Showing posts with label jack kent. Show all posts
Showing posts with label jack kent. Show all posts

Sunday, January 10, 2010

Reprint This! Update on Bloom County

I listen through my CD collection in an obsessive-compulsive manner that nobody would understand, and one morning this week, an ABC compilation called Absolutely came up in the rotation. You remember ABC, right? British new-wavers led by Martin Fry, best known for their top 5 hit "When Smokey Sings," remember? Well, they had another song, which just dented the Billboard chart at # 89, called "That was Then But This is Now," and it's the most Reaganesque song you ever heard. I recalled that there was a lot of British pop music that explored life in the ugly end of the Cold War, with thousands of nuclear missiles ready to scream overhead as Reagan stared down Brezhnev / Andropov / Chernenko / Gorbachev, the best of it done by Frankie Goes to Hollywood. And it is all so incredibly dated. Yet a sequence in this first nice collection of Berke Breathed's Bloom County has Milo and Binkley wandering into the Oval Office on a 1981 school tour of the White House, prank calling the USSR and nearly starting the Third World War, and it's positively timeless. How the heck did that happen?

Fans of Bloom County - they are legion, and Breathed jokes that they camp on his lawn - have been clamoring for a complete collection of the Reagan-era strip ever since it ended. And it was a very Reagan-era strip. John Lennon was murdered on the night that Bloom County debuted, and it ended about seven months after George Bush was inaugurated. Prince Charles and Diana were regular characters for a time, as was a caricature of Ted Turner, under the name Ashley Dashley, who was then making waves with his ahead-of-the-curve Superstation TBS. The Moral Majority, endlessly tiresome even to me as a middle schooler, is represented by Otis Oracle, who yearns for the days of Ozzie and Harriet, and if the belicose antics of the modern Tea Party movement sound familiar, it's because Major Bloom was spewing all that vitriol at his grandson Milo on the funny pages about thirty years ago. Yet it all seems incredibly fresh and exciting, and, more often than not, completely hilarious.

Bloom County has been collected before, of course, but never properly. Perhaps a quarter of these strips made it into a book called Loose Tails which sold by the truckload in 1983; a later book called Babylon found space for another hundred or so from this era. This scattershot approach gave readers glances about the odd, unfocussed early days of the strip, but hardly a chance to see it develop, as we now can.

It's really fascinating to see so many now-forgotten characters thrown into the mix in the hopes that some of them might stick. Breathed, who contributes several dozen footnotes throughout the book, is quite honest that he had no clue what his strip was actually going to be about. Until the cast that became the regulars coalesced, it went off into wild directions and dozens of characters drifted through, including a basset hound named Rabies and a pretty shameless ripoff of Doonesbury's Uncle Duke called Limekiller.

In fact, there's quite a lot that's pretty shamelessly ripped off from Doonesbury, enough to earn Breathed some long-lasting enmity from that strip's creator, Garry Trudeau. The most egregious is a recurring gag with Milo's bathroom mirror talking back to him about his self-doubts, which came straight from Mike's dorm room in 1970-72, but it's more than that; the pacing, the timing and the tone itself come from Doonesbury. Happily, Breathed has never made a secret of his admiration for Trudeau's strip, and has apologized, quite charitably and humbly, for his excesses. I can name a half-dozen people who work in the arts who could learn a good deal from Breathed's behavior.

Anyway, as imitations of Doonesbury go, Bloom County was by far the best of them even before Breathed found his own voice, by which time it was essential reading. Even though that time is towards the end of this book, around the point where Ashley Dashley is phased out and Opus phased in, it's still a very nice collection, which IDW has done a fantastic job producing. It's an oversized hardcover, the first of a planned five, which reprints every single daily and Sunday strip in order, along with annotations, footnotes and supplementary features. The retail price is a little high at $40, but it's a terrific book, on very nice paper, and everybody involved did a standup job. It's definitely one of the highlights of recent collected editions, and anybody who likes comics should find a place for it in their library.

Hmmm. I wonder how well Spitting Image holds up...




Normally, I suggest that you read more of what I've written about the creator or character or publisher at A Journal of Zarjaz Things, but in this case I have not.

Read other reviews of Bloom County volume one:

Greg McElhatton at Read About Comics
Chris Mautner at Robot 6
Scott Cederlund at Pop Syndicate
K.C. Carlson at Westfield Comics
Mike Russell at Ain't it Cool News, also including an illuminating interview with the book's editor, Scott Dunbier.




Friends and folks, I'll be blunt and honest with you: I have not been paying attention the last few weeks to the news and rumors about reprints that I should have. Guess I've been too busy watching Rockford Files or something. Anyway, one very important thing that did come out since the last news roundup in November was the release of Fantagraphics' spring and early summer catalog, which has all sorts of interesting news in it. This news is all more than a month old, but just in case you're relying on me and my opinions for this sort of thing, here are some highlights:

The eighth volume of the collected Love & Rockets in its 2008 trade dress style, Penny Century, collects a whole pile of Jaime Hernandez's Penny-centered episodes, carrying the story on through the older Whoa Nellie! and Locas in Love volumes and expanding on them somewhat. Gilbert Hernandez's The High Soft Lisp is in the older style dress and collects all the previously uncompiled Fritzi episodes. These are apparently both due in April.

If you're looking for a good entry point to Robert Crumb, they've got a new Book of Mr. Natural compiling twenty years' worth of material for twenty bucks in April.

There should be two Complete Peanuts this year: 1975-76, with Freida and her naturally curly hair on the cover, and 1977-78 with Peppermint Patty on the cover.

Willie and Joe: Back Home: Late '40s-early '50s work by Bill Mauldin in another lovely hardcover, definitely worth considering.

Four years of Ernie Bushmiller's Nancy. Yeah, all of us still waiting for Fanta to start up Pogo will have to wait until at least September at the earliest; in the meantime, the first volume of Nancy is due out, and so is a volume of Roy Crane's Buz Sawyer. I'll probably be passing on both, but I am certainly glad to see so many interesting archival projects going on.

While those two rank as "probably not, but thanks for doing 'em"s, I really am glad to hear about a print version of Drew Weing's webcomic Set to Sea. $17 for the hardcover and worth every darn penny, this is definitely one you'll hear more about from me in the summer!




IDW's King Aroo collection should be out any day now. Man, I hope this is as good as I've been hearing! IDW is also reprinting Al Capp's Li'l Abner among other classic American comic strips, and the first volume of that is due in March.




DC, meanwhile, announced something genuinely odd for the summer: a pair of books reprinting the 1978 special Superman vs Muhammad Ali, in which the Man of Steel and the Sting-Like-a-Bee Guy team up to whup some alien ass. The 72-page story, by Denny O'Neil and Neal Adams, has long been a favorite with lovers of '70s kitsch, although the seven year-old me who took everything too seriously thought it was stupid when it was first released. Anyway, long out of print, the book's coming back in two editions, one with a big Neal Adams sketchbook and one which duplicates the original, ovesized tabloid dimensions.




Speaking of DC, it looks like they've pushed back that Steve Ditko Creeper collection yet again, and we might see it towards the end of June.




In May, Top Shelf is releasing a 144-page collection of Kathryn & Stuart Immonen's Moving Pictures, a strip set during World War Two, and the ugly relationship that develops between a German officer and a museum curator as the Nazis plunder Europe's art treasures. It sounds really interesting, and you can read more and see some sample pages over at Robot 6.




Dark Horse is bringing out a third volume of Chris Onstad's Achewood in those really lovely books they've been doing. I'm not a fan of the strip, if you believe such people as me exist, but I betcha that A Home for Scared People will be one of the best-looking books of the year.




I've got into the habit of writing up Rebellion's planned releases as my last blurb, and that's probably because I just like saving my favorites for last, I suppose. The company has four releases planned for February and March. These include a phone book-sized collection of Rogue Trooper (400 pages by Gerry Finley-Day, Dave Gibbons, Colin Wilson, Cam Kennedy and Brett Ewins), the first in at least two volumes of Judge Dredd Restricted Files, reprinting several one-off adventures from the pages of old 2000 AD Annuals and Specials, and the fifth volume of Slaine. Entitled "Demon Killer," this one should collect a pile of stories by Pat Mills with art by the likes of Nick Percival, Glenn Fabry and Dermot Power.

While these three books are available to American comic shops via Diamond, the distributor is not offering the fourth Button Man volume by John Wagner and Frazer Irving. Fans who'd like to read this collection will need to order it from a British bookseller or Amazon.




That's all for this month! See you in February!

Thursday, September 10, 2009

Reprint This! Update on Thunderbirds

The archivist, everything-in-order side of me doesn't approve of them, but Reynolds & Hearn has released the first two volumes in a series of large-format reprints of Gerry Anderson tie-in comics. These feature the lovely artwork of Ron Embleton, Mike Noble, Frank Bellamy, Eric Eden and others, with adventures from the comic versions of Thunderbirds, Stingray, Captain Scarlet and others. These originally ran in 1965-69 in the pages of the anthology TV Century 21 and its sequels and spinoffs. The first volume features an introduction by Chris Bentley, who makes a strong case for including this comic alongside Eagle and 2000 AD as the three most important and influential of British comics.

As a sampler, these are very good books. I finished the first one and enjoyed most of the ten stories in it, though I was disappointed by the reproduction of the Stingray adventure "Haunting of Station 17." I realize that reprinting double-page spreads is a challenge, but it's always a bummer to see artwork and word balloons disappear into a book's gutter. It's made worse when it's such lovely painting by Ron Embleton, and when the pages have an outside margin of about an inch. These could surely have been laid out with a greater inside margin to prevent that happening,

Otherwise, the book is a very good sampler of the comic, with a mix of short stories and the longer epics. It leads with a really interesting Fireball XL5 story which crosses over into both Stingray and Lady Penelope, which instantly disproves the old thought that a similar crossover in Battle Picture Weekly was British comics' first - TV21 beat them by thirteen years! My favorite story in the book was another Lady Penelope serial, drawn by Frank Langford. This, and many of the other stories here, were scripted by regular Gerry Anderson TV scribe Alan Fennell, but there's an interesting Zero X story about a planet of skeleton monsters written by Angus P. Allan, who went on to write the majority of the strips in Look-In during the 1970s and 1980s, which is worth a read. There never was a Zero X TV series; this was the ship that International Rescue and Spectrum had to keep getting out of trouble.

At any rate, Reynolds & Hearn released two volumes of this series in the spring. A third, "Escape from Aquatraz," and apparently focussing just on Stingray episodes, is due before Christmas. I would have preferred straight reprints of everything in their original order - I don't suppose we'll ever get such a thing - but whether you just want to kick back with some nostalgic, escapist fun or would like to reappraise some artwork that was even better than you thought it was, you should certainly check these out.




Read more of what (very little) I've written about Ron Embleton at A Journal of Zarjaz Things.

I have not any real reviews for this book, only previews. If you see a review of it, or post one yourself, let me know and I will list it here.




In other news this month, I do like to make updates when something from the Reprint This! wish list makes it back into print. Rebellion has made this reader at least a little happy by issuing a new, limited edition collection of the first storyline for the grouchy, future detective Armitage by Dave Stone and Sean Phillips. The reprint appears in the freebie "graphic novel" bagged with Judge Dredd Megazine # 287, and it's available in US shops now. If you're going digital, you can purchase PDFs or CBRs of this Megazine and the reprint (130 pages in all) from Clickwheel for just $3.99.

It's been strongly hinted that a follow-up edition, featuring some of the Charlie Adlard-drawn episodes, might appear in another Meg before the end of the year. Hopefully all the time spent adding these episodes to the company's digital archive will count towards a proper bookshelf edition before much longer!




I haven't thought of it in years, but when I was a kid, Dik Browne's Hägar the Horrible was one of my family's favorite strips. There have been dozens of paperbacks over the years, but it's finally getting the archival hardback treatment from Titan. The first collection, featuring all the strips from 1973-74, is due in November. Titan's look back at the British wartime strip Jane is finally back on the schedule as well. It was anticipated some months ago but delayed due to production issues. Still no sign of their long-overdue Best of Battle book, sadly.




A few months ago, I passed along the rumor, originally reported by Chris Duffy at the mostly-defunct "Comic Books Are Interesting" blog, that the obscure King Aroo, a delightful, surreal, pun-filled 1950s strip by Jack Kent, might be due for a collection. Publishers Weekly this month confirmed that IDW does indeed have a collection planned for 2010. It's part of their "Library of American Comics" imprint, and other strips selected for 2010 releases include Blondie and Secret Agent X-9. The latter strip was scripted by Dashiel Hammett, the godfather of American detective fiction, and drawn by Alex Raymond, and I've been curious to see it for many years now. Preceding all of these, however, is a collection of a later Raymond strip, the detective drama Rip Kirby, which began in 1946. IDW plans five volumes compiling all of Raymond's work on the title before his untimely death in 1956; the first of these fifty-dollar hardcovers is due late next month, and a second in March of next year.




I enjoyed the volume of Fred van Lente and Ryan Dunlavey's Action Philosophers that I read. I read at The Comics Reporter just yesterday that Evil Twin Comics is releasing a big collection of all three volumes, along with four bonus stories, later in the year. It's wacky, biographical fun, very well drawn, and a great gift for the know-it-all academic type in your life.




The two "Skinny Showcases" from DC that I have mentioned before are both out. Bat Lash, reviewed the other day at my Bookshelf blog and Eclipso are each about half as thick as a usual Showcase for around half the price. Two other anticipated "Skinny Showcases" are off the table for now: the Ramona Fradon Super Friends was cancelled without explanation at the beginning of the summer, and The Creeper was axed in favor of a hardcover, color collection of all Steve Ditko's episodes, including the late 1970s ones from the World's Finest anthology which were not planned for the Showcase. That's due in 2010.




This month's Marvelman update: Kurt Amacker interviewed writer Alan Moore last week, and he certainly seems to think that a collected edition of his old series is in the works. Even if, Alan being Alan, he'd like Marvel to publish the book without his name on it.




Finally this time, assuming Diamond can be trusted to deliver them, Yen Press's brand-spankin' new editions of Kiyohiko Azuma's oddball, addictive family comedy Yotsuba&! should be in stores today. They've reissued the first five volumes and brought out the first English-language edition of the sixth, with at least two more scheduled for 2010.




That's all for this month! See you in October!

Sunday, May 10, 2009

Reprint This! Update on Starman

I finished reading the second of DC's new Starman Omnibus collections, and I have to say that this is emphatically the right way to do a collected edition of a modern book. The fifty-buck hardcover reprints thirteen issues of James Robinson's superhero series, along with the first of the series' annuals and three issues from the anthology Showcase which feature the supporting players, along with considerable background details, commentary and sketches from the artists, who include Tony Harris, Guy Davis and Steve Yeowell.

If you've never had the pleasure of reading Starman, I really believe this is among the two or three best American comics of the '90s. It's the story of Jack Knight, a reluctant second-generation hero and the sixth to use the name, who defends the beautiful art deco metropolis of Opal City from bizarre crime. It's a book more about family and heritage and honor than it is fisticuffs and the usual superhero shenanigans. Robinson occasionally displays a tin ear for dialogue, but his narration is really captivating, and it's easy to get caught up in the grand sweep of Opal and her champions.

A detour to New York City to consult one of the DC Universe's original heroes, the Sandman, is so note-perfect that the publisher should use it to teach new writers how to craft an engaging crossover, and a later story which pits Jack and two unlikely allies against a demon in a poster is surprising at every turn, with a clever conclusion that will have a lasting, fascinating impact on future stories. It's definitely a title worth reading, and thumbs up to DC for creating such a nice package. They plan to publish the complete 81-issue series and all of its side stories and supplements in six of these omnibus volumes.




Read more of what I've written about James Robinson at A Journal of Zarjaz Things.

Read other reviews of this series:
Van Jensen at ComicMix
Randy Lander at Inside Joke Theatre
Greg Oleksiuk at PopMatters
Jason Sacks at Comics Bulletin
Paul W. Smith at Den of Geek




In other news, perhaps the month's biggest announcement has come from Alan Moore, confirming the rumors that Top Shelf will be issuing a complete edition of his "published-in-many-places" comedy The Bojeffries Saga. This new collection will include a new 24-page story that artist Steve Parkhouse is said to be tackling now. Moore's announcement came in the second part of the mammoth interview that Pádraig Ó Méalóid conducted for The Forbidden Planet Blog.




Fantagraphics has unveiled a little more about their forthcoming collection of Gahan Wilson Playboy cartoons. It's still on track for an October release. The three-volume slipcased hardcover is going to set you back a tidy $125, which means I'm putting $10 a paycheck in the kitty for this starting now. The book will feature introductions by Neil Gaiman and Hugh Hefner, and not only every cartoon that Wilson's contributed in his fifty-one year tenure with the mag, but his fiction and accompanying illustrations as well. The behemoth will clock in at more than 1000 pages. Can't wait, even if my accountant might want to have a word or two with me about it.

Speaking of Playboy, Dark Horse's collection of the two issues of the Hef-published Trump, mentioned here back in January, has been delayed and is due out in mid-August. This will feature classic work by Harvey Kurtzman, Will Elder, Jack Davis, Al Jaffee, Wally Wood, Mel Brooks, Max Shulman and many others. Incidentally, my son finished the first half of Fantagraphics' Humbug, the magazine that followed Trump, and not only proclaims it to be awesome, but also wants it noted that he's the only modern-day tween to have read it.




In what sounds like it was a late April Fool's Day joke which went a little far, it's been strongly rumored that IDW is preparing a collection of Jack Kent's long-running newspaper strip King Aroo for later in the year. The strip ran for an impressive sixteen years before winding down in 1965, but it's incredibly obscure because only a single paperback collection was ever issued, in 1953, and because it only appeared in a handful of papers for most of its run. Some of the sample strips available online show it to be an incredibly charming and silly strip, reminiscent of Pogo with its puns and quirky characters, and while I'm curious to see more, I think IDW has something of an uphill climb selling this almost unknown character to a modern audience.

Speaking of Pogo, most recent word on the grapevine is that we'll be waiting until sometime in 2010 for the new line of Fantagraphics collections to get going.

And speaking of IDW, whether they are going to do something with King Aroo or not, they are planning a reprint of Elaine Lee and Michael Kaluta's 1980s SF serial Starstruck with new coloring.




Over at DC, it looks like Peter Milligan's well-regarded '90s take on Shade the Changing Man is finally getting some long-overdue attention. A collection of the first six issues was released many moons ago, and it's finally getting a second later this year. Personally, I find Shade to have aged very badly, but I'm still looking forward to this earlier stuff from the run. But before that, DC is prepping hardcover collections from some of the other titles in their run, similar to the Starman books, including Fables and Alan Moore's Tom Strong. And they've finally solicited the Eclipso "Skinny Showcase" I've been talking about for August:

SHOWCASE PRESENTS: ECLIPSO TP
Written by Bob Haney
Art by Lee Elias, Alex Toth, Jack Sparling and Bernard Baily
Cover by Bernard Baily
One of the strangest comics villains ever stars in this volume collecting HOUSE OF SECRETS #61-80! On an expedition in the South Pacific, scientist Bruce Gordon’s dark side is unleashed after being exposed to a black diamond. Transformed into the powerful Eclipso, he embarked on an evil rampage as his good side attempted to reassert control.
Advance-solicited; on sale August 26 • 296 pg, B&W, $9.99 US





If you're enjoying Drawn & Quarterly's collections of the Moomin comic strip, and who in their right mind isn't?, then you might want to check out some reissues of the classic Moomin picture books that Tove Jansson did in the 1960s and 1970s. The publisher is starting up a new line of children's books called D+Q Enfant devoted to "lost classics and new soon-to-be classics" which will include the old Moomin series. Fine, give me another reason to want to have another kid before too long.




When I featured a blurb last month about our friends at Titan Books, I didn't have any news about Roy of the Rovers. Well, there's a new set of 1970s strips due in June - 208 pages of "scorching soccer action" from the period that introduced the hotheaded character Paco Diaz and took a hardline stance against hooliganism in the stands. Down the Tubes also points out that Titan's long-delayed Best of Battle is finally scheduled for next month as well. Fingers crossed!




That is all for this month. I would like to thank everybody for reading and all the nice e-mails, and also let everybody know that June's updates will be a little delayed. Look for the feature article on the 5th and the news update on the 15th. Happy reading!