Showing posts with label sean phillips. Show all posts
Showing posts with label sean phillips. Show all posts

Thursday, September 10, 2009

Reprint This! Update on Thunderbirds

The archivist, everything-in-order side of me doesn't approve of them, but Reynolds & Hearn has released the first two volumes in a series of large-format reprints of Gerry Anderson tie-in comics. These feature the lovely artwork of Ron Embleton, Mike Noble, Frank Bellamy, Eric Eden and others, with adventures from the comic versions of Thunderbirds, Stingray, Captain Scarlet and others. These originally ran in 1965-69 in the pages of the anthology TV Century 21 and its sequels and spinoffs. The first volume features an introduction by Chris Bentley, who makes a strong case for including this comic alongside Eagle and 2000 AD as the three most important and influential of British comics.

As a sampler, these are very good books. I finished the first one and enjoyed most of the ten stories in it, though I was disappointed by the reproduction of the Stingray adventure "Haunting of Station 17." I realize that reprinting double-page spreads is a challenge, but it's always a bummer to see artwork and word balloons disappear into a book's gutter. It's made worse when it's such lovely painting by Ron Embleton, and when the pages have an outside margin of about an inch. These could surely have been laid out with a greater inside margin to prevent that happening,

Otherwise, the book is a very good sampler of the comic, with a mix of short stories and the longer epics. It leads with a really interesting Fireball XL5 story which crosses over into both Stingray and Lady Penelope, which instantly disproves the old thought that a similar crossover in Battle Picture Weekly was British comics' first - TV21 beat them by thirteen years! My favorite story in the book was another Lady Penelope serial, drawn by Frank Langford. This, and many of the other stories here, were scripted by regular Gerry Anderson TV scribe Alan Fennell, but there's an interesting Zero X story about a planet of skeleton monsters written by Angus P. Allan, who went on to write the majority of the strips in Look-In during the 1970s and 1980s, which is worth a read. There never was a Zero X TV series; this was the ship that International Rescue and Spectrum had to keep getting out of trouble.

At any rate, Reynolds & Hearn released two volumes of this series in the spring. A third, "Escape from Aquatraz," and apparently focussing just on Stingray episodes, is due before Christmas. I would have preferred straight reprints of everything in their original order - I don't suppose we'll ever get such a thing - but whether you just want to kick back with some nostalgic, escapist fun or would like to reappraise some artwork that was even better than you thought it was, you should certainly check these out.




Read more of what (very little) I've written about Ron Embleton at A Journal of Zarjaz Things.

I have not any real reviews for this book, only previews. If you see a review of it, or post one yourself, let me know and I will list it here.




In other news this month, I do like to make updates when something from the Reprint This! wish list makes it back into print. Rebellion has made this reader at least a little happy by issuing a new, limited edition collection of the first storyline for the grouchy, future detective Armitage by Dave Stone and Sean Phillips. The reprint appears in the freebie "graphic novel" bagged with Judge Dredd Megazine # 287, and it's available in US shops now. If you're going digital, you can purchase PDFs or CBRs of this Megazine and the reprint (130 pages in all) from Clickwheel for just $3.99.

It's been strongly hinted that a follow-up edition, featuring some of the Charlie Adlard-drawn episodes, might appear in another Meg before the end of the year. Hopefully all the time spent adding these episodes to the company's digital archive will count towards a proper bookshelf edition before much longer!




I haven't thought of it in years, but when I was a kid, Dik Browne's Hägar the Horrible was one of my family's favorite strips. There have been dozens of paperbacks over the years, but it's finally getting the archival hardback treatment from Titan. The first collection, featuring all the strips from 1973-74, is due in November. Titan's look back at the British wartime strip Jane is finally back on the schedule as well. It was anticipated some months ago but delayed due to production issues. Still no sign of their long-overdue Best of Battle book, sadly.




A few months ago, I passed along the rumor, originally reported by Chris Duffy at the mostly-defunct "Comic Books Are Interesting" blog, that the obscure King Aroo, a delightful, surreal, pun-filled 1950s strip by Jack Kent, might be due for a collection. Publishers Weekly this month confirmed that IDW does indeed have a collection planned for 2010. It's part of their "Library of American Comics" imprint, and other strips selected for 2010 releases include Blondie and Secret Agent X-9. The latter strip was scripted by Dashiel Hammett, the godfather of American detective fiction, and drawn by Alex Raymond, and I've been curious to see it for many years now. Preceding all of these, however, is a collection of a later Raymond strip, the detective drama Rip Kirby, which began in 1946. IDW plans five volumes compiling all of Raymond's work on the title before his untimely death in 1956; the first of these fifty-dollar hardcovers is due late next month, and a second in March of next year.




I enjoyed the volume of Fred van Lente and Ryan Dunlavey's Action Philosophers that I read. I read at The Comics Reporter just yesterday that Evil Twin Comics is releasing a big collection of all three volumes, along with four bonus stories, later in the year. It's wacky, biographical fun, very well drawn, and a great gift for the know-it-all academic type in your life.




The two "Skinny Showcases" from DC that I have mentioned before are both out. Bat Lash, reviewed the other day at my Bookshelf blog and Eclipso are each about half as thick as a usual Showcase for around half the price. Two other anticipated "Skinny Showcases" are off the table for now: the Ramona Fradon Super Friends was cancelled without explanation at the beginning of the summer, and The Creeper was axed in favor of a hardcover, color collection of all Steve Ditko's episodes, including the late 1970s ones from the World's Finest anthology which were not planned for the Showcase. That's due in 2010.




This month's Marvelman update: Kurt Amacker interviewed writer Alan Moore last week, and he certainly seems to think that a collected edition of his old series is in the works. Even if, Alan being Alan, he'd like Marvel to publish the book without his name on it.




Finally this time, assuming Diamond can be trusted to deliver them, Yen Press's brand-spankin' new editions of Kiyohiko Azuma's oddball, addictive family comedy Yotsuba&! should be in stores today. They've reissued the first five volumes and brought out the first English-language edition of the sixth, with at least two more scheduled for 2010.




That's all for this month! See you in October!

Friday, July 10, 2009

Reprint This! Update on Humbug

This week, I finally finished Fantagraphics' quite amazing reconstruction of Humbug, the short-lived (1957-58) humor magazine that several members of the Original Gang of Idiots tried to finance themselves in the wake of Trump's cancellation. Reprints of this material, which ranges from everything from comics to one-act screenplays, has been hard to come by for decades, and fans of the creators, who include Harvey Kurtzman, Will Elder, Jack Davis, Arnold Roth, Al Jaffee and others, have been looking forward to a collection like this for simply ages.

Fantagraphics' team of designers spent months reconstructing the original eleven issues of Humbug. Very little of the original artwork was available, meaning that in many cases they had to start with scans of the magazines themselves. These were less than ideal: in order to keep costs low, Humbug was printed on the cheapest, most awful paper available. But all this work was worth it, because the finished product is jawdropping. The package includes a pair of lengthy articles about the restoration, along with a mammoth interview with Jaffee and Roth. Collected as a pair of hardcover books in a slipcase, this is going to really require anybody hoping to knock this off the mountain of "best reprints of the year" to bring one heck of a product to the table.

As for the contents, yes, some of it's dated. I mean, these are fifty year-old satires, and many of its targets have faded into obscurity. A letters page stink after Humbug turned both barrels on Arkansas governor Orval Faubus had me scratching my head until I looked him up. Well, good for Humbug! Otherwise, provided you can recall the days of Sputnik-panic, Humbug's comedy remains pretty timely. Action movies rely on exactly the same cliches that they did a half-century ago, and Consumer Reports is still as anal-retentive as it was back then. You may not bust a lung laughing every tenth page, but it's pretty good for cover-to-cover chuckles, and all of the artwork is terrific.




Read more of what I've written about the publisher at A Journal of Zarjaz Things.

Read other reviews of this book:

Mark Evanier at News from ME
Christopher Hermitage at Blog to Comm
Rick Klaw at San Antonio Current
Rod Lott at Bookgasm
Chris Mautner at Comic Book Resources





In other news from the last month, well, there's not a lot about. Seems like most publishers will be waiting until the San Diego Comic-Con to make announcements this summer, but here's another thing or two that I've spotted. Actually, one thing that will be formally announced at San Diego is Viz's new "Shonen Sunday" imprint, the home of their forthcoming quarterly collections of Rumiko Takahashi's Rin-Ne and several other titles.




Marvel has solicited a mammoth new hardback volume of Ed Brubaker and Sean Phillips' celebrated Criminal. This 400-page book will reprint the first three paperback trades in one collection, and retails for $50. I haven't found the time to try it myself, but Criminal comes strongly recommended by several friends, and I do like Phillips' artwork a lot. This hardback will cost only $8 more than the three books bought individually. Hmmm. I should borrow the first of those trades and see about making the investment!




Speaking of DC, while the first of the publisher's "Skinny Showcases," highlighting Bat Lash, was released this week, it looks like they've changed plans for the mini-line a little. Word has it that the planned volume for the Creeper has been cancelled in favor of a hardback edition, scheduled for later in the year, which will reprint all of Steve Ditko's work on the character, in color.




A couple of days ago, IDW released advance word that they'll be tackling a mammoth archiving of Archie material from the 1940s and 50s, spotlighting early work by Bob Montana, Stan Goldberg and Dan DeCarlo. I was kind of curious why the Archie publishers don't just do this themselves, but they're kind of built around one sort of reprint, and not the archival stuff that IDW has been perfecting for the last couple of years. Go ahead and sign me up for the DeCarlo books, IDW. No word, incidentally, on whether spinoff material like Josie and the Pussycats is part of the deal.




Last month, Titan made my day by announcing that Johnny Red is getting the first of what we hope will be a series of hardcover collections. This month, they've solicited the sixth in their series of Charley's War volumes, featuring another thirty or so never-before-reprinted episodes by Pat Mills and Joe Colquhoun. It should arrive in September. Also, they surprised me by jumping on the "long-running American comic strip" bandwagon and announcing a Wizard of Id series, also for September. That was one of those strips we used to get in Atlanta years ago and was later dropped, so I concede some nostalgic curiosity. Oh, that little king. He's so tyrannical!




Lastly this time, Rebellion have quietly pushed back the ninth Nikolai Dante collection, "Amerika," from September to November, so that they can include the forthcoming "Lulu's War" storyline from the prog. The story will start in September's prog 1650 and run for about six weeks, and then be reprinted along with the last four Dante stories.




That's all for this month! See you in August!

Wednesday, July 1, 2009

Reprint This! Third World War



Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected several titles which should be on bookshelves, but at this time are not.

One missing gem is THIRD WORLD WAR by Pat Mills and a variety of artists, including co-creator Carlos Ezquerra, John Hicklenton and Sean Phillips. Borrowing from the listing I wrote for the Touched by the Hand of Tharg fan site, the series "concerns a near-future where corporations have grown so powerful that they can conscript soldiers to assist them in clearing the native populations of south and central America from regions necessary for their economic stranglehold over Western consumerism. "



Third World War was one of two series chosen to launch the twice-monthly anthology comic Crisis in 1988. The plan was to present a pair of 14-page color episodes in each issue, and these would later be shrunk and compiled in the smaller American comic format. It gave Carlos Ezquerra the opportunity to work in full color for the first time in his career and so, already unsatisfied with the long-term plans to conclude his ongoing series Strontium Dog in 2000 AD and now having the chance to work with Pat Mills, the artist jumped on board.

It's a real shame that it's not a better series, but it's certainly a polarizing and fascinating one. As I said over at Hand of Tharg, "Truly, it's hard to disagree with the points raised in this series, especially as companies like Wal-Mart and Starbucks continue a stranglehold on the marketplace, but it's done with such po-faced pretension that the final product is incredibly disagreeable. Mills depicts Christian characters, not for the last time, as two-dimensional retards, and the 'open-minded' heroes, Eve and an eco-terrorist named Paul, who would later resurface as the titular character in 2000 AD's Finn, are only open-minded insofar as they reject conventional society in favor of paganism and rebellion."

There's a lot more to Third World War than most American readers saw. Ezquerra only stayed with the series through its first phase, set in Central America, and opted for a return to Judge Dredd rather than illustrate the wild adventures awaiting Eve when she returned back to a very ugly, near-future Britain where economic collapse has sent most of the nation's youth to find the only work available, as gunmen for corporations. Without a consistent artist, the strip as a whole suffered, but individual installments by Hicklenton, Phillips, Glyn Dillon and others were fascinating. Joined by co-writer Alan Mitchell, Mills put Eve through the ringer in a long battle of wits against a drunken police inspector obsessed with her.

It's tempting to use my blog as a platform to prop up unavailable comics as really being gems of overlooked brilliance. Third World War is not one of those. It's highly flawed and very dated, but that's actually what makes it so very interesting from a present perspective. Pat Mills has long been an iconoclast of a writer, bucking convention and presenting antiheroes as protagonists. This was the first time, though, that he really threw caution to the wind and really railed against the social injustices that he perceived. It's Mills without restraint, as the editors of Crisis stepped back and let him have his platform. The result is never subtle and it almost every page screams "right on!" like an undergraduate on a free speech platform, but every page is equally fascinating, and the artwork is often just amazing.

Plus, you know, it makes you think.



Third World War originally ran for 49 episodes, each about 14 pages, throughout the first 53 issues of Crisis. With nearly 700 color pages in total, this looks like a good bet for a three-volume paperback collection. I've been crossing my fingers that Rebellion would begin licensing the material from Crisis, and give it the same high-end treatment that they do with 2000 AD's stories. It's long overdue, but what do you say, Rebellion? Why not put this back into print for a new generation to consider it?

Thursday, January 24, 2008

Reprint This! 25. Coda

Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

I decided to do this series of articles based on an earlier, three-part feature, but chose to keep it limited to 24 titles for the sake of personal convenience and to make sure I had an end in sight as I did my daily writing. But there are plenty of other great comics that deserve to see the light of day as well. Here are five others which would be great to see again... which I'd certainly buy if only my local comic shop could order them from somebody!



HERBIE by Richard E. Hughes and Ogden Whitney

I don't know nearly enough about this series, which is incredibly odd and readable, save that you do not wish to mess with the ultra-powerful Mr. Popnecker, else he'll bop somebody with that there lollipop. Herbie first appeared in American Comic Group's Forbidden Worlds in 1958, and made periodic appearances before getting his own title in 1964. ACG went out of business in 1967. Back issues are incredibly scarce and start at around $20 for good condition copies. There's no telling who might have the rights to Herbie, suggesting that any compilation would probably be a long time in coming. However, an episode was reprinted in 2005's Art Out of Time and there were a couple of mid '90s black and white reprints with new art from celebrity fans like Bob Burden and John Byrne, so I reckon somebody must know. (edited to add: LJ's spook_town informs us that the rights to ACG's library may currently belong to Roger Broughton. So, D&Q, Fanta, y'all go invite him around for drinks, okay?)



JAMES BOND by Takao Saito

Yeah, that's the same scan everybody's got. That's why we need a reprint. In 1964, Gildrose licensed four James Bond novels to Shokakugan, and Takao Saito, who'd later create Golgo 13, adapted them in monthly installments for Boy's Life. The stories were: Live and Let Die (9 parts, 1964-65), Thunderball (7 parts, 1965-66), On Her Majesty's Secret Service (9 parts, 1966) and The Man With the Golden Gun (8 parts, 1966-67). Single-volume editions were later issued and are highly prized by collectors.



JOSIE AND THE PUSSYCATS by Dan DeCarlo

All of it. Not a "best of." By DeCarlo. With his name on it. And while I'm at it, I'd like a pony.



THIRD WORLD WAR by Pat Mills, Carlos Ezquerra, Sean Phillips, John Hicklenton, Steve Pugh and others

Okay, so there are probably more representative images from 3WW that I could have used, but none of them would raise the eyebrows of my gamer geek girlfriend. It ran in the pages of Crisis from 1988-90. I maintain some small hope that Rebellion will announce a two-volume collection before we get too old and gray. This is certainly the most likely of these five, and I only moved it to the coda because Ezquerra got a couple of spotlight articles already.



PROPER V FOR VENDETTA WITHOUT THAT #$@&*! COLORING by Alan Moore and David Lloyd

Thinking that the first two-thirds of V for Vendetta is supposed to look like anything other than the above is like thinking that Humphrey Bogart is supposed to be wearing an ochre yellow jacket in Casablanca. And I'm missing five issues of Warrior, where it first appeared, so my set's not complete. Unfortunately, DC has the rights to V, and DC and Alan Moore don't get along anymore, so we'll probably see a complete Dan DeCarlo Josie before we ever see this restored to its proper, beautiful black and white.


* * *

That's that for Reprint This! as a regular feature, but I'll still use the tag from time to time when something occurs to me and I want to see an old favorite on bookshelves again, or when some publisher does the right thing and announces something good is coming up. As was mentioned some weeks ago, Vertical's bringing Osamu Tezuka's Black Jack to us in a new English edition and Thunderbirds was already out in a UK-only collection nobody'd heard of, so that's two down and 27 total to go. If one of your favorites is somewhere on this list, link to it, talk about it and let publishers know. Every bit of buzz helps!

(Originally posted January 24, 2008, 09:03 at hipsterdad's livejournal.)

Friday, January 11, 2008

Reprint This! 23. Armitage



Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected a couple of dozen titles which should be on bookshelves, but at this time are not.

Over in the Judge Dredd Megazine, the very sporadically-published ARMITAGE returned in December for a new series after his customary three or four years off. Created by Dave Stone and featuring artwork from some of Britain's best comics artists, this flawed-but-engaging series stars a gray-haired plainclothes detective in the future world of Brit-Cit, whose investigations invariably end up rubbing people in high places the wrong way.



Armitage is an aging, unarmed, grouchy detective who investigates gruesome murders among the rich and powerful in Brit-Cit. His investigations have often shown him crossing paths with the city-state's judicial masters. Armitage isn't one of them. There's a long history of secret handshakes and privilege in the world of British police, and a number of higher-ups who would rather Armitage leave things alone. So it's not entirely unlike Colin Dexter's Inspector Morse, really, with bizarre technology and secret cities. Dave Stone's grasp of future tech and ugly crimes has also been seen in his Doctor Who novels, and the excellent spinoff books featuring Bernice Summerfield, particularly the brilliant detective fiction pastiche Ship of Fools, which features some of the most gruesome, impossible murders a mystery novelist could ever concoct.

The series started out as a semi-regular for a few years, illustrated first by Sean Phillips (Criminal) and then by Charlie Adlard (The Walking Dead, Savage) before losing its semi-regular status and only appearing very sporadically. A two-part adventure planned to run in 1995, with art by Kevin Cullen, never actually appeared. The artwork vanished shortly before it was due to be printed; there has been no confirmation that the pages were ever actually found. Other artists who have tackled short Armitage adventures include Steve Yeowell, Charlie Gillespie and John Ridgway.

Armitage returned in December for a new serial illustrated by the great John Cooper, who seems perfectly suited to illustrate a grouchy loner like our aging copper. Cooper's comic work stretches back to One-Eyed Jack in the pages of Valiant in the 1970s, although he may be best known for his work on Battle Picture Weekly's Johnny Red, a strip he illustrated for about six years. I haven't actually seen the first episode yet, although the new Megazine should be in American comic shops this week, and I can't wait for mine!

Anyway, the thirty-odd episodes of Armitage would make a really nice collected edition once the current Cooper-illustrated story is finished and can be compiled with them. The first serial could stand to be re-lettered -- Phillips was doing some odd things with his page sizes on this and the first Devlin Waugh story and these scans are kind of enormous so that you readers won't have to squint to read the word balloons on your computer screen. But with a little remastering, we'd get some great artwork by popular artists back in print and enjoy Stone's grisly future crimes without having to dig through eighteen years of magazines. So how about it, Rebellion? (And couldya shackle Stone to a desk somewhere and get some more pages out of him, so we won't have to wait until 2030 for volume two??)



(Originally posted January 11, 2008, 04:35 at hipsterdad's livejournal.)

(Update 9/09: Magazine-sized reprints of Armitage are now available.)