Crash and Burn: What the heck is happening with British reprints?

Downright depressing news from lots of places, but what has spurred me into action is a new report from the otherwise always-a-pleasure-to-read Steve Holland at Bear Alley. Looks like we're coming up on a winter of discontent, and many hoped-for projects have been postponed, delayed or canceled outright.

Doctor Who: "The Crimson Hand": I've been watching this develop for several months now, and the news gets worse all the time. After twelve collected editions of the Doctor Who comic, a license dispute between the BBC and Panini has scuttled the third and final edition of Tenth Doctor episodes and left the whole line up in the air.



Panini collected all of the terrific Fourth and Fifth Doctor stories, all the weird Sixth Doctor ones and all the amazingly good Eighth Doctor ones. There weren't quite enough Ninth Doctor stories, but they did release a 100-page magazine with all those, and they released one in a proposed series of Seventh Doctor books, some of which at least were drawn well. (The late 80s and early 90s were a... troubled time for the comic.)

The Tenth Doctor's adventures were compiled in a pair of books called "The Bride of Sontar" and "The Widow's Curse." The storylines were meant to be wrapped up in "The Crimson Hand," but DWM's editor Tom Spilsbury confirmed on the Gallifrey Base Forum that the book never went to print. Spilsbury has, understandly, been tight-lipped about the rumors that have been spreading about why it was canceled and whether we might see it in the future, but there's a wide gap between "understandable" and "preferable" when you're a fan.

For my money, the strip has been weaker since the property returned to TV, but that's not to say it's at all bad, and that last Donna Noble comic, "Time of My Life," was so terrific that there wasn't a hat size to fit it. I don't buy Doctor Who Magazine, but the consensus among fans is that this last chunk of Tenth Doctor stories really was fun and special. I was really looking forward to Panini's collection of them.

Century 21: I reviewed the fourth volume of these reprints over at my Bookshelf blog last month, concluding that their production was going to keep me from preordering any more of them. An anonymous commenter suggested that Reynolds & Hearn was having some business trouble.



In a post earlier today, Steve (who, unlike me, enjoyed the reprints, which included wonderful artwork by the likes of Ron Embleton and Frank Bellamy) confirmed that Reynolds & Hearn has liquidated and resolved to close the company, leaving the proposed fifth volume up in the air. Whether another company which has acquired their publishing list does put "They Walk Among Us" back on the schedule has yet to be determined.

Titan Books: Charley's War, James Bond, Battle Picture Weekly, Action, Misty: But the real personal heartbreak comes from learning that internal business at Titan has left a whole pile of long-anticipated classic comics in limbo. There have been problems here for some time; Diamond did not ship the most recent volumes of Charley's War (from last year, vol. 6) and James Bond (from the spring, vol. 17) to my comic shop, and has no additional stock to meet my store's request, so I'm waiting for Titan to make an "offered again" opportunity for Bizarro Wuxtry to reorder them.



In the meantime, Titan has been soliciting one Battle collection after another, without actually producing any of them. Every few months, Previews will list another title and it will get ordered and everybody will wonder what the heck has happened to all the previous titles that they've offered. For those without long memories, these include:

Johnny Red Vol. 1: Falcon's First Flight
Darkie's Mob
The Best of Land Battle
Rat Pack Vol. 1
Major Eazy Vol. 1
The Best of Action Vol. 1
The Best of Misty Vol. 1

None of these have been formally canceled, although Holland does believe that the company's Roy of the Rovers line is dead. Darkie's Mob, by John Wagner and the late Mike Western, hasn't been officially kicked to 2011 yet, but nobody's optimistic enough to suggest that it will actually arrive before Christmas. And the seventh volume of Charley's War, which I believe deals with the infamous "monocled mutineer" Percy Toplis, is still scheduled for next month. Shame I can't read volume six first.

Oh yeah, and Fantagraphics pushed the first Pogo book back again, to December. That's not British, but it's intended as a Christmas gift, so I'm steamed about it.

Hopefully the next time I find some reason to update this blog, it'll be with good news...!

Reprint This! Update on Major Eazy

The great war series Major Eazy by Alan Hebden and Carlos Ezquerra has been my personal favorite strip from the pages of Battle Picture Weekly, and was among the original features listed here hoping for a reprint. (See the original article.) A handful of episodes showed up in Titan's Best of Battle trade paperback last year, and we've been waiting for more.

The current (August 2010) issue of previews at last includes a solicitation for a hardcover collection of the series. It reads as follows:

From the pages of Battle, Britain's best-loved war comic! Major Eazy is a maverick soldier in a dirty war, caught up in the Allies' invasion of Italy in 1944 and determined to see justice done. Even when that means taking on villains on his own side, he doesn't pull any punches! More movie star than military, Eazy was the most laconic British officer ever to grace the pages of a comic.

The book, hopefully first in a series, is scheduled for release October 27 with a $19.95 retail price.

Reprint This! Update on Gahan Wilson

Be careful what you wish for department: I've loved Gahan Wilson's work for many years. He's an amazing talent, and while you may never find a consensus as to precisely when Playboy was no longer really worth the effort, it's clear that the cartoons have been the best thing about the magazine for many years, and Wilson's the best of those.

Fantagraphics has pleased me greatly by releasing this fantastic collection of all of Wilson's gleefully surreal and macabre work for Playboy. It is one hell of a presentation. It's three hardback collections in a slipcase with a plexiglass backing. The back cover of each volume features a different hilarious photo of the 79 year-old artist's face and hands pressed up against glass; boxed in the slipcase, it looks like he's been crammed into the box and is praying for release. Each book has a die-cut cover and, while arranged chronologically, is divided into sections by inserted pages repeating the die-cut of the cover.

This can't have been a cheap book to produce, and the price tag confirms it: $125 is a lot to pay at retail. It's worth every penny, as, apart from the bells-n-whistles of the presentation, it does contain every single drawing that Wilson did for Playboy, along with short stories, appreciations by Hugh Hefner and Neil Gaiman, and an interview with the artist by Gary Groth. It's nearly 1000 pages long, the cartoons are printed at their original publication size (that is, mostly one to a page), and it's all done on just about the nicest paper available. It's a book that just oozes quality.

And yet... there's a part of me that wishes there was a little less to it. Don't misunderstand me; Fantagraphics has created an amazing tribute, and I'll treasure my copy, but $125 is a really tall order. The presentation and the supplements are wonderful, but I can't help but wish that Fanta made this material available in a series of inexpensive softcover volumes as well. I feel at least a little strongly that great comics should be available to as wide a range of buyers as possible. Then again, I thought that about the thematically similar complete hardcover editions of Calvin & Hobbes, The Far Side and Don Martin's work for Mad and nobody's put out anything resembling mass market editions of those, so I'm not holding my breath. Thanks for realizing one Reprint This! request, Fantagraphics, but could you make sure the next one you fill is just a little more affordable?

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Read more of what little I've written about the artist at A Journal of Zarjaz Things.

Read other reviews of Gahan Wilson: Fifty Years of Playboy Cartoons:

Jeet Heer at Comics Comics
John Hogan at Graphic Novel Reporter
Laurel Maury for the San Francisco Chronicle
The Comics Panel at the Onion AV Club

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Every month, I pick out a few upcoming collected editions that sound a little neat, and pass those along to readers in what surely must be the least objective "collected editions" news around. For example, you'd do well to talk to your local comic shop about Dark Horse's April offerings. For one, they've got a hardcover collection of all of Evan Dorkin and Jill Thompson's Beasts of Burden stories. I've read a couple of these and they are really quite good. The series is about a menagerie of dogs and cats who defend a small community against weird supernatural grotesqueries, and I guarantee you that the last page of the second issue will send the meanest chill up your spine you've ever felt. They're also issuing a paperback edition of Frank Miller and Dave Gibbons' complete, 600-page Martha Washington series. Actually, I don't much care for this title at all, but 600 pages of Gibbons drawing anything sounds good for only thirty bucks.

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But the really, really cool thing is this: A long time ago in a market far, far away, Dark Horse had issued full reprints of Marvel's old Star Wars series, the one by Roy Thomas, Archie Goodwin, Carmine Infantino and Walt Simonson, among others, but it was at a disagreeable price point and I never bought them. But in June, Dark Horse is doing them in their successful omnibus line of reprints, and you'll be able to get the first 26 issues of the series in one volume for only $25. Good job; I will probably buy that!

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I will also be passing on IDW's forthcoming Li'l Abner series, but I'm glad to hear about it. The comic strip by Al Capp ran for forty years, leaving behind a downright odd film adaptation that featured both Julie Newmar and Billie Hayes, a tie-in soda called Kickapoo Joy Juice which, as Ski / Mountain Dew clones go, was just fine by me, and an amusement park called Dogpatch USA which still sits abandoned in the middle of nowhere, Arkansas, attracting explorers and Airsoft players. Some years ago, Kitchen Sink embarked on a complete reprint of the series that never finished, and, to hear my dad tell it, didn't get to the strip's really good years that started in the late 1950s. My dad probably likes Li'l Abner more than you, mind. Anyway, it's another addition to IDW's "Library of American Comics" imprint, a big line which nobody can afford but which we're glad to see available anyway.

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I don't know whether you've tried to read Marvel or DC's forthcoming solicitations, but it's been getting harder and harder to separate the gems from the dross, in part because, as an eyeball-bludgeoning glance at the graphic novel shelves at Borders will confirm, the companies are hell-bent on rereleasing everything that they publish in these flimsy, 144-page things which retail for $14.99 and which get battered all to heck on the shelves. Nevertheless, somewhere in those fields of crap, if you look through DC's summer notes - they will be offering eight separate hardcovers detailing the thousands of pages of their current "Blackest Night" storyline - you'll see that the publisher is releasing a second Showcase collection of classic Doom Patrol episodes by Arnold Drake and Bruno Premiani. The first volume was easily one of the highlights of the line, and if you enjoy high-concept adventure stories, you'll probably get a kick out of these crazy sixties comics.

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Lastly this time (yeah, it's a short one), we're still waiting on confirmation about what the forthcoming two volumes of Judge Dredd Restricted Case Files will contain, but the big news from Rebellion is the formal announcement of two July books: The Stainless Steel Rat and Al's Baby, two titles drawn by Carlos Ezquerra which I have wanted to see reprinted for such a long time. Place your orders now, friends, and tell everybody you know. The Stainless Steel Rat, based on three novels by Harry Harrison, is 36 episodes of twist-filled, high-concept, con-artist sci-fi from the early eighties, and Al's Baby is 33 episodes of hilarious mob-comedy about a hitman who cannot convince his wife, the godfadda's dotta, to have a baby, so he's got to carry one himself to avoid a pair of concrete boots. Cross-dressing, getaway cars, first trimester cravings, high explosives, labor pains and sleeping with the fishes, it's all here and it's very funny. Spread the word!

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That's all for this month! See you in March!

Reprint This! Update on The Stainless Steel Rat

Exciting news from the good droids over at Rebellion. Amazon fishing in the UK has brought to light a listing for The Stainless Steel Rat, Kelvin Gosnell and Carlos Ezquerra's adaptation of the Harry Harrison novels. The series - 12-episode retellings of three of the books - originally appeared in the pages of 2000 AD in the early '80s.

The Amazon listings have been very accurate for 2000 AD collections over the years, and while a formal announcement has yet to be made, this sounds pretty solid. The collection should appear in July of next year.

Other 2000 AD collections in the Amazon pipeline include a second big Robo-Hunter omnibus, along with complete collections of Al's Baby and Harlem Heroes. Thumbs up to "Dash Decent" from the 2000 AD message board for the find!

The Stainless Steel Rat entry.

Reprint This! will return on the 15th for a year-in-review recap.

Reprint This! Third World War

Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected several titles which should be on bookshelves, but at this time are not.

One missing gem is THIRD WORLD WAR by Pat Mills and a variety of artists, including co-creator Carlos Ezquerra, John Hicklenton and Sean Phillips. Borrowing from the listing I wrote for the Touched by the Hand of Tharg fan site, the series "concerns a near-future where corporations have grown so powerful that they can conscript soldiers to assist them in clearing the native populations of south and central America from regions necessary for their economic stranglehold over Western consumerism. "



Third World War was one of two series chosen to launch the twice-monthly anthology comic Crisis in 1988. The plan was to present a pair of 14-page color episodes in each issue, and these would later be shrunk and compiled in the smaller American comic format. It gave Carlos Ezquerra the opportunity to work in full color for the first time in his career and so, already unsatisfied with the long-term plans to conclude his ongoing series Strontium Dog in 2000 AD and now having the chance to work with Pat Mills, the artist jumped on board.

It's a real shame that it's not a better series, but it's certainly a polarizing and fascinating one. As I said over at Hand of Tharg, "Truly, it's hard to disagree with the points raised in this series, especially as companies like Wal-Mart and Starbucks continue a stranglehold on the marketplace, but it's done with such po-faced pretension that the final product is incredibly disagreeable. Mills depicts Christian characters, not for the last time, as two-dimensional retards, and the 'open-minded' heroes, Eve and an eco-terrorist named Paul, who would later resurface as the titular character in 2000 AD's Finn, are only open-minded insofar as they reject conventional society in favor of paganism and rebellion."

There's a lot more to Third World War than most American readers saw. Ezquerra only stayed with the series through its first phase, set in Central America, and opted for a return to Judge Dredd rather than illustrate the wild adventures awaiting Eve when she returned back to a very ugly, near-future Britain where economic collapse has sent most of the nation's youth to find the only work available, as gunmen for corporations. Without a consistent artist, the strip as a whole suffered, but individual installments by Hicklenton, Phillips, Glyn Dillon and others were fascinating. Joined by co-writer Alan Mitchell, Mills put Eve through the ringer in a long battle of wits against a drunken police inspector obsessed with her.

It's tempting to use my blog as a platform to prop up unavailable comics as really being gems of overlooked brilliance. Third World War is not one of those. It's highly flawed and very dated, but that's actually what makes it so very interesting from a present perspective. Pat Mills has long been an iconoclast of a writer, bucking convention and presenting antiheroes as protagonists. This was the first time, though, that he really threw caution to the wind and really railed against the social injustices that he perceived. It's Mills without restraint, as the editors of Crisis stepped back and let him have his platform. The result is never subtle and it almost every page screams "right on!" like an undergraduate on a free speech platform, but every page is equally fascinating, and the artwork is often just amazing.

Plus, you know, it makes you think.



Third World War originally ran for 49 episodes, each about 14 pages, throughout the first 53 issues of Crisis. With nearly 700 color pages in total, this looks like a good bet for a three-volume paperback collection. I've been crossing my fingers that Rebellion would begin licensing the material from Crisis, and give it the same high-end treatment that they do with 2000 AD's stories. It's long overdue, but what do you say, Rebellion? Why not put this back into print for a new generation to consider it?

Reprint This! 25. Coda

Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

I decided to do this series of articles based on an earlier, three-part feature, but chose to keep it limited to 24 titles for the sake of personal convenience and to make sure I had an end in sight as I did my daily writing. But there are plenty of other great comics that deserve to see the light of day as well. Here are five others which would be great to see again... which I'd certainly buy if only my local comic shop could order them from somebody!



HERBIE by Richard E. Hughes and Ogden Whitney

I don't know nearly enough about this series, which is incredibly odd and readable, save that you do not wish to mess with the ultra-powerful Mr. Popnecker, else he'll bop somebody with that there lollipop. Herbie first appeared in American Comic Group's Forbidden Worlds in 1958, and made periodic appearances before getting his own title in 1964. ACG went out of business in 1967. Back issues are incredibly scarce and start at around $20 for good condition copies. There's no telling who might have the rights to Herbie, suggesting that any compilation would probably be a long time in coming. However, an episode was reprinted in 2005's Art Out of Time and there were a couple of mid '90s black and white reprints with new art from celebrity fans like Bob Burden and John Byrne, so I reckon somebody must know. (edited to add: LJ's spook_town informs us that the rights to ACG's library may currently belong to Roger Broughton. So, D&Q, Fanta, y'all go invite him around for drinks, okay?)



JAMES BOND by Takao Saito

Yeah, that's the same scan everybody's got. That's why we need a reprint. In 1964, Gildrose licensed four James Bond novels to Shokakugan, and Takao Saito, who'd later create Golgo 13, adapted them in monthly installments for Boy's Life. The stories were: Live and Let Die (9 parts, 1964-65), Thunderball (7 parts, 1965-66), On Her Majesty's Secret Service (9 parts, 1966) and The Man With the Golden Gun (8 parts, 1966-67). Single-volume editions were later issued and are highly prized by collectors.



JOSIE AND THE PUSSYCATS by Dan DeCarlo

All of it. Not a "best of." By DeCarlo. With his name on it. And while I'm at it, I'd like a pony.



THIRD WORLD WAR by Pat Mills, Carlos Ezquerra, Sean Phillips, John Hicklenton, Steve Pugh and others

Okay, so there are probably more representative images from 3WW that I could have used, but none of them would raise the eyebrows of my gamer geek girlfriend. It ran in the pages of Crisis from 1988-90. I maintain some small hope that Rebellion will announce a two-volume collection before we get too old and gray. This is certainly the most likely of these five, and I only moved it to the coda because Ezquerra got a couple of spotlight articles already.



PROPER V FOR VENDETTA WITHOUT THAT #$@&*! COLORING by Alan Moore and David Lloyd

Thinking that the first two-thirds of V for Vendetta is supposed to look like anything other than the above is like thinking that Humphrey Bogart is supposed to be wearing an ochre yellow jacket in Casablanca. And I'm missing five issues of Warrior, where it first appeared, so my set's not complete. Unfortunately, DC has the rights to V, and DC and Alan Moore don't get along anymore, so we'll probably see a complete Dan DeCarlo Josie before we ever see this restored to its proper, beautiful black and white.

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That's that for Reprint This! as a regular feature, but I'll still use the tag from time to time when something occurs to me and I want to see an old favorite on bookshelves again, or when some publisher does the right thing and announces something good is coming up. As was mentioned some weeks ago, Vertical's bringing Osamu Tezuka's Black Jack to us in a new English edition and Thunderbirds was already out in a UK-only collection nobody'd heard of, so that's two down and 27 total to go. If one of your favorites is somewhere on this list, link to it, talk about it and let publishers know. Every bit of buzz helps!

(Originally posted January 24, 2008, 09:03 at hipsterdad's livejournal.)

Reprint This! 16. Rat Pack

UPDATE: Titan has released a hardcover collection of the first 25 episodes.

Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected two dozen titles which should be on bookshelves, but at this time are not.

Sadly still missing in action are the adventures of RAT PACK, the most bloodthirsty and dangerous men to ever tangle behind Nazi lines in the pages of a comic book. The series was devised by Pat Mills and John Wagner, and it was written and illustrated by dozens of the top talents of the 1970s over its six year run.



Like Johnny Red and Major Eazy, two of the earlier Reprint This! features, Rat Pack first appeared in the pages of Battle Picture Weekly. This was one of the original seven strips from the 1975 debut issue, and very much the centerpiece. Prior to IPC's Battle, most weekly comics had two-page episodes for their features. Battle had a standard of three pages per strip, with Rat Pack given a comparatively expansive six pages a week.

Very little in Rat Pack changed over the course of its run. Inspired by The Dirty Dozen, it was the tale of four soldiers who'd broken regulations and were serving time in a military prison when they were given a second chance by Major Taggart, who needed four expendable, yet talented, men for impossible missions behind enemy lines. They are: a big tough guy, a knife-thrower, a superb athlete and a safecracker. It's broadly reminiscent of DC's mid-70s war titles like Sgt. Rock or The Unknown Soldier, with inspiring, larger-than-life heroes having improbably successful suicide missions, except the Rat Pack is made up of such a bunch of dirty, back-stabbing thugs, you just hope nobody you care about gets inspired by them! It's very addictive stuff for young readers.

Creatively, Rat Pack had a very high turnover, as no artist could commit to the demanding schedule for more than a month or two at a time. Carlos Ezquerra handled the art for the first two-part story before it passed down through a who's who of British comic greats, including Eric Bradbury, John Cooper, Cam Kennedy, Colin Page and Mike White. The late Italian artist Massimo Belardinelli did some of his first British work for Rat Pack. The strip's writers included Mills, Wagner, Gerry Finley-Day, Eric Hebden and his son Alan, and Terry Magee.

Rat Pack's turnover may be a strike against any publisher considering a reprint line, since you can't promote it on the backs of any particular names. Then you have the usual issues with old Fleetway stuff, like a loss of the original art. But the fabulously entertaining stories are really worth seeing again, and Titan's done such a good job with Charley's War that I can't believe they wouldn't do Rat Pack proud as well. They'd look great on shelves in annual hardback collections... so how about it, Titan?

(As always, the stalwart lads over at Captain Hurricane's Best of Battle were very helpful in providing background and scans for this article. Give 'em a visit!)



(Originally posted November 09, 2007, 09:19 at hipsterdad's livejournal.)

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Edited to add: (3/1/08) Titan has announced that they have acquired reprint rights to more of the Battle material, specifically noting Johnny Red, Major Eazy and Rat Pack as among the strips which will be reappearing soon. The major new reprint series will begin with the long-running soccer strip Roy of the Rovers as the spearhead, and also incorporate material from the comics Action, Buster, Tammy and, possibly most excitingly, Misty! Here's the announcement, from Down the Tubes. More details as they become available!

Reprint This! 13. Major Eazy

UPDATE: Titan released a hardcover collection of the first 30 episodes in 2012.

Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected two dozen titles which should be on bookshelves, but at this time are not.

Carlos Ezquerra's excellent artwork was first noticed as one of the anonymous contributors to DC Thomson's Warlord in the early 1970s. Recognizing him as a talent worth tracking down, the editors of IPC's Battle Picture Weekly found his English agent and gave him some work. Ezquerra's commitments to DCT kept him from taking on a long-term series for a few more months, but when he was free, Battle had the perfect strip for him: the battlefield exploits of a rule-breaking iconoclast called MAJOR EAZY.



Major Eazy was a laid-back, longhaired, scruffy tactical genius and crack shot who drove his Bentley around Italy in 1944, in charge of a small platoon and constantly rubbing his commanding officers and various American sergeants the wrong way, yet always getting the better of everybody by way of his refusal to do anything "by the book." Eazy had a very strong sense of morality, honor and justice, and treated his enemies with more respect than his comrades would.

After 35 episodes, the story flashed back to North Africa in 1941 and presented tales of Eazy's earlier days. There was also a celebrated thirteen-week crossover with another Battle series, Rat Pack, in which Eazy took over that unit while their commanding officer was recuperating. Eazy's laconic approach to the war was a huge hit with many readers, but his popularity was not unanimous. The editors of Battle occasionally printed grouchy letters from uptight point-missing kids who complained that an unshaven, rule-breaking fellow like Eazy wouldn't really have got very far in the British army, and his behavior was sometimes jolly disgraceful!

Objectively, Charley's War was the best of all the strips to appear in Battle, and Johnny Red might have been the most popular, but Major Eazy is certainly my favorite. Certainly, there's an element of repetition - Alan Barnes, editor of Judge Dredd Megazine, is said to have ruled out reprinting Eazy in that comic because "if you've read one Major Eazy, you've read them all." I certainly don't agree with that, although the early days of the strip certainly would have benefitted from longer, multi-part stories instead of one-offs. But even when the plot feels familiar, there's always an exciting, witty payoff to Eazy's latest idea. Plus, the artwork is just fantastic. I could look at these pages for days.

A reprint of Major Eazy would be complicated by its format. The first twelve episodes were told in three-page episodes, starting with a color double-page centerspread. There's no way to compile this in print without using a pin-up or cover on every fourth page, which certainly won't please any graphics novel editor . But Titan has certainly proven itself able to handle odd formats and color images with their Charley's War editions. Including the 13 episode crossover with Rat Pack, there are 91 episodes of the series, so call it no more than 364 pages. That could certainly be done in three of their nice hardcover volumes with room for background and creator interviews. So how about it, Titan?



For more information on Battle and Major Eazy, including some story scans (from which a couple of these images were cropped), be sure to visit Captain Hurricane's Best of Battle.



(Originally posted October 09, 2007, 06:07 at hipsterdad's livejournal.)

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Edited to add: (3/1/08) Titan has announced that they have acquired reprint rights to more of the Battle material, specifically noting Johnny Red, Major Eazy and Rat Pack as among the strips which will be reappearing soon. The major new reprint series will begin with the long-running soccer strip Roy of the Rovers as the spearhead, and also incorporate material from the comics Action, Buster, Tammy and, possibly most excitingly, Misty! Here's the announcement, from Down the Tubes. More details as they become available!

Edited to add: (8/2/10) Titan has solicited the first Major Eazy hardback in the August 2010 edition of Previews for release in October.

Reprint This! 12. The Stainless Steel Rat

UPDATE: Rebellion has released a complete collection of this series in a single-volume paperback.

Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected two dozen titles which should be on bookshelves, but at this time are not.

Since Carlos Ezquerra is among my favorite artists, he's pretty high on the list of creators whose work I'd like to see collected. The editors of 2000 AD had given one of his best-known strips, Strontium Dog, a short rest in 1980 and found a fabulous new project for him to tackle, a comic adaptation of Harry Harrison's novels about the galactic conman called THE STAINLESS STEEL RAT.



The Stainless Steel Rat is the nickname given to "Slippery" Jim diGriz, a ne'er-do-well who started his criminal career with a lengthy prison sentence. Jim figured that getting in the slammer would get him access to all the great criminal masterminds and from them he could learn the tricks of the trade, forgetting, as a novice might, that the best bad guys don't actually get caught. Things improved for Slippery Jim after that and he began a legendary career in safecracking, burglary and confidence tricks, attracting the attention of the galactic police. Much to Jim's surprise, they didn't want to arrest him; they wanted to conscript him...

The comic adaptation of The Stainless Steel Rat was a big hit for 2000 AD in the early 1980s. Three of the novels were adapted, each in twelve parts of about six pages each, by Kelvin Gosnell and Ezquerra. The first two are each incredibly entertaining, but the third, The Stainless Steel Rat for President, is utterly wonderful. Harrison wrote the book as a savage satire on Central American politics, and sees Slippery Jim and his growing family deciding to take on an aging, despotic, president-for-life in a delightful game of dirty politics.

The Stainless Steel Rat was only reprinted once, in a six-issue miniseries for the US market, with the pages resized and colorized. The copyright on the scripts and artwork belong to Rebellion, the company that now owns 2000 AD, but the speculaton is that it can't be reprinted without the permission of Harry Harrison, who owns the characters and the storylines. Still, he seemed taken with the adaptations when it originally ran, and a collection, which would run to just over 200 pages, would be a treat for both Harrison's fans and 2000 AD readers. It wouldn't hurt to ask Harrison, so how about it, Rebellion?



This has got me in an Ezquerra frame of mind. I wonder what I can come up with for the next installment...



(Originally posted September 28, 2007, 10:26 at hipsterdad's livejournal.)

Update Dec. 6 2009: An Amazon listing for a collected edition is revealed.