Showing posts with label alan davis. Show all posts
Showing posts with label alan davis. Show all posts

Wednesday, March 10, 2010

Reprint This! Update on Battle Picture Weekly

Battle Picture Weekly was, of course, one of the best and most important comics ever published. It wasn't just a simply entertaining, well-written and drawn collection of great war stories, it was a critical building block in the development of modern comics. Since without it, you'd never have had a 2000 AD, I've always been interested in it, and any chance to see these terrific stories is one worth taking.

The series and serials in BPW were drawn by some of the best artists working in Britain at the time, including Eric Bradbury, Joe Colquhoun, Carlos Ezquerra, Cam Kennedy and Mike Western. Many of the stories were devised by Pat Mills and John Wagner, and while they only scripted a few themselves, they assigned others to the likes of Gerry Finley-Day and Alan Hebden. They all developed storylines, sometimes sharply different from each other in tone, with vulnerable anti-heroes, radically different from the indestructible leads in American war comics. Reading just one issue of BPW after an identikit Robert Kanigher DC adventure is the greatest breath of fresh air in the medium.

Titan Books, which has been collecting Battle's most lauded strip, Charley's War, for several years now, landed the reprint rights to several old IPC properties what seemed like an eternity ago, and late last year finally released the first of their new Battle collections. The Best of Battle is similar in feel to their two Roy of the Rovers samplers, three hundred pages of reprints in a slightly oversized format with a paperback cover. The book contains the first 3-5 episodes of eighteen different series. Each comes with an introductory page and a short blurb written by either Mills or BPW's one-time editor, Dave Hunt.

I think the format is a good one, as far as samplers go, but it looks to me like Titan was a draft or two shy of assembling something really special. The most aggravating example is Hold Hill 109, a six-part serial by Steve MacManus and Jim Watson. Four of the six episodes are included in this book, which is nice, but what are the odds that Hold Hill 109 will ever be reprinted anywhere else? Between Charley's War, Johnny Red and Darkie's Mob, there are 12-13 episodes which are either already available in Titan collections or are due for release within a few months. Couldn't eight of those pages be given up to see all of Hold Hill 109?

I'm also a little surprised that Battle Action Force isn't even mentioned in the book. Admittedly, even with the nice artwork by John Cooper, the toy line tie-in, sort of a parallel antecedent to Hasbro's G.I. Joe line of the 1980s, was the sign that the comic's brightest moments had passed, but it still has a huge number of fans. Evidently there's some rights issues at work, as Palitoy still owns those characters like Baron Buckethead or whoever it was they were fighting prior to Cobra Commander, but considering just how important the Action Force was to Battle's later days - Johnny Red and Charley's War wouldn't have made it to their ends without Action Force sales propping up the comic - I think it should have been mentioned.

If readers would forgive the regular quibbling of a Monday morning quarterback, the book is truly a fine introduction to Battle, and one which will certainly get new readers excited about the other material Titan has planned. Six volumes of Charley's War are already out, the first collection of Johnny Red should be with us by the end of the month, and a complete Darkie's Mob - all 44 episodes - is solicited in the current Previews for later in the spring. The book also promises that collections of two of my favorite Battle series, Major Eazy and Rat Pack, are on the horizon.

The only other quibble that I have is that getting accurate shipping dates and advance plans from Titan is really like pulling teeth. Most of their books seem subject to interminable delays - where the devil is the third volume of Jeff Hawke, guys?! - and so it's impossible to guess exactly when we'll get the follow-up volumes that I've been craving. It's simply bad business to serve up an appetizer as tasty as this and shy away from the main course!



Read more of what I've written about Battle Picture Weekly at A Journal of Zarjaz Things.

Read other reviews of The Best of Battle:

Steve Holland at Bear Alley
Bart Croonenborghs at Broken Frontier
John Freeman at Down the Tubes



In other news, artist Steve Lieber was nice enough to drop me a line about his Image Comics series Underground, written by Jeff Parker. It's a five-part series about a park ranger in Kentucky trying to save a fragile cave system from developers in a town which badly needs the tourist business, leading to an ugly cat-and-mouse game. Underground doesn't seem to have shown up on many bloggers' radars, but it's a fine adventure with sympathetic characters and some really nice artwork. Image is releasing a collected edition of the miniseries on April 21.



Over at Dark Horse, underground pioneer Denis Kitchen is the subject of a forthcoming retrospective. The Oddly Compelling Art of Denis Kitchen is a 200-page hardcover collection with an introduction by Neil Gaiman. Apparently, Kitchen was planning a similar project back when he was running the late, lamented Kitchen Sink Press in the early nineties, but it never came to fruition. The book's sure to be anticipated by fans of underground comix and goes on sale June 23rd.



There is some big news, equally confusing and wonderful, from Rebellion, publishers of the Galaxy's Greatest Comic, 2000 AD. Seems they have signed a new deal with Simon & Schuster to distribute their line of graphic novels in the US. This deal looks like it's meant to target American mass market retailers - and not the direct market - with two collections every month, starting in the summer.

To be honest, there's little in the line to excite longtime 2000 AD fans like me, who've bought this material in multiple editions already, but putting the material out there for new readers to finally sample at every bookstore in America sounds like a very good thing indeed. The exception to that sentence is Harry Twenty on the High Rock, a 1983 serial written by Gerry Finley-Day (and an uncredited Alan Grant) with art by Alan Davis, who's contributing a new cover to the book. While it's been dusted off for magazine reprints, this serial has never been collected in book form before, and should be out in August.

Rebellion is also continuing their long-running line of collections which are available to British booksellers and, occasionally, to the American direct market via Diamond. August will see the release of the classic Harlem Heroes by Tom Tully, Dave Gibbons and Massimo Belardinelli, perhaps also including the sequel series, Inferno, along with the sixteenth in the series of Judge Dredd Case Files.



On that note, I would like to thank readers for reading Reprint This!, and hope you'll understand that I've decided against continuing in the present format. I really seem to have exhausted the supply of good feature ideas for reprints that I would be genuinely excited to see and purchase at this time, and I've kind of been noticing that the "reprint news" summary like this one has been feeling more like work. I will continue using this blog to spotlight news and announcements that appeal to me, and have no intention of abandoning it, but I am removing the "deadline" element of it, so that I can continue sharing exciting news when it's fresh, rather than having a chore. Thanks for reading!

Monday, August 10, 2009

Reprint This! Update on The Actress and the Bishop

You know what you probably don't have nearly enough of in your comic boxes and shelves? Sequential art by Brian Bolland. It's possible you have a copy of The Killing Joke, and a smattering of Judge Dredd episodes, and you might have decided that his artwork is good enough to overlook the dated and dull script of Camelot 3000, but since Bolland elected to concentrate on cover art so many years ago, actual strip work has been hard to come by.

In the late 1980s, Bolland contributed a pair of three-page strips to the anthology comic A 1. They star a mismatched duo called the Actress and the Bishop and were told in rhyming couplets and they are quite wonderfully silly, and of course the artwork was completely lovely.

About fifteen years later, Bolland finally finished a 17-page followup to the initial episodes. Called "The Thing in the Shed," it is a delightfully loopy little story which bounces from suburban dread to missing pets to Biblical recreations to cowboy adventure. Bolland invented the perfect little format to draw whatever the heck he wants to, as either the frumpy, comical Bishop or his gorgeous, frequently naked housemate Actress remember or imagine, in their rhyming narration, old books or lost loves.

"The Thing in the Shed" first appeared, I believe, in 2005's Bolland Strips!, a wonderful hardback co-published by Knockabout and Palmano Bennett which collects all, or just about all, of the oddball little shorts that Bolland has scripted and drawn over the years, either for himself or for small publishers. But for newer readers, the Georgia-based publisher Desperado has just released a wonderful little 32-page Actress and the Bishop one-shot comic, so for just $3.99, you get all of the duo's appearances, along with a couple of pin-ups. Sure, I normally spotlight bookshelf editions in this blog, but since there's so little of these characters available, a traditional comic book is a perfectly good way to get everything, and cheaply.

Desperado does not currently have this title available in its online store (and if they do, their postage rates are a little high for a single issue), but any good comic shop can order it for you, if they don't have it in stock already. Stop by your local funnybook store on the way home today - and tell 'em Reprint This! sent you!




Read more of what I've written about Bolland at A Journal of Zarjaz Things.

Read other reviews of this book:

James Hunt at Comics Daily
Rich Johnston at Bleeding Cool




In other news from the last month, there was a very brief flurry of excitement over Marvel Comics' announcement that they had acquired the rights to the British superhero Marvelman from his creator Mick Anglo, until it became evident that what they had were the rights to tell new stories with the character, and to reprint his original 1950s adventures, which even devotees of old British comics like me find to be pretty dated and dull. Marvel is said to be still working out details to pave the way for the 1980s series written by Alan Moore and Neil Gaiman. Certain trademarks created for and exclusive to the 1980s series, owned by Todd McFarlane and by Dez Skinn respectively, still stand in the way for this series to be reprinted. I decided some time ago that I would update this blog on the first with a feature, and on the tenth with a general news roundup, with a "breaking news" update, should any of the features get called up for duty. Suffice it to say that I'm still not anticipating writing a "breaking news" update on Alan Moore's Marvelman any time soon, though I certainly hope that I'm wrong!




Speaking of Marvel and Alan Moore, the publisher has released a giant Captain Britain omnibus edition that massively expands the material in the existing trade paperback collection of material written by Moore and drawn by Alan Davis. The existing book just reprints the Moore material, even though he came on board after several episodes that were scripted by Dave Thorpe which established the "Jasper's Warp" storyline. As a result, that book is a little patchy and hard to follow at first. The collection also carries on, after the end of Moore's tenure, and reprints several episodes from Captain Britain's mid-eighties Marvel UK title that were written by Jamie Delano.




You know, I was expecting more announcements from San Diego, but I really didn't see anything huge as far as reprints go. I suppose the possibility of Marvelman was the biggest one for most folks. On the other hand, Fantagraphics did tell everybody that they're finally planning a spring 2010 launch for their long-delayed Pogo reprint line, and they also announced a forthcoming archival project for Ernie Bushmiller's Nancy. Interestingly, the publisher is apparently not planning to delay their Nancy books looking for print-ready copies of the rare strips from the first few years; they'll be starting with volume two and release the first book sometime down the road. Most everything else I heard was hyping new projects and not reprints, however.




As far as actual solicitations go, DC has finally decided to put together a second volume of the 1990s Shade the Changing Man by Peter Milligan and Chris Bachalo. It's said to contain issues 7-13 and is scheduled for November. Milligan is currently scripting Hellblazer for their Vertigo imprint, and the first collection of his work there is planned for October. The big news, I'd say, is that DC has finally solicited the long overdue collection of the classic 1940s Captain Marvel storyline "The Monster Society of Evil," in time for Christmas.




Also in the latest solicitations, IDW has a pair of highly-anticipated books. The company is rolling out the first in their planned series of five Bloom County archival hardcovers in October, along with the late Dave Stevens' much-loved The Rocketeer, which will come, as speculated, in two different hardcover editions. There's a $30 book which reprints all of the character's adventures, and also an oversized, deluxe $75 version which will contain an additional hundred pages of sketches, pinups and other supplemental material.




That Woody Allen comic strip I was mentioning, with the Buckminster Fuller introduction? It's real. No kiddin'!




Lastly this time, Bear Alley Books has released details of their third and fourth collections: a complete run, across two volumes, of Johnny Future by Alf Wallace and Luis Bermejo. 51 episodes of this superhero strip originally appeared in the British anthology title Fantastic, alongside a host of Marvel superhero exploits, in the late 1960s. The books will feature new covers by Garry Leach.




That's all for this month! See you in September!

Wednesday, October 17, 2007

Reprint This! 14. Marvelman

UPDATE: Marvel Comics have obtained the rights and are reissuing the series, with new coloring, as both periodicals and collected hardback editions.


Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected two dozen titles which should be on bookshelves, but at this time are not.

One title that is near the top of everybody's reprint wish list is the lawsuit-laden, litigation-heavy story of MARVELMAN. This series, originated by Alan Moore and Garry Leach, originally appeared in the black and white British anthology title Warrior before evolving into a color American comic. But it was based on a much older property, and the companies that published Marvelman in the 1980s have all had their assets and intellectual property rights divided among so many squabbling parties that this, of the 25 series I propose in the Reprint This! feature, may be the least likely of them all to ever reappear, despite the public desire to see it again...



The character of Marvelman was created in late 1953 by Mick Anglo, a writer for a British publishing company called L. Miller & Son. They had been repackaging American comic stories of Captain Marvel - the superhero who shouts "Shazam!" - for the British market, but found themselves in a fix when Captain Marvel's original publisher, Fawcett, shut down. Anglo devised Marvelman and some associates as quick replacement characters for the popular feature, and their new adventures, in a variety of comic titles, continued through the 1950s, with reprints continuing the titles until their cancellation in 1963.

Twenty years later, a revamped, modernized Marvelman was included among the offerings in the first issue of Warrior. Written by Alan Moore and with art by Garry Leach and Alan Davis, the new series appeared in the comic's first 21 issues. This is the series that everybody wants to read again. Placing larger-than-life characters into something like the real world and considering the ramifications of their superpowered struggles has since become almost old hat in superhero fiction, but Marvelman did it first and arguably did it better than anybody since.

Detailing the left turns and road blocks in this series would take too long, and it is all laid out in other sites like Wikipedia. Suffice it to say that, for a number of reasons, Marvelman ceased appearing in Warrior after its 21st issue. At the same time, the rights for an American reprint book, retitled Miracleman to avoid even more litigation from a certain US publisher, were purchased by Eclipse Comics. They reprinted - if I understand correctly - 20 of the Warrior episodes, colorized and shrunk to fit the smaller US page size. When they completed the available episodes, Alan Moore, with new artists Chuck Austen and John Totleben, resumed the series for their new American publisher. Miracleman was a huge hit for Eclipse, and reached a natural end with its sixteenth issue. It was revived in the early 1990s by Neil Gaiman - to whom Moore transferred his share of the rights - and Mark Buckingham, but the closure of Eclipse Comics in 1993 left the story incomplete, and a flurry of lawsuits from contesting parties making claims on the property has meant that the celebrated series can only be found in back issue boxes.

So on the face of it, a Marvelman/Miracleman reprint would be the simplest thing ever: one book containing all of the episodes from Warrior in their original black and white, a second book containing Miracleman # 7-16, and a third containing Neil Gaiman's run. With back issue prices just this side of ridiculous, there's clearly demand. But the lawsuits to which I keep referring have shut this series down. There isn't anybody who wouldn't like to see Marvelman again and read what all the fuss is about, and enjoy rare work by Moore and Gaiman, two of modern comics' most celebrated writers, but many of those anybodies suggest that they have a claim towards sharing in the profits of such an enterprise.

Just to further complicate matters, the original series briefly included an appearance by a British super-agent called Big Ben, created by Warrior's publisher, Dez Skinn with the intention of debuting in Marvelman before being spun off into his own series...



Just this month, a promotional image for a proposed Big Ben television cartoon made the rounds of the comic blogs. If that takes off, how's that going to affect any Marvelman volume that features the character, I wonder?

(Originally posted October 17, 2007, 11:43 at hipsterdad's livejournal.)