlos Ezquerra's adaptation of the Harry Harrison novels. The series - 12-episode retellings of three of the books - originally appeared in the pages of 2000 AD in the early '80s.

The Amazon listings have been very accurate for 2000 AD collections over the years, and while a formal announcement has yet to be made, this sounds pretty solid. The collection should appear in July of next year.

Other 2000 AD collections in the Amazon pipeline include a second big Robo-Hunter omnibus, along with complete collections of Al's Baby and Harlem Heroes. Thumbs up to "Dash Decent" from the 2000 AD message board for the find!

The Stainless Steel Rat entry.

Reprint This! will return on the 15th for a year-in-review recap.

Tuesday, December 1, 2009

Reprint This! Barbarella



Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected several titles which should be on bookshelves, but at this time are not.

One missing gem is BARBARELLA by Jean-Claude Forest. You're probably aware of the 1968 film adaptation of this sexy sci-fi comic, but the original comics have hardly ever been seen in English.



A few years back, before I started this feature, I was up in Hiawasee with my buddy, LiveJournal's sprocketship, doing a little junkin' to get over a bad breakup, and we ran across the Crazy Grandma-priced book store to beat 'em all. Sitting on a top shelf, above the $10 recirculated library hardbacks and the $50 records from the '70s kid's show Zoom was a collected edition of one of the four Barbarella adventures, priced to sit there forever at $100. I think that might have been the only copy I've ever seen, anywhere.

Barbarella is, I think, unique among film adaptations of comics in that hardly anybody in this country has ever read the original story. Everybody knows that the movie was based on some French comic book, but nobody's seen it. In America, there were two different collections of her first adventure floating around in the late sixties, one of which had a cover photo of Jane Fonda from the film, and the third adventure was serialized almost a decade later and there might have been a mail-order-type collection of it, but this is an odd example of a comic that everybody has heard of and that nobody has seen.



There were four Barbarella adventures, the first of which was loosely adapted into Roger Vadim's film version. That one apparently appeared in the French anthology V in 1962. After the movie had revived interest in the character, Forest created three more stories in 1974, 1976-77 and 1982, the last one with art by Daniel Billon. Story three, a 48-page adventure called, alternately, "The False Moon" or "The Moon Child," was translated into English and appeared in eight-page installments across six 1978 issues of Heavy Metal.

Interestingly, Barbarella's first American appearance was also as a serial. Her original story was translated in 1965 and appeared across three issues of the controversial old beat & counterculture magazine The Evergreen Review, paving the way for the magazine to commission the infamous and delightful Phoebe Zeit-Geist a couple of years later.

So is it any good? Well, I'm not completely sure. I've certainly read a few nice things about it. There are scans of some of the chapters from the original story floating around, and Pete Doree of The Bronze Age of Blogs was kind enough to post the opening installment of the third story back in the summer, from which I cropped the first three images here. Digging through old boxes full of back issues of Heavy Metal netted me a subsequent chunk of that yarn, and I'm just not sure. For something so notorious as a sex story, it's surprisingly tame. Visually, Barbarella doesn't appear to be even as racy as Oh, Wicked Wanda!, yet it's very easy on the eyes. It's drawn in a full palette of soft colors in a world full of gentle curves and a dreamlike sense of place. The skies are packed full of weird planets and exploding nebulae, and you don't get any of the harsh, ugly, industrial mechanization that I associate with most of the French comics artists of the sixties and seventies that were working in SF environments. It all looks more like a quiet little daydream than a randy funnybook.



If I understand correctly, the four Barbarella stories only come to about 200 pages in total. That's certainly doable for a single edition compiling the whole run. What I've seen certainly makes it look like a worthwhile enterprise, and if they ever get that proposed new film off the ground, it would make a wonderful tie-in. I certainly hope somebody tackles this project soon.

Tuesday, November 10, 2009

Reprint This! Update on Showcase Presents

By now, I think everybody knows about DC's line of big, black-and-white reprints, Showcase Presents. By taking a warts-and-all approach to archiving the company's Silver- and Bronze-age material, they've made great chunks of their past available in a convenient format for the first time ever. In doing so, they've allowed audiences to reevaluate hidden treasures (both Bat Lash and Enemy Ace turned out to be even better than hoped), while also showing that certain blasts from the past really weren't worth the effort (try the third, overwrought, volume of Justice League of America if you must, or the insanely repetitive War That Time Forgot).

Unfortunately, one of the company's recent releases, Eclipso, falls in the latter category. This collection is only about 300 pages long and I still couldn't finish it. The series, created by Bob Haney and Lee Elias, originally ran in the anthology title House of Secrets from 1963-66. It has some notoriety for a handful of episodes drawn by Alex Toth, but even those can't elevate the material. It concerns a peace-loving friend of humanity, scientist Dr. Bruce Gordon, who got into a fight with a witch doctor in the Pacific and was scratched by a black diamond. Now, whenever there's an eclipse, Gordon dons a ridiculous leotard and funny hat and becomes Mr. Hyde, or, I mean, the Incredible Hulk, that is, Eclipso. It's an unbearably simplistic and repetitive adventure story, with by-the-numbers plots that wouldn't pass muster on a Hanna-Barbera Saturday morning cartoon from the period. Toth's episodes at least look the best, but the bulk of the book is drawn by Jack Sparling, and it is some pretty ugly work. These are comics which can very safely be avoided.

Well, even though Eclipso isn't to my taste, DC has done a terrific job in packaging his exploits. While most of the Showcase line brings you about 500 pages of comics for around $17, this is the second in a little sub-line that has been termed "Skinny Showcases." These are ideal for shorter-run characters like Eclipso, who do not have as much material as the A-list stars, but maintain a following nonetheless. These have a smaller page count - around 300 pages - for just ten bucks. Even though I didn't care for the material myself, the package and the price point makes it a great bargain, and I'm pleased that DC will be using it again in the spring with the release of Dial H for Hero, a 1966-68 adventure series by Dave Wood and Jim Mooney.

DC releases about one Showcase Presents volume a month, most recently the second collection of The House of Secrets, focussing on the early 1970s incarnation of the book as a horror anthology. Upcoming in the line are DC Comics Presents: The Superman Team-Ups, a third collection of Wonder Woman, the early 1970s Secrets of Sinister House, a third volume of World's Finest and the Dial H for Hero book mentioned above. The long-overdue Suicide Squad, originally solicited two years ago, has re-emerged on Amazon with a June 2010 release date.




Read more of what I've written about the DC Universe at A Journal of Zarjaz Things.

Read other reviews of Showcase Presents Eclipso:

RKB at Pigs of the Industry
Jon the Crime Spree Guy at Central Comic Zone

These are the only reviews I've seen for this book. If you've reviewed it, let me know and I will link to it here!




In other news from the last month, DC has a pair of interesting projects coming in the spring. They're doing a collected edition of their incredibly fun oversized Wednesday Comics, with the pages shrunk to a little more manageable 11x17, and with the pages arranged so that each storyline will become its own 12-part chapter. They're also repackaging the first twelve issues of the excellent Losers series by Andy Diggle and Jock into a single collection - they had previously been released as two trade paperbacks - in anticipation of the feature film adaptation. That will be in theaters in March, and the new collection on shelves in February.




DC's also been publishing these pretty nice omnibus collections of Jack Kirby's work for the company, work that's probably due one of those nice little updates like I did for the Showcase line above, to be honest. Anyway, if I've counted right, there are eight out there now, and the ninth, reprinting a big chunk of the 1940s Newsboy Legion series, is due out in March.




Speaking of Kirby, of course you know his biographer and friend Mark Evanier is, with Sergio Aragonés, one-half of the team behind the delightful Groo the Wanderer. Back in June, I mentioned a Groo Treasury, which was planned for October from Dark Horse. Well, October came and went without it. Mark confirmed, at the Marvel Masterworks Message Board, that Dark Horse has been sourcing better-quality films of some of the earlier material. The book has been postponed and will be resolicited when it is ready to go.




IDW has tentatively scheduled the first three of their Archie reprint books for next summer. As we've mentioned before, these are not the same as the near-monthly line of hardcover, chronological archives that Dark Horse is starting up. These include a "Best of Dan DeCarlo" collection in May, followed by a look at the 1946-48 period of the newspaper strip in June, and least promisingly, a run of the mid-1960s Pureheart the Powerful superhero material in July.




Fantagraphics has announced that they'll be releasing a series of Golden Age anthologies edited by Greg Sadowski. There are six books in the series, and they'll presumably be scheduled from 2010 through at least 2012. They include collections of Alex Toth, Basil Wolverton, Jack Cole and Dick Briefer, along with anthologies of forgotten horror comics and rare work from the EC Comics regulars.




Over at Down the Tubes, John Freeman has posted details about the third in Reynolds & Hearn's Century 21 collections of classic Gerry Anderson strips. Seems I was mistaken in assuming this book, entitled Escape from Aquatraz, is a Stingray-only collection. Like its predecessors, it collects work from several different series by Ron Embleton, Frank Bellamy, Ron Turner and others. It's due in British stores later this month, and a fourth book, which Steve Holland reports as being titled Above and Beyond, is planned for the spring.




Lastly this time, well, I got my hopes up that Rebellion and Diamond would have stopped butting heads, since the comic shop supplier is, as mentioned last month, planning to distribute both of the British company's December offerings to the American direct market. Unfortunately, fans interested in the two January releases will have to buy them from other sources, because Diamond's skipping them again. They both sound very much worth it: the second in a series of four hardback collections of the massive ABC Warriors "Volgan War" epic (the first of which was reviewed last month over at my review blog) and the most recent set of Strontium Dog stories, "Blood Moon." Wherever you track them down, they're sure to set all your thrill-circuits buzzing!




That's all for this month! See you in December!

Saturday, October 31, 2009

Reprint This! Scream!



Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected several titles which should be on bookshelves, but at this time are not.

When it comes to British comics, here at Reprint This! we normally talk about individual features, rather than entire anthologies where the material was first seen. However, there are so many missing gems from the entire run of the 1984 comic SCREAM! that, to be blunt, the whole enterprise deserves to be seen again. For fifteen issues, host "Ghastly McNasty" gave kids some genuinely memorable little frights in a horror comic the likes of which Britain never saw again.



Scream!, which warned readers that it was "not for the nervous!," was an anthology comic from IPC that used much of the talent from the publisher's stablemates 2000 AD and Eagle. Each issue presented a new installment of five regular features, along with one-off frighteners and a reprint of Graham Allen's silly comedy "Fiends and Neighbors," which originally appeared in Cor!! in the early seventies.

Many big names from the period were regular contributors. Apart from one-off stories brought to you by the likes of Steve Parkhouse, Barrie Tomlinson, Jim Watson, Cam Kennedy, Simon Furman, Steve Dillon, Look-In veteran Angus Allen and the late Jose Casanovas, every issue started with a really great Dracula serial, where the villain moved to England and carried on a war with vampire hunters. The Dracula File was written by Rogue Trooper's Gerry Finley-Day, and illustrated by Cursitor Doom's Eric Bradbury. The artwork was just gorgeous, and the story was a really entertaining rollercoaster of ancient curses, last-minute escapes and implausible shocks, huge fun from start to finish.



You also had paranormal investigation with The Nightcomers by Tom Tully and John Richardson, in which a brother and sister reunite twenty years after their parents died looking into a haunted house, and Terror of the Cats, written by John Agee and by Simon Furman, in which a small village is under siege by maddened housepets and feral strays. But the ones that everybody remembers are Monster and the gleefully malevolent Thirteenth Floor.

Monster has a little more notoreity, thanks to its odd, footnote appearance in Alan Moore's bibliography. Apparently, he was given the first episode to script, setting up a strange, really creepy tale of suburban horror. The first installment is told in flashback, as a young kid - twelve year-old Ken Corman - buries his cruel father, who was killed by an unseen resident of a locked upstairs room. The artwork, credited to "Heinzl," is a little pedestrian, but it's one heck of a great setup, and one of Moore's unheralded triumphs. The story proper begins in episode two, as John Wagner and Alan Grant take over, with much better artwork by Jesus Redondo. What follows is a little more conventional than what Moore promised, but still darn entertaining. In the attic, Ken finds his hideously deformed, superhumanly strong uncle Terry, locked away from prying eyes. The two of them go on the run, for an extended chase epic that lasted several months after Scream!'s untimely demise.

Wagner and Grant, working with Jose Ortiz, were also responsible for The Thirteenth Floor, in which a malicious supercomputer installed in a tower block "protects" its residents by using a hidden "virtual reality" holodeck thingy on its secret thirteenth floor to "put the frighteners" on anybody from the outside who's bothering them. Unfortunately, Max the computer, whom everybody secretly rooted for no matter how nasty he was, turned out to be really good at his job, and so loan sharks and vandals kept turning up dead from heart attacks. Max's next step was to hypnotize a resident into dumping the bodies somewhere away from the building, but both his programmer and the police guessed that there was something strange going on...

While Max himself, the cold, silky-voiced devilish anti-hero, was clearly inspired by HAL 9000, his strip was very much a product of its time, and hit that cultural milepost where films like Superman III, War Games and Electric Dreams were playing on the era's fears of early PCs taking over the world. In time, Max the computer moved on to other assignments, including watchdogging a department store and working for Her Majesty's Secret Service, and his bodycount dropped sadly, but it was still great fun. In all, the series ran for about four years.

While The Thirteenth Floor was a long-running hit, Scream! itself was not. A combination of low sales, upset mothers and industrial action at IPC saw the weekly comic killed in under four months, one of the shortest lifespans of any of these newspaper anthologies. Sadly, this wasn't a case like Thunder or Tornado, where the lackluster contents explained away the short run; every issue of Scream! just oozed quality. Officially, Scream! was merged with Eagle, but only Monster and The Thirteenth Floor made the transition. Max's adventures lasted into 1987, and Ken and Uncle Terry's continued for a few more months.

In 2007, a small outfit called Hibernia published a little short-run reprint of the first eleven episodes of The Thirteenth Floor, and that seemed to get a little talk about the strip for the first time in a while. What's really needed, however, is a straight reprint of Scream! in its entirety. The whole fifteen issue run could easily fit in one bumper volume. Even with advertisements, the package would be a little slimmer than a Marvel Essential. Do it up on nice paper and keep the original dimensions, and I think this is a worthwhile project. If somebody like Titan gets going with this, why, we could see it on shelves in time for next Halloween! Doesn't that sound wonderful?

Special thanks to Malcolm Kirk for helping out with some credits for this entry. Also, the Scream! fan site, Back from the Depths, is huge fun and includes a few samples of these episodes. Check it out, and tell 'im your old pal the Hipster Dad sent you!

Saturday, October 10, 2009

Reprint This! Update on The John Stanley Library

Drawn & Quarterly have released the first two books in their John Stanley Library, a planned multi-volume series reprinting much of the beloved cartoonist's work for Dell in the 1960s. Drawn & Quarterly have apparently obtained the rights to all of Stanley's Dell work except for Little Lulu (a multi-volume collection of which has been in stores for some years now), and the first two books in the series are available now.

Finances have forced me to leave the first of the Nancy books on the shelf for now, but I did pick up the first collection of Melvin Monster, which was released in the summer. It's a $20 hardcover which collects all the stories from the first three issues of the title. The series is sort of the spiritual antecedent of Akira Toriyama's Cowa, set in a small suburban town populated by monsters and beasties, but just next door to an oblivious middle American city. Melvin is the exasperating son of two gruesome parents, Mummy and Baddy, who wish only the worst for their offspring, but he confounds them by wanting to do insensible things like go to school and not get eaten by his pet crocodile.

The strip would be huge fun in anybody's hands, but Drawn & Quarterly has really made this book shine. It's designed by Hipster Pad fave Seth, who was apparently looking to emulate those half-forgotten books you used to find on odd old relatives' shelves. I think he really tapped into a something neat here. The book looks a little more, shall we say, prestigious than the material might warrant, but it really evokes its time all the same. The plan is to reprint Melvin in three $20 editions, each collecting three issues of the original comic. The slightly larger Nancy book lists for $25 and the 336-page first volume of Thirteen Going On Eighteen, due later this month, retails for $35. Second volumes for each of these titles are expected in 2010.




Normally, I suggest that you read more of what I've written about the creator or character or publisher at A Journal of Zarjaz Things, but in this case I have not.

Read other reviews of the Melvin Monster book:

KC Carlson at Westfield Comics
Rod Lott at Bookgasm
Jason Sacks at Comics Bulletin
Frank M. Young at Stanley Stories




In other news from the last month, following the success of recent hardcover repackagings, DC has added an annual collection of Bill Willingham's Fables to their lineup, with the first edition released earlier this month. The six-issue trade paperbacks have been perennial sellers for Vertigo, so going the deluxe hardcover route has been a foregone conclusion. You can read Willingham's introduction to the new collection at Vertigo's blog. Although, I honestly have to say that DC could easily release two or three a year to get started. With close to 90 issues of this ongoing series, it will be a long, long while before this line of hardcovers gets concluded.




Webcomics! There are far too many out there for me to keep up with what might, or might not, ever get a collected edition, but when something as entertaining as Randall Munroe's xkcd gets a bookshelf treatment, it's a given that I'll be telling you about it. Here you go, eighteen bucks, with a portion of the sale going to charity.




A very strong rumor from last month's Anime Weekend Atlanta: Vertical, who've been publishing all those lovely editions of Osamu Tezuka comics, are planning a 2010 release of Ayako, a dark, if not downright depressingly bleak, postwar family drama which originally ran in 1972-73.




Meanwhile, Dark Horse, who proved with their three Herbie Archives that they know how to manage the repackaging of somebody else's old comic books very well indeed, have struck a nifty-sounding deal with Archie Comics. 2010 will bring you the first in a series of nice leather-bound $50 volumes reprinting every story, chronologically, across four lines, one each for Archie, Jughead, Betty and Veronica. And here's the wild part: they're planning to release a new book every month. I'm sure that's the best way to get all this old stuff republished quickly, but I also think that I don't have $600 a year to spend on old Archie Comics.




I was either ignorant of or dismissive towards the superhero titles from Marvel UK in the late '80s and early '90s, but with a creative team like Dan Abnett, John Tomlinson and Gary Erskine, I think Knights of Pendragon, the story of a present-day incarnation of the knights of the round table, might turn out to be interesting. The series ran for 33 issues from 1990-93, and John Freeman has reported that Panini's releasing a collected edition of the first nine later this month. It has a new cover by Erskine, and you can read more about his contributions over at Scotch Corner.




Rumor has it that the "Skinny Showcase" line from DC has been successful enough to warrant a third volume. The sixties feature Dial H for Hero is tentatively scheduled for the spring. Fans of the line have probably noticed by now that the cover price for the regular Showcase Presents editions has gone up by a buck. 500-odd pages for $18 is still a pretty good price. Marvel has been a little tight-lipped about their similar Essential line. Surely the third Moon Knight collection, due in December, won't be the last, but the company does not seem to have announced anything definite.




Comics Reporter Tom Spurgeon found this fascinating one: WW Norton is publishing a mammoth collection of Herblock's editorial cartoons. The $35 hardcover will contain 250 images in print, with a more expansive collection of 18,000 on an accompanying DVD. Wowza. Paging Mike Luckovich, get your originals cleaned up...




I discovered Erika Moen's delightful webcomic DAR last month. The artist assembled a collected edition of the work earlier in the year, but it was delayed several times thanks to problems with bluenosed printers who didn't appreciate the sometimes explicit nature of the bawdy, no-holds-barred comic. Joanna Draper Carlson has a full interview with Moen at her website this week; you can order the book direct from Moen at DAR's site.




Lastly this time, Rebellion has had some disappointments this year in actually getting Diamond to solicit their wonderful collected editions of 2000 AD, so we are pleased as punch to see that two have made it into the distributor's latest catalog, and could be in US stores by the end of the year. Continuing their line of popular "phone book" reprints of 300 or more black-and-white pages, these are the first volumes of my all-time favorite comic Robo-Hunter by John Wagner, Alan Grant and Ian Gibson, and Anderson: Psi Division, written by Wagner and Grant, and with several artists including Gibson, Brett Ewins and Barry Kitson. Rebellion has shown with their complete, warts-and-all collections of Ace Trucking and Ro-Busters that they can really do a great job of collecting both the main series along with ephemera and easily-forgotten one-offs, so I'm hoping that the Anderson book contains the remarkably weird and wonderful "Mind of Edward Bottlebum," which previous collections of the character have routinely skipped.




That's all for this month! See you in November!