Tuesday, October 21, 2008

Reprint This! The Daily Star Judge Dredd strip



Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected several titles which should be on bookshelves, but at this time are not.

One missing gem is the JUDGE DREDD newspaper strip which originally appeared in the pages of The Daily Star. Various teams worked on the series, initially John Wagner, Alan Grant and Ron Smith, and later Ian Gibson. Three samples from the Wagner-Grant-Gibson team are included here. The strip ran for about sixteen years under various teams, concluding in the late 1990s, but it's the first few years of material which is most crying out for a reprint.



Judge Dredd was, of course, created by Wagner and Carlos Ezquerra in 1977 for the pages of Britain's new sci-fi comic anthology 2000 AD, debutting in the second issue. He's a gruff, impartial, impatient policeman-plus who patrols the mean streets of the lunatic future megalopolis of Mega-City One, located on what's today the eastern half of the US. Thirty-one years and 1600 issues later, Dredd is still going strong, with a very nice reprint program going to keep his regular weekly adventures in print. But Dredd has appeared in several other outlets over the years. In 1981, the Daily Star commissioned a weekly episode of the strip. These were produced by Wagner, Grant and Smith and many, but not all of them, were collected in an annual series of five slim Judge Dredd Collections published by Fleetway, and many of these were then recompiled into a hardcover Judge Dredd Mega-Collection in 1990.

After a few years, Dredd was transitioned into a regular Monday-Friday continuity slot, typically telling tales across nine to fifteen weeks. Gibson began alternating with Mike Collins in 1988 before Collins became the regular artist. In time, the strip lost its regular team and a large number of different writers and artists contributed - Andy Diggle, Gordon Rennie, Mark Millar and Carlos Pino all put in time telling stories of Dredd and his world.



The weekly Star Dredd was pretty entertaining, but the daily version is the real treat. Admittedly I'm incredibly biased - even moreso than usual - because it combines two of my favorite things about comics: reading daily strip sequences and Ian Gibson's artwork. Readers never got the idea that Wagner and Grant were just hacking this out while saving their best ideas for 2000 AD. There's a great one that deals with the stupid Mean Machine Angel trying to convince some criminals who have built robot replicas of his dead criminal family that no, really, there never was any lost Angel Gang loot; they really did spend it all. Another features the talking horse from the classic "Black Plague" story getting Dredd's help to deal with some Cursed Earth slavers, and it's all done with that classic tongue-in-cheek and over-the-top mix of black comedy and violent melodrama that nobody does better than John Wagner.

Rebellion has been doing some really wonderful collected editions of 2000 AD series, but the slightly smaller dimensions of these books wouldn't flatter the material as well as something a little larger. Titan Books has, of course, been earning praise for their large-format collections of classic British newspaper strips like James Bond, Jeff Hawke and Modesty Blaise. I suggest that something in that format, with supplemental interviews and background material, as well as a complete "stripography" in the back, would be exactly what the daily Dredd needs. With a decent page count, Rebellion could conceivably reprint all the Wagner and Grant episodes in two books before evaluating whether to continue with the other material. I'm enough of a completist that I'm all in favor of seeing everything, but two's a good starting point. How about it, Rebellion?




Before I leave you this week, I do have a couple of other notes about some reprints my readers might find interesting.

I first heard of Mort Walker and Jerry Dumas's 1960s feature Sam's Strip - a comic strip about comic strips - in Walker's book Backstage at the Strips, a great book which I obtained and read years ago and did not realize was missing from my shelves until a couple of weeks ago when I went looking for it. Anyway, Fantagraphics will have a complete collection of this oddball and charming strip, which ran for less than two years, on your shelves in December. Read more about Sam, and the current fad of prestige reprints, over at Westfield Comics.

Also, had a pretty good suggestion at his Let's Anime blog: the long-running 1970s-80s crazy future ESPer action of Chojin Locke. I'd like to see more of that, too!

And, I probably didn't do Richard Bruton justice when I mentioned The Uncollecteds a couple of months back, but if you enjoy people talking about rare old comics that need new editions, you'll really like this series over at Forbidden Planet's blog, so check that out!

(Originally posted October 21, 2008, 05:43 at hipsterdad's livejournal.)

Friday, October 3, 2008

Reprint This! Black Orchid



Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected several titles which should be on bookshelves, but at this time are not.

One missing gem is BLACK ORCHID by Sheldon Mayer and artists including Tony DeZuniga and Nestor Redondo. The superhero character appeared in DC's anthology titles and as a backup feature from 1973-1976 before lapsing into obscurity, but collectors who've kept an eye out for her eleven episodes have been rewarded with a very unusual and very clever strip.



Black Orchid was a very novel idea for a series in its day. The character's background and even her real name were kept from the reader. The series dispensed with a standard cast and location, and even a "secret identity" like pretty much all superheroes of the time maintained. Each episode's focus was on whatever new criminal organization or scheme that Black Orchid, with her powers of flight and superhuman strength, had decided to bring down. This was very much a concept ahead of its time, and its stories are told with energy and often very clever plotting.

Whoever she was behind the mask, Black Orchid was one of the last characters created by Sheldon Mayer. By 1973, he had already been with DC Comics or one of its antecedents for over thirty years, and had a hand in editing or writing many of its Golden Age classics. In 1956, of course, he created Sugar & Spike, a title that ran (off and on and not always domestically) for better than thirty years, and one certainly due its own Reprint This! entry as well. He was also the editor of DC's venerable horror anthology House of Mystery for about two decades. Black Orchid was one of his last regular adventure titles, and even though it really didn't find favor with the audience of its day, it has many fans who fondly remember her brief appearances in comics.

It is probably worth noting that Neil Gaiman resurrected the character as part of DC's long-running strategy of keeping corporate trademarks active by letting new talent pitch new ideas with them. His three-part Black Orchid miniseries, with art by Dave McKean, created a new iteration of the character who later got her own series at the Vertigo imprint in the early 90s, but, frankly, all that mess was good for was letting a new audience know that Sheldon Mayer's good stuff was available in back issue departments.



Black Orchid first appeared as the lead feature in three issues of Adventure Comics (# 428-430) before taking a recurring place as a backup feature in The Phantom Stranger. Mayer apparently wrote only a few of these backup episodes, with the rest penned by writers who included Michael Fleisher. These used to be in pretty good supply, and priced low in better comic shops, but I've seen those prices rise as I've tried to fill the gaps in my set.

A Black Orchid collection is long overdue, and wouldn't be that difficult for DC to compile. Her eleven episodes (if I've counted right) could be printed in a 120-page paperback. It might not be quite the license to print money that an Angel and the Ape book would be, but it's a wonderful title which deserves to be seen again, and a fine sampling of DC's more unusual fare from the era. You're long overdue in bringing Mayer back into print, so how about it, DC?

(Originally posted October 03, 2008, 05:00 at hipsterdad's livejournal.)

Monday, September 15, 2008

Reprint This! Update: Gahan Wilson is coming

I first wrote about Gahan Wilson's work for Playboy back in July. This weekend, Playboy updated their site with a new Halloween-themed slideshow of classic macabre Wilson panels, and let slip that a mammoth complete collection of his Playboy work is planned for release in 2009, in conjunction with Fantagraphics.



"Looking for your favorite Gahan Wilson cartoon? Wondering when it appeared and in which issue? For the first time ever, coming in the fall of 2009, Playboy and Fantagraphics Books will publish a deluxe hardcover edition with three slipcased volumes that contain every one of Gahan’s Playboy cartoons."

More details as I get them!

(Originally posted September 15, 2008, 13:49 at hipsterdad's livejournal.)

Tuesday, August 12, 2008

Reprint This! 1970s giant robot comics, generally



Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected several titles which should be on bookshelves, but at this time are not.

If you were to make a guess at the history of Japanese comics based on what gets sold at your local Barnes & Noble, you'd probably be forgiven for guessing that this nation's industry started around the time Dragon Ball was running, because very little material from the 1960s and 1970s has been successfully sold here. What little that we have got is very good stuff - for example, Vertical has, as I've mentioned from time to time, been releasing a fair amount of Osamu Tezuka comics in very nice editions - but I would argue that it's very hard to get an honest assessment of the medium when so little of the stuff aimed at kids in the 1970s has made its way to our shores.



Honestly, just about every Japanese title that I enjoy started life as a comic and was quickly sold to television producers for an animated adaptation. But there are plenty of instances where the reverse was true. In the 1970s, many of the big names in Japanese comics were hired by production companies to develop TV properties, which were later turned into tie-in comics by those artists and their studios. Actual research on this subject in a format that I can access (and read) is kind of thin on the ground, you'll understand, but it looks like most of Shotaro Ishinomori's 1970s output went this route, as did Reiji Matsumoto's Danguard Ace, and a whole pile of unbelievably entertaining cartoons created by Go Nagai.

Nagai's UFO Robo Gurendaiza was possibly, to my mind, the very best of these. Sold throughout the world under the names Grandizer and Goldrake, this is a big, goofball, hugely enjoyable cartoon about a fellow, called, depending on the translation, Duke Freed or possibly Orion Quest, who pilots a giant robot to save humanity from space aliens, who attack Earth with a new beastial-looking robot each week. The evil aliens are led by a spectacular villain whose face periodically splits in half and then a five-inch high woman steps forward to cackle at her underlings. I'm sorry, but that's just about the greatest villain ever.

The cartoon ran for three seasons and left behind a pile of wonderfully fun merchandising, ranging from Mattel/Popy's beautiful two-foot tall plastic robot down to four-inch die-cast jobs and coloring books, and a comic adaptation churned out by Nagai and his studio, which I believe ran for one year in the pages of a monthly anthology title and was collected in three digests in 1976-77.



Admittedly, Gurendaiza might not be the best example for "new old comics for kids." There's an eye-popping bit in the first volume where the stereotypical potato-headed perv fantasizes about turning into a wolf and ravishing the comely young farm lass who only has eyes for Duke. I'm not sure how that'd play in Peoria. But even accepting that these are tie-in comics produced under contract to accompany a TV cartoon, this is still really fun stuff, vibrant, weird and exciting.

That said, if we're honest, a lot of those clunky old shows really are old and clunky. The nostalgia factor for Mazinger and Getta Robo and Gaiking and Danguard Ace and Raideen and Combattler and Voltes V and Fighting General Daimos and all those others is fueled by the merchandising more than anything else. Maybe the comic adaptations are good and maybe they aren't, but I'm telling you, children under ten still love this stuff absolutely. You give my kids two of those big Popy robots - sold in the US as "Shogun Warriors" - and they'll batter each other for hours, just like millions of Japanese kids were doing thirty years ago. Give 'em some good comics to go along with 'em and you might as well be printing your own money. So how about it, Viz? Feel like making some cash off some old school stuff now that Dr. Slump is coming to an end?



(Originally posted August 12, 2008, 13:39 at hipsterdad's livejournal.)

Monday, July 14, 2008

Reprint This! Gahan Wilson



Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected several titles which should be on bookshelves, but at this time are not.

There have been several collections of Gahan Wilson's work over the years, including a pair from Playboy Books in the 1970s. I'm thinking there should be a lot more Wilson on the shelves. A new collection of his National Lampoon strip, Nuts, would be great, but I'd also like to see a complete collection of his Playboy panels.




Long-winded text isn't really necessary here. I've scanned six of the better Wilson panels which I kept from some Playboys that I disassembled for collages and interviews some years back. These aren't necessarily his best, but they'll give you some idea what his work is like.




The problem, in this case, would be the size of any complete collection. Wilson was a regular Playboy contributor from the mid-70s at least until 2002, when I lost interest in the magazine. At a panel a page, that's a minimum of 330 pages and I'm probably guessing low. I think it's certainly doable, and I'd love to see it, but can Playboy be persuaded that there's a market for a nice hardback of that size? I certainly hope so!



(Originally posted July 14, 2008, 08:48 at hipsterdad's livejournal.)




(Update 9/08: Fantagraphics plans a complete Wilson Playboy collection.)

Thursday, May 22, 2008

Reprint This! More on the Titan reprint line

Amazon fishing has revealed a few great new books coming later this year...

In August...


The Bumper Book of Roy and the Rovers

I didn't see this one in Diamond. It's apparently a greatest hits drawn from the 1958-1971 Roy annuals. There are two other Roy books forthcoming: a Best of the '80s edition which was solicited in Diamond, and a 1954-55 complete edition, which wasn't.

In September, Modesty Blaise: Green Cobra. This was solicited by Diamond last month, and is the 14th book in the series.

For her 20th anniversary, The Cream of Tank Girl hardcover edition (208 pgs), due in October...

Also in October, a great big 320 page Christmas cracker: The Best of Battle (320 pgs). And speaking of Battle...


Charley's War Book Five
(112 pgs)


No sign yet of Action or Misty material, which I suppose may be coming in 2009...

(Originally posted May 22, 2008, 14:54 at hipsterdad's livejournal.)

Monday, May 19, 2008

Reprint This! Robot Archie



Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected several titles which should be on bookshelves, but at this time are not.

One missing gem is ROBOT ARCHIE by George Cowan and Ted Kearnon. This was a British adventure strip which weathered a few format changes over the years to emerge as one of the most well-remembered British comics of the 1960s.



Robot Archie was the superpowered associate of Professor Ritchie, whose nephew Ted and best friend Ken would use to sort out a number of threats, rannging from bank robbers to saboteurs to alien menaces. Imagine a cross between America's Jonny Quest and Japan's Giant Robo, particularly in its 1960s iteration, and you've got a fair idea of what this strip's about. Lots of derring-do with a pair of morally upright young people, and their egotistical, super-strong robot saving the day.

This is clearly, more so than most of the series I've mentioned in this tag, a strip for younger readers. The artwork, all uncredited but mostly believed to be the work of Ted Kearnon, is very good, and the plots are pretty solid for what they are, but this is really wish-fulfillment stuff at its core, and not particularly complex or nuanced. It's just a basic action-adventure story for ten year-old boys, and for what it does, it works very well.

Robot Archie had a pretty long run for a strip of its kind. It ran for about sixteen years, making an impact on enough readers for the character to be remembered by many creators. Alan Moore used an Archie analogue briefly in Captain Britain, and another version, called Tom Tom the Robot Man, is a recurring character in Paul Grist's Jack Staff. Grant Morrison resurrected Archie in his strip Zenith as a techno-rave robot obsessed with dance music of the late 80s. Most recently, he was seen in Leah Moore and John Reppion's Albion series from 2005-06.



Any proper reprint of Robot Archie would have to be a lengthy one. The character's first appearance was as The Jungle Robot in the first issue of the anthology comic Lion in 1952. This story ran for six months and was concluded, but Archie was revived in 1957. The relaunched strip ran in almost every issue of Lion from then until the comic's cancellation in 1974, along with a host of ancillary specials and annuals which continued for at least another three years. Reprint volumes appeared throughout Europe, with a Dutch version, written and illustrated by Bert Bus, running into the early 1980s. Archie, de Man van Staal was resurrected for a new one-off book in the Netherlands in 2004, but the book failed to launch a new series.

Even with episodes only 2-3 pages each, that remains a heck of a lot of material to reprint even before you consider whether to collect the Dutch episodes. Titan is certainly the first name that comes to mind when considering new publishers. They've had some success with other titles from the period (although the lack of follow-up volumes for The Steel Claw and The Spider / King of Crooks remains a little worrying), but Robot Archie, perhaps more than other titles in their portfolio, has a little shot at appealing not merely to nostalgists but to today's kids. There is certainly more sophisticated fiction out there to appeal to under-tens, but maybe if you catch 'em young, the simple whimsy of Robot Archie could find a new audience. So how about it, Titan?

(Originally posted May 19, 2008, 20:29 at hipsterdad's livejournal.)