Reprint This!

Monday, June 15, 2009

Reprint This! Update on Sam's Strip

Sam's Strip was the third newspaper comic devised by Mort Walker and Jerry Dumas, the team better known for Hi & Lois and Beetle Bailey. It ran for a little less than two years before the creators, unable to make much headway selling it, pulled the plug. It really is an odd little strip. Sam is a well-meaning grouch who's very much aware of the fourth wall separating his four panels from the rest of the newspaper funnies, and periodically interacts with his peers, with cameos by everybody from Charlie Brown to the character who'd later become Grandmama on The Addams Family.

Naturally, the strip became a fast favorite of comics afficionados, who enjoyed the in-jokes and what we might term as "metatextual commentary" if this blog was any more po-faced than it actually is. With regular asides to the readers, light commentary on current events and trips to a prop closet stocked with a variety of word balloons, Sam's Strip was lost on many comics page editors, and the strip never had more than 60 client papers.

Well, it might have been a failure in its day, but Sam's Strip has grown into a cult classic over time. Fantagraphics recently released a very nice paperback edition which compiles the series in its entirety. It includes annotations to explain some of the topical references of the early 1960s and commentary by Jerry Dumas. This may not be a book worth going too far out of your way to sample, but if you enjoy newspaper funnies, then this might be a very nice addition to your bookshelves. Give it a try!

Read more of what I've written about the publishers at A Journal of Zarjaz Things.

Read other reviews of this book:

Chris Barat at News and Views
KC Carlson at Comics Worth Reading
Allan Holtz at Stripper's Guide
Chad Nevett at Comic Book Resources
Andrew Williams at Den of Geek

The biggest news of the last month comes from the good folks over at Titan, who have finally confirmed the rumors - hardback editions of the terrific Johnny Red are in the works. The long-running series by Tom Tully and, initially, Joe Colquhoun, ran for a decade in the pages of Battle Picture Weekly. This is a big favorite of mine, and one of BPW's best series. I've been rereading the John Cooper-drawn era lately and it's a consistently wonderful strip which you should all check out. The first in what we hope will be an annual collection is due in September.

The second biggest news of the month - and any other month, it'd be the biggest - is that Steve Holland of the wonderful Bear Alley blog has formally announced he's going into the publishing business with Bear Alley Books, looking at doing small print-run, complete editions of classic British comics, done right. Holland has the knowledge and the commitment to make certain his collections are as comprehensive and good-looking as bookshelf editions can be, and I wish him all the success in the world with his new venture. First up from Bear Alley, later this summer: complete collections of the time-travelling war yarn The Phantom Patrol, with art by Gerry Embleton, and the excellent late sixties occult thriller Cursitor Doom, with art by Eric Bradbury and Geoff Campion. Steve's commissioned new covers by Chris Weston and John Ridgway for the titles.

In other news, as if you didn't have enough books to buy this year, the long-rumored Groo Treasury has finally been scheduled by Dark Horse. This 336-page collection of the earliest episodes of the comedy strip by Sergio Aragonés and Mark Evanier is due in October, which is nice, because I was not keen on filling up on those little 80-page collections of the old Epic Comics series. That'd get a little expensive.

DC has announced they're releasing what might be the first-ever collection of Mike Grell's weird 1970s swords-and-lasers fantasy The Warlord, a title I enjoyed for about seven weeks when I was twelve, in their Showcase Presents line. The 528-page book, scheduled for September, reprints the character's debut in the anthology 1st Issue Special and the first 28 issues of his own book. If I was still in touch with a couple of guys I went to middle school with, I'd let them know, but I'm not, so I'm telling you.

So ten days ago, I was talking about how somebody needs to release more old Osamu Tezuka comics in the US. Well, the company Digital Manga Publishing is way ahead of me; there's a complete, done-in-one omnibus collection of Tezuka's 1968-69 serial Swallowing the Earth due in July! Great news, I am looking forward to seeing it. For more Tezuka, the wonderful Helen McCarthy is putting the final touches on a big, image-heavy coffee table biography of Tezuka for Abrams, the company that brought you Mark Evanier's wonderful tribute to Jack Kirby last year. The book is due out in October. And speaking of Abrams...

In another example of what's either a late April Fool's gag or definitive proof that everything that ever appeared in a newspaper is going to end up in a hardcover collected edition before much longer, Abrams is bringing out a collection of Stuart Hample's Woody Allen comic strip. No, I never knew there was a Woody Allen comic strip, either. It ran in the 1970s. The book is entitled Dread and Superficiality: Woody Allen as a Comic Strip and is due out in November. With an introduction by Buckminster Fuller. Oh, now I know this is a gag!

Finally this time, a couple of interesting Judge Dredd collections from Rebellion are in the pipeline for November. The 14th volume in their Complete Case Files series will include all the 2000 AD strips up to prog 700, including the epic "Necropolis" and all of its lead-in stories, drawn by Carlos Ezquerra. The collection won't include the separate serial The Dead Man, which ran for a few months prior to "Necropolis" and dumped readers on their heads with the beautiful revelation that the two strips were intricately connected. Happily, The Dead Man is getting its own trade collection alongside CCF 14, so new readers can enjoy all of its beautiful John Ridgway artwork and read it at the same time as the main Dredd strip.

That's all for this month! See you in July!

Friday, June 5, 2009

Reprint This! Ambassador Magma

Ambassador Magma's central characters were the Murakami family, news reporter Atsushi, his wife Tomoko and his son Mamoru. In the first episode of the comic, the villainous Goa transports their home back to prehistoric Earth in a demonstration of his power, demanding that Murakami tell the world to surrender or be destroyed. Young Mamoru snaps pictures of Goa before he returns them to the present day. As he's developing the photo, a rocket lands outside and transforms into a fifty-foot robot called Magma, who takes Mamoru and the camera to a remote volcano. There, the wizard Earth confirms that his old enemy Goa has returned and enlists the Murakamis as his new allies.

The series is remarkably fun wish-fulfillment for kids, particularly when Earth creates a new "boy robot" called Gam in Mamoru's image as a surrogate son for Magma and his wife Mol. Gam is just about the greatest best friend character in all of comics: a super-powered buddy who can turn into a rocket and take you anywhere, and then beat up legions of evil henchmen with his magma-fueled super strength. In each of Ambassador Magma's first two lengthy comic storylines, the heroes confront alien duplicates along with an array of terrifying giant monsters as Goa crafts new plans for his conquest of our planet.

Ambassador Magma first ran in the monthly magazine Shonen Gaho from May of 1965 until February 1967, by which time a well-remembered live-action TV series was running. After Tezuka concluded his work on the comic, his studio continued it for another six months, along with a companion tie-in feature (six-page illustrated episode recaps, apparently) that ran for a year in the pages of Shonen King. The TV show, known in the US as The Space Giants, is a downright terrific program. It beat the better-known Ultraman to the air by about a week, and made the most of its shoestring budget by telling its stories in four-part serial format so that they wouldn't have to build so many sets and monster costumes. This resulted in stories that have aged very well, with believable characters and downright fascinating imagery. If Ultraman was Japan's Thunderbirds, low on plot but high on spectacle and explosions, then the TV Ambassador Magma was its Doctor Who, where intricate storylines and character development made for a far more rewarding experience. When The Space Giants finally got a decent run in American syndication more than a decade after it finished in Japan, it gained a huge audience of kids who would have sold their younger brothers for some merchandising, but practically nothing was available back then, least of all the original comics.

In fact, the program seems to be caught up in one of those interminable trademark disputes between a company which has no visible intention of making any money from it, other than suing anybody else who tries, and people who've made efforts to obtain a license to make comics with the better-known American name on it. This probably shouldn't impact any potential English-language release of the original comics, which should be called by the original title anyway and not get embroiled in the squabble over trademark, but it's a real shame that the characters have faded from the public view since nobody other than us nostalgists have seen the gang except in passing for better than twenty years.

Many, many moons ago, I did some research into the production of the TV series and my job would have been a lot easier had SciFi Japan been around. There's a terrific guide written by Bob Johnson on their site now which focusses more on the program, but also has some background about the comic and the various configurations of the reprints available in Japan. I'm of the opinion that the whole series could easily be collected into a pair of large-format volumes, and they'd make a great companion to Vertical's Black Jack books. So how about it, guys? Then you could get started on Jungle Emperor and Vampire and Cyborg Big X and Princess Knight and Amazing Three and...

Sunday, May 10, 2009

Reprint This! Update on Starman

I finished reading the second of DC's new Starman Omnibus collections, and I have to say that this is emphatically the right way to do a collected edition of a modern book. The fifty-buck hardcover reprints thirteen issues of James Robinson's superhero series, along with the first of the series' annuals and three issues from the anthology Showcase which feature the supporting players, along with considerable background details, commentary and sketches from the artists, who include Tony Harris, Guy Davis and Steve Yeowell.

If you've never had the pleasure of reading Starman, I really believe this is among the two or three best American comics of the '90s. It's the story of Jack Knight, a reluctant second-generation hero and the sixth to use the name, who defends the beautiful art deco metropolis of Opal City from bizarre crime. It's a book more about family and heritage and honor than it is fisticuffs and the usual superhero shenanigans. Robinson occasionally displays a tin ear for dialogue, but his narration is really captivating, and it's easy to get caught up in the grand sweep of Opal and her champions.

A detour to New York City to consult one of the DC Universe's original heroes, the Sandman, is so note-perfect that the publisher should use it to teach new writers how to craft an engaging crossover, and a later story which pits Jack and two unlikely allies against a demon in a poster is surprising at every turn, with a clever conclusion that will have a lasting, fascinating impact on future stories. It's definitely a title worth reading, and thumbs up to DC for creating such a nice package. They plan to publish the complete 81-issue series and all of its side stories and supplements in six of these omnibus volumes.

Read more of what I've written about James Robinson at A Journal of Zarjaz Things.

Read other reviews of this series:
Van Jensen at ComicMix
Randy Lander at Inside Joke Theatre
Greg Oleksiuk at PopMatters
Jason Sacks at Comics Bulletin
Paul W. Smith at Den of Geek

In other news, perhaps the month's biggest announcement has come from Alan Moore, confirming the rumors that Top Shelf will be issuing a complete edition of his "published-in-many-places" comedy The Bojeffries Saga. This new collection will include a new 24-page story that artist Steve Parkhouse is said to be tackling now. Moore's announcement came in the second part of the mammoth interview that Pádraig Ó Méalóid conducted for The Forbidden Planet Blog.

Fantagraphics has unveiled a little more about their forthcoming collection of Gahan Wilson Playboy cartoons. It's still on track for an October release. The three-volume slipcased hardcover is going to set you back a tidy $125, which means I'm putting $10 a paycheck in the kitty for this starting now. The book will feature introductions by Neil Gaiman and Hugh Hefner, and not only every cartoon that Wilson's contributed in his fifty-one year tenure with the mag, but his fiction and accompanying illustrations as well. The behemoth will clock in at more than 1000 pages. Can't wait, even if my accountant might want to have a word or two with me about it.

Speaking of Playboy, Dark Horse's collection of the two issues of the Hef-published Trump, mentioned here back in January, has been delayed and is due out in mid-August. This will feature classic work by Harvey Kurtzman, Will Elder, Jack Davis, Al Jaffee, Wally Wood, Mel Brooks, Max Shulman and many others. Incidentally, my son finished the first half of Fantagraphics' Humbug, the magazine that followed Trump, and not only proclaims it to be awesome, but also wants it noted that he's the only modern-day tween to have read it.

In what sounds like it was a late April Fool's Day joke which went a little far, it's been strongly rumored that IDW is preparing a collection of Jack Kent's long-running newspaper strip King Aroo for later in the year. The strip ran for an impressive sixteen years before winding down in 1965, but it's incredibly obscure because only a single paperback collection was ever issued, in 1953, and because it only appeared in a handful of papers for most of its run. Some of the sample strips available online show it to be an incredibly charming and silly strip, reminiscent of Pogo with its puns and quirky characters, and while I'm curious to see more, I think IDW has something of an uphill climb selling this almost unknown character to a modern audience.

Speaking of Pogo, most recent word on the grapevine is that we'll be waiting until sometime in 2010 for the new line of Fantagraphics collections to get going.

And speaking of IDW, whether they are going to do something with King Aroo or not, they are planning a reprint of Elaine Lee and Michael Kaluta's 1980s SF serial Starstruck with new coloring.

Over at DC, it looks like Peter Milligan's well-regarded '90s take on Shade the Changing Man is finally getting some long-overdue attention. A collection of the first six issues was released many moons ago, and it's finally getting a second later this year. Personally, I find Shade to have aged very badly, but I'm still looking forward to this earlier stuff from the run. But before that, DC is prepping hardcover collections from some of the other titles in their run, similar to the Starman books, including Fables and Alan Moore's Tom Strong. And they've finally solicited the Eclipso "Skinny Showcase" I've been talking about for August:

SHOWCASE PRESENTS: ECLIPSO TP
Written by Bob Haney
Art by Lee Elias, Alex Toth, Jack Sparling and Bernard Baily
Cover by Bernard Baily
One of the strangest comics villains ever stars in this volume collecting HOUSE OF SECRETS #61-80! On an expedition in the South Pacific, scientist Bruce Gordon’s dark side is unleashed after being exposed to a black diamond. Transformed into the powerful Eclipso, he embarked on an evil rampage as his good side attempted to reassert control.
Advance-solicited; on sale August 26 • 296 pg, B&W, $9.99 US

If you're enjoying Drawn & Quarterly's collections of the Moomin comic strip, and who in their right mind isn't?, then you might want to check out some reissues of the classic Moomin picture books that Tove Jansson did in the 1960s and 1970s. The publisher is starting up a new line of children's books called D+Q Enfant devoted to "lost classics and new soon-to-be classics" which will include the old Moomin series. Fine, give me another reason to want to have another kid before too long.

When I featured a blurb last month about our friends at Titan Books, I didn't have any news about Roy of the Rovers. Well, there's a new set of 1970s strips due in June - 208 pages of "scorching soccer action" from the period that introduced the hotheaded character Paco Diaz and took a hardline stance against hooliganism in the stands. Down the Tubes also points out that Titan's long-delayed Best of Battle is finally scheduled for next month as well. Fingers crossed!

That is all for this month. I would like to thank everybody for reading and all the nice e-mails, and also let everybody know that June's updates will be a little delayed. Look for the feature article on the 5th and the news update on the 15th. Happy reading!

Friday, May 1, 2009

Reprint This! Steve Ditko

Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected several titles which should be on bookshelves, but at this time are not.

Artist Steve Ditko has earned accolades, praise, the thanks of a grateful comic-lovin' world and even a Jonathan Ross-helmed documentary for the BBC on the strength of his work. One of comics' most notorious recluses, the quiet artist was blowing kids' minds in the sixties with his work on characters like Spider-Man, Dr. Strange, the Creeper and the Question, all of whom he created or co-created. In the seventies, his workload didn't slow down much, even if his profile was a good deal lower than previously. For the publisher Charlton, he drew hundreds of pages for their horror titles, while continuing to occasionally draw more conventional adventure stories. The stuff he was doing was sometimes outlandish or utterly unconventional, but it all shares two common traits: it all looks terrific and it's all out of print and quite difficult to find.

Marvel has released some of the artist's work for them in a large-format collection entitled Marvel Visionaries: Steve Ditko, but most of his work for DC and Charlton has not been seen since it originally appeared. Since DC owns almost all of the output from Charlton (everything, I understand, save the small amount of material which the creators themselves re-purchased, such as the superhero comic E-Man) and has even incorporated some of their more successful trademarks into their own continuity, I don't believe there's really anything stopping DC from assembling a package of some of these strips. (Reader Martin Wisse suggests that much of this material might also be held by Roger Broughton's company; Devlin Thompson told me that months ago and I should have remembered.)

Killjoy, for example, was a completely bizarre character who "starred" in a pair of delightful eight-page episodes. Almost nothing about the character was shown or revealed; the focus was on the villains who were whining and protesting that nobody had the right to interrupt their evil schemes. You wouldn't expect to find satires about government and corporate obstinance in the back of a children's funnybook in 1973-74, but there they were, a pair of wonderful, high-concept comedies masquerading as something about superheroes. They'd be forgotten if scans hadn't shown up over at The Groovy Age last year, although reprints of the two stories did show up in a small press collection called The Ditko Package in 1989.

In fact, there are several small press collections out there, not the least of which are the ones that Ditko's company has had a hand in. But none of these have had the ability to work with several different publishers to assemble something more consistent. Of course, even his major work is not readily available in a simple format - I don't believe you can just buy a single book with all of his Dr. Strange episodes without getting a lot of later, inferior work in the same package, for instance - but a broad anthology might be possible, and show off a lot of interesting material in one place. Blake Bell's wonderful site Ditko Looked Up includes a fascinating stripography which mentions several books I've never seen. He drew the final issue of something called Morlock 2001 and the Midnight Men for Atlas/Seaboard, for instance, as well as a couple of issues of Tiger-Man for that publisher, and four issues of Stalker for DC in 1975. Other work was a little sporadic at the time.

Apart from the horror comics and Shade the Changing Man, which I wrote up in an earlier Reprint This! and which deserves its own collection, and twelve episodes of Starman which appeared in the pages of Adventure Comics, there were unusual things like the first issue of Man-Bat, three episodes of the Kirby-created Demon and contributions to DC's SF anthology Time Warp. But best of all these things, from my perspective anyway, was the fantastic Odd Man.

I was about seven, and already a voracious comic reader, when DC started running house ads announcing the huge new expansion coming to their lineup. Called "The DC Explosion," one of these ads showed a group of characters who'd be getting their own titles or back-up series. The thunderously bizarre Odd Man was among the crowd in this one ad (you can see it at Fanzing's article about the debacle), and I was determined to see his story, and so I started scouring the Eckerd Drugs and 7-11s and Majik Markets for the issue of Shade the Changing Man which would feature the character. It was never released. As many of you know, the DC Explosion rapidly backfired into what we call the DC Implosion, and the contents of Shade # 9 were junk-published internally by the company for trademark protection.

I thought that was it for the Odd Man for almost fifteen years until I learned that Detective Comics # 487 published the story, or, as it turned out, a revised version of it, apparently with the cliffhanger ending jerry-rigged into an conclusion. I looked in every comic shop, junk store and flea market in north Georgia for this book, and could have assembled a complete decade's run of Detective except for # 487 until I finally heard about that new-fangled eBay thing that folk were talking about, and got an account just to buy this comic. And lots of other junk, but that came later.

At any rate, there remains a heck of a lot of great Ditko artwork out there which has never been republished. Unfortunately, some of the Marvel material includes licensed properties like Micronauts and Rom, to which the publisher no longer has the rights. But it's long past time to get started on a proper retrospective of this great artist's work. Sure, you're probably not going to coax a quote out of him for the back cover, but how about it, DC?

Friday, April 10, 2009

Update on Indiana Jones

In 1981, Marvel Comics got the license to release a three-issue adaptation of the hit film Raiders of the Lost Ark. The comic turned out to be pretty terrible, even if goodwill and curiosity turned the three-parter into a commerical hit. You know how Indy figures things out silently in the movies, and acts without telling people what he's up to? That's not how Indy works in that comic. Anyway, Marvel continued their license and released a pretty successful series of follow-up stories under the title The Further Adventures of Indiana Jones from 1983-86. This was a pretty uneven title, but it was occasionally very entertaining. The book seemed to suffer from the lack of a consistent creative team, but even if some of the contributions were a little underwhelming, you can tell from rereading the stories that veterans like John Byrne, Denny O'Neil, Howard Chaykin, Archie Goodwin and David Michelinie all enjoyed working with the character, and doing something a little different than the typical Marvel title.

Dark Horse has been Indy's comic home for several years now, and last year, they landed the rights to the old Marvel series, which had lapsed. The publisher has a really interesting reprint line, principally used for their licensed properties like this, Aliens or Buffy, which repackages about 350 pages in color for $25 in a format a little smaller than a standard American comic. Dark Horse had already released two of these Omnibus editions for their own Indiana Jones miniseries in 2008. This is the first Omnibus to reprint the Marvel series, and it collects the three-part Raiders adaptation and the first 12 issues of the ongoing series. Despite some genuinely awful coloring (as noted with examples in February at my LiveJournal), the comic has aged pretty well for something with so many thought balloons on the page, and the creators put Indiana through some pretty thrilling and fun paces. It's certainly worth checking out!

I have not seen any substantive reviews of this book. If you see any or have written any, drop me a line and I will list them here.

In other reprinting news, Yen Press has announced the release dates for the next three volumes of Yotsuba&!, the addictive family comedy series by Kiyohiko Azuma which had previously been published by ADV Manga. Volume six is due out in September, with the next two following in December and in April 2010.

There have been rumors for ages that DC Comics will one day be releasing a complete collection of the 1940s Captain Marvel storyline "The Monster Society of Evil," a much-loved serial that ran for several months and was recently revisited by writer/artist Jeff Smith in a very fun new version. Looks like we'll finally be seeing this classic in December. The Amazon listing is right here if you'd like to pre-order it.

In other DC news, looks like they've finalized plans for their Showcase Presents volumes through the end of the year, in a mix of $17 regular 500-page books along with ten buck 300-page "Skinny Showcases" in the summer, although it does appear they are slowing the number of titles released to allow people to actually catch up to them. Titles include Super Friends in May, The Creeper in June, the long-awaited Western adventure Bat Lash and the fourth collection of 1960s Batman in July; Eclipso in August; Warlord in September; House of Secrets volume two in October; DC Comics Presents the Superman Team-Ups in November; and the third volume of Wonder Woman in December.

News of some other new releases from the good fellows over at Titan have crept out. October should see a sixth collection of Charley's War along with new sets of stories from Dan Dare ("Safari in Space") and Modesty Blaise ("Death in Slow Motion," with the previously-announced October collection, "Scarlet Maiden," moved forward to August). No announcements yet about a third set of Jeff Hawke adventures - the second collection was reviewed last month over at my bookshelf.

Viz has not formally announced it yet, but it looks like they've got a plan for Rumiko Takahashi's InuYasha that I can get behind. The series, her longest-running but, to my mind, the least compelling, recently concluded and the 56th digest collection was issued in Japan in February. I picked up a few of these cheaply, but the prospect of having 56 of the darn things on my shelf was a little unappealing. Fortunately, it looks like they're going to begin issuing the series in their "VizBig" line, which collects three digests in a thick package priced about the same as two of the smaller ones, starting in November. They've already had some success with Dragon Ball, Rurouni Kenshin and Fushugi Yugi in this format, and I'm much more likely to follow InuYasha to its conclusion if I can spend less money on it, and not have to devote shelf space to 56 little books.

Finally this time, Rebellion looks to have settled on October for release of the fifth Sinister Dexter collection - the fourth volume was just issued in England - and the first proper collection of the excellent Judge Dredd epic "Mechanismo." This should include the first two arcs, with artwork by Colin MacNeil and Peter Doherty, which were once compiled by the previous book publisher Hamlyn in an incomplete package, but ideally this one will also include the never-before-reprinted third arc, with art by Manuel Benet.

See you next month! Thanks for reading!

Wednesday, April 1, 2009

Reprint This! Tales from Beyond Science: The Rian Hughes Collection

Tales from Beyond Science was Hughes' first series in the venerable British weekly. It was a little anthology series in which strange fortean tales are related by some elderly gentleman from the comfort of his club, and all the stories are very fun. Six episodes appeared in the spring of 1992, and were followed by two others in special editions. Half of these were scripted by Mark Millar, and while I'm generally no fan of his work, it would be churlish to suggest there's anything wrong with these early efforts, which are remarkably creepy and effective. You can certainly catch the lingering fumes from Grant Morrison's Doom Patrol influencing Millar, who told stories about strange government agencies, radios to the dead and missing chunks of time, but with Hughes bringing his own unique sensibility to the presentation, the stories feel very unique and unlike anything else in comics. Alan McKenzie and John Smith each also contributed two stories apiece. McKenzie's are a little whimsical, Smith's more grounded in modern horror, but they're all winners, and it's a genuine travesty that the series wasn't continued after this wonderful beginning.

Really and Truly arrived in the summer of 1993. This eight-part story is a psychedelic rollercoaster about drug smuggling, only it features a fabulous car, a dust-covered Russian cosmonaut, sumo gangsters and giant flying houses. It's like a sixties Saturday morning cartoon blown up to widescreen. Morrison boasted that he wrote the whole shebang in a single night while tripping on E. If we're brutally honest, it sort of shows, but Hughes makes the script's deficiencies look like brilliant ideas. The experience of reading Really & Truly is spiced up with its very clever lettering and unconventional design choices. It's certainly a very nineties strip, and unquestionably dated, but the same can't be said of Hughes' next, and thus far, last contribution to 2000 AD...

I've talked about Hughes' time on Robo-Hunter at pretty good length before, including an article at my Thrillpowered Thursday blog. To recap, the writer Peter Hogan was brought in to salvage the John Wagner / Ian Gibson classic after it had fallen into some disrepair at the hands of some other, lesser, talents. Hogan wrote five stories of varying lengths, four of which - thirteen episodes - were illustrated by Hughes.

Friends, I'm telling you, comics just don't come better than Ian Gibson Robo-Hunter. But Hughes, he's up there, too. Peter Hogan really knocked these stories completely out of the park. They're whimsical, silly, incredibly inventive and clever, and Rian Hughes was absolutely the best man in England not named Gibson to illustrate them. He created a wonderful world for Sam Slade and his nutty associates to run around in. It's a slightly decaying technopolis populated by bubble-headed droids who've walked straight out of 1950s advertising calendars, armed with space-age zap guns, widgets and gizmos. For lighthearted, unexpected, whimsical detective adventures, this strip is the business, and if you have never seen it, you are missing out.

So that's the story: Hughes' work for the prog comes to 29 episodes, plus six cover illustrations and a star scan on the back of issue 842. Rebellion typically issues collections based on the many ongoing series from their titles, but there are a few precedents for a creator-centered work. Both Alan Moore and Frazer Irving have had releases devoted to their work, and I suggest to you that Rian Hughes certainly deserves similar consideration. They should also see what he'd charge to draw "La Revolution Robotique," but that's another pet obsession of mine. So how about it, Rebellion? Feel like making the world beyond science a glorious reality?

Tuesday, March 10, 2009

Reprint This! Update on Grant Morrison's "The Flash"

About twelve years back, one of my favorite comics writers, Grant Morrison, co-wrote a memorable nine-issue run of DC Comics' The Flash in conjunction with his then-partner, Mark Millar. It was an exciting, engaging run of very good comics, and DC has finally put it back in print. And they've bumbled it completely.

DC decided to to reprint the nine issues across two trade paperbacks, padding out the second with a three-parter that Millar wrote himself. So if you, dear reader, would like to read all of Morrison's nine comics, you have to buy two books. Worse, there's still a fair chunk of story missing. Morrison's run comprises a pair of three-part adventures, with three "one-shots" between them. The last of these "one-shots," however, is actually the last part of a three-episode crossover with the other DC titles Green Arrow and Green Lantern. DC's collection doesn't contain any backstory or recap of what happened in those comics; you'll have to scour the back issue bins to find them.

So, to recap: a proper Morrison Flash reprint should have contained eleven issues. These would be the nine that he co-wrote and the two crossover issues. Instead, DC reprinted twelve issues: the nine Morrison wrote and what is to my mind an unrelated three-parter, and they did it in two books when it could have fit in one. What a shambles; you'd do well to avoid these collections until somebody at DC gets their head screwed on right and does it correctly.

Read more about what I've written about Grant Morrison at A Journal of Zarjaz Things

I have not seen any substantive reviews of this book. If you see any or have written any, drop me a line and I will list them here.

In other reprinting news, the good folk at Down the Tubes have mentioned some interesting news from English publishers Reynolds & Hearn: A little later this month, they're releasing a pair of paperback collections which compile a random assortment of strips based on old Gerry Anderson properties, including some of the Thunderbirds material I've mentioned once before in this feature. Other series in the books include Fireball XL-5, Lady Penelope and Captain Scarlet & the Mysterons, along with Zero-X, which Wikipedia tells me was a spacecraft which crosses between the continuity of a couple of these Supermarionation shows.

The comics feature work from the likes of Frank Bellamy, Mike Noble and Ron Embleton, and originally appeared in the anthology TV21. Amazon ordering links: volume one and volume two.

Back in October, I mentioned that Fantagraphics has a complete collection of Sam's Strip by Mort Walker and Jerry Dumas due out soon. This arrived in most comic shops last week, or you can order the $22.99 softcover from the publisher now. Chad Nevett reviewed the book last month for Comic Book Resources.

Finally this month, IDW announced at February's WonderCon that they'll be bringing out a complete edition of Dave Stevens' The Rocketeer. There will be a standard hardcover and an oversized deluxe edition with several pages of previously unpublished drawings, both of which will contain all of the original episodes, and they're due out in October. Editor Scott Dunbier and new colorist Laura Martin talked about the project at Comic Book Resources.

See you next month! Thanks for reading!