Showing posts with label marvelman. Show all posts
Showing posts with label marvelman. Show all posts

Thursday, September 10, 2009

Reprint This! Update on Thunderbirds

The archivist, everything-in-order side of me doesn't approve of them, but Reynolds & Hearn has released the first two volumes in a series of large-format reprints of Gerry Anderson tie-in comics. These feature the lovely artwork of Ron Embleton, Mike Noble, Frank Bellamy, Eric Eden and others, with adventures from the comic versions of Thunderbirds, Stingray, Captain Scarlet and others. These originally ran in 1965-69 in the pages of the anthology TV Century 21 and its sequels and spinoffs. The first volume features an introduction by Chris Bentley, who makes a strong case for including this comic alongside Eagle and 2000 AD as the three most important and influential of British comics.

As a sampler, these are very good books. I finished the first one and enjoyed most of the ten stories in it, though I was disappointed by the reproduction of the Stingray adventure "Haunting of Station 17." I realize that reprinting double-page spreads is a challenge, but it's always a bummer to see artwork and word balloons disappear into a book's gutter. It's made worse when it's such lovely painting by Ron Embleton, and when the pages have an outside margin of about an inch. These could surely have been laid out with a greater inside margin to prevent that happening,

Otherwise, the book is a very good sampler of the comic, with a mix of short stories and the longer epics. It leads with a really interesting Fireball XL5 story which crosses over into both Stingray and Lady Penelope, which instantly disproves the old thought that a similar crossover in Battle Picture Weekly was British comics' first - TV21 beat them by thirteen years! My favorite story in the book was another Lady Penelope serial, drawn by Frank Langford. This, and many of the other stories here, were scripted by regular Gerry Anderson TV scribe Alan Fennell, but there's an interesting Zero X story about a planet of skeleton monsters written by Angus P. Allan, who went on to write the majority of the strips in Look-In during the 1970s and 1980s, which is worth a read. There never was a Zero X TV series; this was the ship that International Rescue and Spectrum had to keep getting out of trouble.

At any rate, Reynolds & Hearn released two volumes of this series in the spring. A third, "Escape from Aquatraz," and apparently focussing just on Stingray episodes, is due before Christmas. I would have preferred straight reprints of everything in their original order - I don't suppose we'll ever get such a thing - but whether you just want to kick back with some nostalgic, escapist fun or would like to reappraise some artwork that was even better than you thought it was, you should certainly check these out.




Read more of what (very little) I've written about Ron Embleton at A Journal of Zarjaz Things.

I have not any real reviews for this book, only previews. If you see a review of it, or post one yourself, let me know and I will list it here.




In other news this month, I do like to make updates when something from the Reprint This! wish list makes it back into print. Rebellion has made this reader at least a little happy by issuing a new, limited edition collection of the first storyline for the grouchy, future detective Armitage by Dave Stone and Sean Phillips. The reprint appears in the freebie "graphic novel" bagged with Judge Dredd Megazine # 287, and it's available in US shops now. If you're going digital, you can purchase PDFs or CBRs of this Megazine and the reprint (130 pages in all) from Clickwheel for just $3.99.

It's been strongly hinted that a follow-up edition, featuring some of the Charlie Adlard-drawn episodes, might appear in another Meg before the end of the year. Hopefully all the time spent adding these episodes to the company's digital archive will count towards a proper bookshelf edition before much longer!




I haven't thought of it in years, but when I was a kid, Dik Browne's Hägar the Horrible was one of my family's favorite strips. There have been dozens of paperbacks over the years, but it's finally getting the archival hardback treatment from Titan. The first collection, featuring all the strips from 1973-74, is due in November. Titan's look back at the British wartime strip Jane is finally back on the schedule as well. It was anticipated some months ago but delayed due to production issues. Still no sign of their long-overdue Best of Battle book, sadly.




A few months ago, I passed along the rumor, originally reported by Chris Duffy at the mostly-defunct "Comic Books Are Interesting" blog, that the obscure King Aroo, a delightful, surreal, pun-filled 1950s strip by Jack Kent, might be due for a collection. Publishers Weekly this month confirmed that IDW does indeed have a collection planned for 2010. It's part of their "Library of American Comics" imprint, and other strips selected for 2010 releases include Blondie and Secret Agent X-9. The latter strip was scripted by Dashiel Hammett, the godfather of American detective fiction, and drawn by Alex Raymond, and I've been curious to see it for many years now. Preceding all of these, however, is a collection of a later Raymond strip, the detective drama Rip Kirby, which began in 1946. IDW plans five volumes compiling all of Raymond's work on the title before his untimely death in 1956; the first of these fifty-dollar hardcovers is due late next month, and a second in March of next year.




I enjoyed the volume of Fred van Lente and Ryan Dunlavey's Action Philosophers that I read. I read at The Comics Reporter just yesterday that Evil Twin Comics is releasing a big collection of all three volumes, along with four bonus stories, later in the year. It's wacky, biographical fun, very well drawn, and a great gift for the know-it-all academic type in your life.




The two "Skinny Showcases" from DC that I have mentioned before are both out. Bat Lash, reviewed the other day at my Bookshelf blog and Eclipso are each about half as thick as a usual Showcase for around half the price. Two other anticipated "Skinny Showcases" are off the table for now: the Ramona Fradon Super Friends was cancelled without explanation at the beginning of the summer, and The Creeper was axed in favor of a hardcover, color collection of all Steve Ditko's episodes, including the late 1970s ones from the World's Finest anthology which were not planned for the Showcase. That's due in 2010.




This month's Marvelman update: Kurt Amacker interviewed writer Alan Moore last week, and he certainly seems to think that a collected edition of his old series is in the works. Even if, Alan being Alan, he'd like Marvel to publish the book without his name on it.




Finally this time, assuming Diamond can be trusted to deliver them, Yen Press's brand-spankin' new editions of Kiyohiko Azuma's oddball, addictive family comedy Yotsuba&! should be in stores today. They've reissued the first five volumes and brought out the first English-language edition of the sixth, with at least two more scheduled for 2010.




That's all for this month! See you in October!

Monday, August 10, 2009

Reprint This! Update on The Actress and the Bishop

You know what you probably don't have nearly enough of in your comic boxes and shelves? Sequential art by Brian Bolland. It's possible you have a copy of The Killing Joke, and a smattering of Judge Dredd episodes, and you might have decided that his artwork is good enough to overlook the dated and dull script of Camelot 3000, but since Bolland elected to concentrate on cover art so many years ago, actual strip work has been hard to come by.

In the late 1980s, Bolland contributed a pair of three-page strips to the anthology comic A 1. They star a mismatched duo called the Actress and the Bishop and were told in rhyming couplets and they are quite wonderfully silly, and of course the artwork was completely lovely.

About fifteen years later, Bolland finally finished a 17-page followup to the initial episodes. Called "The Thing in the Shed," it is a delightfully loopy little story which bounces from suburban dread to missing pets to Biblical recreations to cowboy adventure. Bolland invented the perfect little format to draw whatever the heck he wants to, as either the frumpy, comical Bishop or his gorgeous, frequently naked housemate Actress remember or imagine, in their rhyming narration, old books or lost loves.

"The Thing in the Shed" first appeared, I believe, in 2005's Bolland Strips!, a wonderful hardback co-published by Knockabout and Palmano Bennett which collects all, or just about all, of the oddball little shorts that Bolland has scripted and drawn over the years, either for himself or for small publishers. But for newer readers, the Georgia-based publisher Desperado has just released a wonderful little 32-page Actress and the Bishop one-shot comic, so for just $3.99, you get all of the duo's appearances, along with a couple of pin-ups. Sure, I normally spotlight bookshelf editions in this blog, but since there's so little of these characters available, a traditional comic book is a perfectly good way to get everything, and cheaply.

Desperado does not currently have this title available in its online store (and if they do, their postage rates are a little high for a single issue), but any good comic shop can order it for you, if they don't have it in stock already. Stop by your local funnybook store on the way home today - and tell 'em Reprint This! sent you!




Read more of what I've written about Bolland at A Journal of Zarjaz Things.

Read other reviews of this book:

James Hunt at Comics Daily
Rich Johnston at Bleeding Cool




In other news from the last month, there was a very brief flurry of excitement over Marvel Comics' announcement that they had acquired the rights to the British superhero Marvelman from his creator Mick Anglo, until it became evident that what they had were the rights to tell new stories with the character, and to reprint his original 1950s adventures, which even devotees of old British comics like me find to be pretty dated and dull. Marvel is said to be still working out details to pave the way for the 1980s series written by Alan Moore and Neil Gaiman. Certain trademarks created for and exclusive to the 1980s series, owned by Todd McFarlane and by Dez Skinn respectively, still stand in the way for this series to be reprinted. I decided some time ago that I would update this blog on the first with a feature, and on the tenth with a general news roundup, with a "breaking news" update, should any of the features get called up for duty. Suffice it to say that I'm still not anticipating writing a "breaking news" update on Alan Moore's Marvelman any time soon, though I certainly hope that I'm wrong!




Speaking of Marvel and Alan Moore, the publisher has released a giant Captain Britain omnibus edition that massively expands the material in the existing trade paperback collection of material written by Moore and drawn by Alan Davis. The existing book just reprints the Moore material, even though he came on board after several episodes that were scripted by Dave Thorpe which established the "Jasper's Warp" storyline. As a result, that book is a little patchy and hard to follow at first. The collection also carries on, after the end of Moore's tenure, and reprints several episodes from Captain Britain's mid-eighties Marvel UK title that were written by Jamie Delano.




You know, I was expecting more announcements from San Diego, but I really didn't see anything huge as far as reprints go. I suppose the possibility of Marvelman was the biggest one for most folks. On the other hand, Fantagraphics did tell everybody that they're finally planning a spring 2010 launch for their long-delayed Pogo reprint line, and they also announced a forthcoming archival project for Ernie Bushmiller's Nancy. Interestingly, the publisher is apparently not planning to delay their Nancy books looking for print-ready copies of the rare strips from the first few years; they'll be starting with volume two and release the first book sometime down the road. Most everything else I heard was hyping new projects and not reprints, however.




As far as actual solicitations go, DC has finally decided to put together a second volume of the 1990s Shade the Changing Man by Peter Milligan and Chris Bachalo. It's said to contain issues 7-13 and is scheduled for November. Milligan is currently scripting Hellblazer for their Vertigo imprint, and the first collection of his work there is planned for October. The big news, I'd say, is that DC has finally solicited the long overdue collection of the classic 1940s Captain Marvel storyline "The Monster Society of Evil," in time for Christmas.




Also in the latest solicitations, IDW has a pair of highly-anticipated books. The company is rolling out the first in their planned series of five Bloom County archival hardcovers in October, along with the late Dave Stevens' much-loved The Rocketeer, which will come, as speculated, in two different hardcover editions. There's a $30 book which reprints all of the character's adventures, and also an oversized, deluxe $75 version which will contain an additional hundred pages of sketches, pinups and other supplemental material.




That Woody Allen comic strip I was mentioning, with the Buckminster Fuller introduction? It's real. No kiddin'!




Lastly this time, Bear Alley Books has released details of their third and fourth collections: a complete run, across two volumes, of Johnny Future by Alf Wallace and Luis Bermejo. 51 episodes of this superhero strip originally appeared in the British anthology title Fantastic, alongside a host of Marvel superhero exploits, in the late 1960s. The books will feature new covers by Garry Leach.




That's all for this month! See you in September!

Wednesday, October 17, 2007

Reprint This! 14. Marvelman

UPDATE: Marvel Comics have obtained the rights and are reissuing the series, with new coloring, as both periodicals and collected hardback editions.


Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected two dozen titles which should be on bookshelves, but at this time are not.

One title that is near the top of everybody's reprint wish list is the lawsuit-laden, litigation-heavy story of MARVELMAN. This series, originated by Alan Moore and Garry Leach, originally appeared in the black and white British anthology title Warrior before evolving into a color American comic. But it was based on a much older property, and the companies that published Marvelman in the 1980s have all had their assets and intellectual property rights divided among so many squabbling parties that this, of the 25 series I propose in the Reprint This! feature, may be the least likely of them all to ever reappear, despite the public desire to see it again...



The character of Marvelman was created in late 1953 by Mick Anglo, a writer for a British publishing company called L. Miller & Son. They had been repackaging American comic stories of Captain Marvel - the superhero who shouts "Shazam!" - for the British market, but found themselves in a fix when Captain Marvel's original publisher, Fawcett, shut down. Anglo devised Marvelman and some associates as quick replacement characters for the popular feature, and their new adventures, in a variety of comic titles, continued through the 1950s, with reprints continuing the titles until their cancellation in 1963.

Twenty years later, a revamped, modernized Marvelman was included among the offerings in the first issue of Warrior. Written by Alan Moore and with art by Garry Leach and Alan Davis, the new series appeared in the comic's first 21 issues. This is the series that everybody wants to read again. Placing larger-than-life characters into something like the real world and considering the ramifications of their superpowered struggles has since become almost old hat in superhero fiction, but Marvelman did it first and arguably did it better than anybody since.

Detailing the left turns and road blocks in this series would take too long, and it is all laid out in other sites like Wikipedia. Suffice it to say that, for a number of reasons, Marvelman ceased appearing in Warrior after its 21st issue. At the same time, the rights for an American reprint book, retitled Miracleman to avoid even more litigation from a certain US publisher, were purchased by Eclipse Comics. They reprinted - if I understand correctly - 20 of the Warrior episodes, colorized and shrunk to fit the smaller US page size. When they completed the available episodes, Alan Moore, with new artists Chuck Austen and John Totleben, resumed the series for their new American publisher. Miracleman was a huge hit for Eclipse, and reached a natural end with its sixteenth issue. It was revived in the early 1990s by Neil Gaiman - to whom Moore transferred his share of the rights - and Mark Buckingham, but the closure of Eclipse Comics in 1993 left the story incomplete, and a flurry of lawsuits from contesting parties making claims on the property has meant that the celebrated series can only be found in back issue boxes.

So on the face of it, a Marvelman/Miracleman reprint would be the simplest thing ever: one book containing all of the episodes from Warrior in their original black and white, a second book containing Miracleman # 7-16, and a third containing Neil Gaiman's run. With back issue prices just this side of ridiculous, there's clearly demand. But the lawsuits to which I keep referring have shut this series down. There isn't anybody who wouldn't like to see Marvelman again and read what all the fuss is about, and enjoy rare work by Moore and Gaiman, two of modern comics' most celebrated writers, but many of those anybodies suggest that they have a claim towards sharing in the profits of such an enterprise.

Just to further complicate matters, the original series briefly included an appearance by a British super-agent called Big Ben, created by Warrior's publisher, Dez Skinn with the intention of debuting in Marvelman before being spun off into his own series...



Just this month, a promotional image for a proposed Big Ben television cartoon made the rounds of the comic blogs. If that takes off, how's that going to affect any Marvelman volume that features the character, I wonder?

(Originally posted October 17, 2007, 11:43 at hipsterdad's livejournal.)