Sunday, March 1, 2009

Reprint This! Cat's Eye



Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected several titles which should be on bookshelves, but at this time are not.

One missing gem is CAT'S EYE by Tsukasa Hojo. It's very 1980s, but it's a really entertaining story about three sisters who have turned the art world upside down with a string of spectacular heists from museums. It's all for allegedly good motives, of course, but it's great fun watching them run rings around the policeman assigned to bring them in, unaware that he's dating one of the thieves.



When I first flirted with Japanese animation fandom in the late 1980s, Cat's Eye was never a series that I was especially interested in. It was just one of dozens of shows based on comics that people passed around and enjoyed a little. A few months back, I ran across some volumes of the comic and was pleasantly surprised to learn how fun it is. The series is set around the Kisugi sisters, Rui, Hitomi and teenaged Ai, the daughters of a German art dealer. He had assembled one of the world's greatest collections, but had to break it up and sell everything in a big hurry when he went underground to avoid some ugly criminal interest in him. The sisters believe that he may have left clues to his present whereabouts in some of the paintings, so they begin reacquiring them.

The sisters - skilled to implausible levels in everything you'd need for a criminal career as top-drawer art thieves - leave a calling card with a cat's eye at the scene of every crime, probably because that's what they heard Lupin III did, or something. The girls even have an inside man of sorts, as Hitomi has agreed to marry a clumsy detective working the case, who unwittingly reveals facts about the police investigation, and security plans for pieces on their list to swipe.



Cat's Eye was the first regular series by Tsukasa Hojo, and it originally ran between 1981 and 1985 in the pages of Shonen Jump. Hojo, who is probably better known for his work on City Hunter, used a very realistic style in the comic and dressed his characters in the trendiest early-80s fashions. Along with some other design flourishes in the collected editions, Cat's Eye looks about as close to a comic populated by characters from a Patrick Nagel print as you're likely to see.

The series was collected in a run of 18 digest-sized volumes. Honestly, it's not the most unique or original series in the world, but it's full of harmless, charming fun, with some engaging characters. Viz could certainly do worse than snap up the rights to this comic and find a new way to take my money. So how about it, Viz?

Tuesday, February 10, 2009

Reprint This! Update on The Freak Brothers

First things first: a welcoming wave to Chris Mautner over at Comic Book Resources, whose new column Collect This Now! has jumped on the Reprint This! bandwagon. It's always nice to have more people shouting at publishers with you. That said, I've got my next six features sketched out, so don't write about anything I'm planning to, would ya?

Anyway, once upon a time, you could buy The Fabulous Furry Freak Brothers at Sears. No kidding. The old Sears outlet store at Belmont Hills shopping center in Smyrna, Georgia had a small section of clearout books and magazines. It was there that we found the old collection of the X-Men "Phoenix Saga" for about three bucks, and a handful of these lunatic comics which were certainly not aimed at eleven year-olds. Frankly, I was afraid to have them in the house. I read a friend's copies, and never really warmed to them at the time, on account of drugs, in Reagan's America, being the devil's business.

Well, if your mind is a little more open than mine was in 1982, then you'll be incredibly pleased to know that one of America's funniest comic series has been compiled in a mammoth, 624-page edition by Knockout Press, sporting this lovely Rian Hughes-designed cover. This is said to contain every single appearance by Gilbert Shelton's trio of goofball ne'er-do-wells, who move from one dingy San Francisco apartment to another, when they're not running a bus to New York, starting a commune, being hijacked by terrorists or becoming leaders of the planet's most powerful religion. Shelton has not done nearly enough work in comics; these stories feature some of the funniest plots I've ever followed, with one lunatic right turn after another building situations into a spectacular pyramid of chaos. He and his co-writers (Dave Sheridan and Paul Mavrides are also credited) have a masterful sense of making their stories appear to be stream-of-consciousness silly, but in some of the longer tales, most notably "The Idiots Abroad" and "Grass Roots," every little piece that appears is vital to the overall plot, and the spiralling catastrophe that follows. This is really great stuff.

Knockout's presentation is really impressive. It's a little thicker than a Marvel Essentials, printed on glossy paper with a dust jacket. It contains two color sections and includes all sorts of bonus material, including posters, magazine covers and a series of hilarious cutaway diagrams of the various superstructures and amusement parks said to be part of the Rip Off Press empire. In all, the book is just a jawdroppingly good presentation of some fantastic comics. You should get a copy for yourself today.




Read a little more about this volume:

The Rag Blog has some prerelease hype
Alex Fitch interviews Shelton at Panel Borders
Other than these, I have not seen very much in the way of proper reviews of the book in hand. Most of what I found were copies of the original announcements and notifications of Shelton's British book-signing tour. If you reviewed this book, drop me a line and I will link to it here.




Each month, I like to pass along a little news about reprint projects I find interesting, as I find announcements of them. This month, IDW led into the big, NYCC weekend with this word about a really great new series...

IDW Publishing is pleased to announce the forthcoming release of The Bloom County Library. Beginning in October 2009, each of the five volumes will collect nearly two years worth of daily and Sunday strips, in chronological order. This will be the very first time that many of these comic strips have been collected, and the first time in a beautifully designed, hardcover format. The books will be part of IDW's Library of American Comics imprint, and designed by Eisner Award-winner Dean Mullaney.

"Fans have pestered me for years," said Berkeley Breathed, "for this ultimate Bloom County collection in that polite, respectful badgering way that only fans can manage. Thank God I can now tell them something better than just 'please remove your tent from my lawn.' I can say, 'It's coming!"

Berkeley Breathed's Bloom County is one of the most popular and critically acclaimed newspaper strips of modern times. Premiering on December 8th, 1980 — a month after the election of Ronald Reagan as President — the strip brought to the comics pages a unique amalgam of contemporary politics and fantasy, all told with hilarious humor and wit.

The beloved and quirky denizens of Bloom County include Opus, Steve Dallas, Bill the Cat, Milo Bloom, Michael Binkley, and Cutter John. Breathed was awarded the Pulitzer Prize for Editorial Cartooning in 1987 for his work on Bloom County. The strip was published in an astounding 1200 newspapers.

The phenomenon that was Bloom County spawned a merchandizing bonanza, as well as two spin-off strips, Outland and Opus. The first paperback collection of the strip, Loose Tails, sold over one million copies. Bloom County paperbacks cumulatively sold over six million copies. At the height of the strip's popularity, Breathed walked away on August 6th, 1989.

IDW Publishing Special Projects Editor Scott Dunbier conceived the series. "I'm absolutely thrilled to be editing the Bloom County Library," said Dunbier. "This is a series that I can't wait to hold in my hands."

The Bloom County Library will also contain a series of "Context Pages" sprinkled throughout the volumes. These pages will provide perspective for the reader, presenting a variety of real-life events and personalities that were contemporary at the time of original publication.





At the con, probably the biggest news came from Yen Press, who announced that they'd be picking up the license for Kiyohiko Azuma's Yotsuba&!, which ADV has been ignoring for more than a year now. Volume six will be released in the fall.






In other reprinting news, DC's latest solicitations reveal several interesting books coming in the spring. Here are four that caught my eye:

SHOWCASE PRESENTS: SUPER FRIENDS VOL. 1 TP
Written by E. Nelson Bridwell and Dennis O'Neil
Art by Ric Estrada, Vince Colletta, Ramona Fradon, Bob Smith and Kurt Schaffenberger
Cover by Alex Toth
The superstars of the 1970s animated adventures star in this new, bargain-priced volume collecting SUPER FRIENDS #1-24!
Advance-solicited; on sale May 27 • 448 pg, B&W, $9.99 US


STARMAN OMNIBUS VOL. 3 HC
Written by James Robinson
Art by Tony Harris, Gene Ha, Dusty Abell, Phil Jimenez, J.H. Williams III and others
Cover by Tony Harris
In this third volume Opal City is terrorized by Dr. Pip, an eccentric bomber. Plus, Starman teams up with Batman to save the life of Solomon Grundy. Collecting STARMAN #30-38, STARMAN ANNUAL #2, STARMAN SECRET FILES #1 and THE SHADE #1-4.
Advance-solicited; on sale June 17 • 432 pg, FC, $49.99 US


BAYOU VOL. 1 TP
Written by Jeremy Love
Art and cover by Jeremy Love
"BAYOU, which tackles racism and violence in 1930s Mississippi, is as hypnotic as it is unsettling." — Wired
The first book from the original webcomics imprint of DC Comics is here! South of the Mason-Dixon Line lies a strange land of gods and monsters; a world parallel to our own, born from centuries of slavery, civil war, and hate.
Lee Wagstaff is the daughter of a black sharecropper in the Depression-era town of Charon, Mississippi. When Lily Westmoreland, her white playmate, is snatched by agents of an evil creature known as Bog, Lee's father is accused of kidnapping. Lee's only hope is to follow Lily's trail into this fantastic and frightening alternate world. Along the way she enlists the help of a benevolent, blues-singing swamp monster called Bayou. Together, Lee and Bayou trek across a hauntingly familiar Southern Neverland, confronting creatures both benign and malevolent, in an effort to rescue Lily and save Lee's father from being lynched.
BAYOU VOL. 1 collects the first four chapters of the critically acclaimed webcomic series by Glyph Award nominee Jeremy Love.
Advance-solicited; on sale May 27 • 8.375" x 6", FC, 160 pg, $14.99 US


PREACHER BOOK ONE HC
Written by Garth Ennis
Art by Steve Dillon
Cover by Glenn Fabry
"Features more blood and blasphemy than any mainstream comic in memory. Cool." — Entertainment Weekly
Available for the first time in hardcover, preacher Jesse Custer begins his dark journey to find God, in this volume collecting PREACHER #1-12, plus pinups from PREACHER #50 and #66. After merging with a bizarre spiritual force called Genesis, Texan preacher Jesse Custer has become completely disillusioned with the beliefs to which he had dedicated his entire life. Now possessing the power of "the word," an ability to make people do whatever he utters, Custer begins a violent and riotous journey across the country. Joined by his gun-toting girlfriend Tulip and the hard-drinking Irish vampire Cassidy, Custer loses faith in both God and man as he witnesses dark atrocities and improbable calamities during his exploration of America. This new collected edition features an all-new introduction by series writer Garth Ennis.
Advance-solicited; on sale June 24 • FC, 352 pg, $34.99 US • Mature Readers


Super Friends is interesting because of that very nice price point - definitely one to grab for the under-tens in your house, and cheap enough to give to 'em with a package of crayons. Starman is quite probably the best mainstream American comic of the '90s - it's that or Morrison's Doom Patrol anyway - and this complete repackaging is just gorgeous. The Bayou collection is a nice vote of confidence from DC towards its webcomic initiative, and while I still, blasphemously, think Preacher would have been improved by hinting and not showing its excesses, this looks to be an interesting repackage of the title.




Finally this time, MI-6.co.uk reports some good news from Titan:

Fans of the comic-strip James Bond adventures will be thrilled to learn that the final two compendiums from Titan Books are on the way. Once released, Titan will have published all 52 of the classic stories since their original syndication in newspapers from 1958 to 1983, including seven adventures not released in the UK.

The penultimate title and sixteenth in the Titan Books collection will be "The Girl Machine", due for release on 30th June 2009 in the UK and USA. Previously skipped over in earlier releases, "The Girl Machine" will include the titular adventure as well as "Beware Of Butterflies" and "The Nevsky Nude".

All three stories were drawn by Yaroslav Horak and written by Jim Lawrence and were first published in the Daily Express between 1973 and 1974 and have not been seen since their original syndication.

The volume will also contains a brand new introduction by one of the Bond cast and a host of exclusive feature material.

The final and seventeenth collection from Titan will take its title from 1976 strip adventure "Nightbird". Rounding out the series, the volume will also include "Hot-Shot" and "Ape of Diamonds". The reason these stories were skipped over earlier in the series is often rumoured to be connected to rights issues, but this is incorrect. The real reason the strips were passed over in 2007 will become apparent when the volume is released in early 2010. All three adventures were written by Jim Lawrence and drawn by Yaroslav Horak.


More next month!

(Originally posted Feb 10 2009 at hipsterdad's livejournal.)

Monday, February 2, 2009

Reprint This! Pussycat



Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected several titles which should be on bookshelves, but at this time are not.

One missing gem is PUSSYCAT, a goofy spy parody helmed by a host of creators over its seven year run, chief among them Bill Ward, Larry Lieber, Jim Mooney and Wally West. Essentially a milder knockoff of Kurtzman and Elder's Little Annie Fanny, the five-page, black and white feature starred a ditzy blonde in the employ of S.C.O.R.E. and appeared sporadically in various "men's adventure" titles published by Marvel Comics' old sister company, Magazine Management.



There's very little information available online about Pussycat beyond what you can find at Wikipedia and the links therein. Basically, Martin Goodman had this line of really embarassing men's mags in the sixties and decided to fill some pages with a regular comic, like Playboy was doing, and grabbed whomever he could find at Marvel to brew up his idea. Fred Hembeck, writing in a 2005 essay about Pussycat, describes the mags as being "the sort that regularly featured paintings of well-endowed babes in torn clothing, equipped with machine guns, facing down evil Nazis on their covers." This goes some way to explain why a complete stripography of Pussycat has yet to emerge; the potential modern fanbase for the pun-filled va-va-voom strip doesn't exactly cross with the potential modern fanbase for those sorts of magazines.

While undeniably dated, derivative and sexist, the few Pussycat strips that made it to a second printing are nevertheless very silly and fun, and the artwork is often quite wonderful. Many of the episodes were drawn by Bill Ward, who is best known among one crowd for his decades of work at Cracked Mazagine and among another for his "good girl" artwork - I've never understood how it got that term - which you probably don't want to look up while you're at work. Pussycat, therefore, is just a dream project for his fans, because it's got a well-endowed cutie running around in her underwear foiling the schemes of the evil agents of L.U.S.T., and the rest of the cast are comedic caricatures in a funny parody of some pop culture trend of the moment, from hippies to astronauts to every point in between, and the stories are packed full of wordplay and groan-inducing puns.

As befits something that came from Spidey's publisher in the swinging sixties, the stories are fairly tame and PG-rated, but were just racy enough to thrill the young Marvelites of that decade when some were republished. It wasn't until the Dracula and Howard the Duck black-and-white mags of the 1970s that Marvel finally broke the nudity barrier; Pussycat's playful sexiness is about as bawdy as the nudist camp scene in Blake Edwards' A Shot in the Dark, and, if we're honest with ourselves, just as much a product of its time.



Eight of the Pussycat adventures were collected in a 1968 Marvel magazine called The Adventures of Pussycat. I don't believe this was complete at the time, and Wikipedia suggests that Jim Mooney-illustrated Pussycat adventures were showing up as late as 1971. Nevertheless, the thirty-five cent magazine was an instant collector's item which changes hands for a pretty penny today, and it's the only opportunity people have to read the stories without scouring around for back issues of magzines with names like Stag.

Without knowing how much material is actually out there, it's not easy to map out a suggested reprint, but it's more likely than not that it could all be compiled in one volume. Marvel has only taken baby steps towards acknowledging all the genres beyond superheroes and horror that they've published over the years. Their old romance and humor titles barely get a look in these days, so Pussycat's probably pretty far down on their list of priorities. There may not be that great a market for it, but I certainly enjoyed the episodes that I've seen, and I think other readers will, as well. So how about it, Marvel?



(Originally posted Feb. 2 2009 at Hipsterdad's LiveJournal.)

Friday, January 16, 2009

General updates for January 2009

I don't have one of my newer-styled updates for you this month (and after I went to all the trouble of designing a format for it, too!), but I have collected a little reprint news which I think my readers might enjoy, and here it is...

The publisher Drawn & Quarterly won some plaudits last year with the announcement of a plan for a major reprinting of John Stanley's work. The first of these has been solicited for March:

JOHN STANLEY LIBRARY VOLUME 1: MELVIN MONSTER HC
(W/A) John Stanley
John Stanley is celebrated as one of the great children's comics writers for his work on the Little Lulu series. In fact, the Lulu work is a small part of his output; he drew and continued to write many other comics-notably his work on the 1960s teen comics from Dell and his monster comedy strip, Melvin Monster. Drawn & Quarterly is launching an extensive reprinting of Stanley's work in handsome volumes designed by Seth. The first in this series is the two-volume Melvin Monster collection featuring all ten issues about the oddball monster boy who just wants to be good, go to school, and do as he's told. Stanley's reputation as a great storyteller and visual comedian is richly deserved; few Golden or Silver Age comics stand the test of time the way these comics do.
HC, 8x11, 184pgs, FC SRP: $19.95

You can enjoy a PDF preview of Melvin Monster over at D&Q's site.

While there is no formal solicitation yet, the second volume, planned for the summer, will reprint Stanley's work on the Nancy comic book. Both volumes feature gorgeous design by Seth. Speaking of Seth, D&Q also has a collection of his strip George Sprott, 1894-1975 planned for May.






Also, Fantagraphics has released its spring and summer catalog, and you can see it here. More Peanuts, Popeye, Hernandez Brothers, Fletcher Hanks and the Peter Bagge strips from Reason? Yes, please!




Tom Spurgeon at The Comics Reporter has the story/non-story of a possible delay in a forthcoming collection of Brian Sendelbach's Smell of Steve.




Rebellion hasn't formally announced them yet, but it looks like August will see the first collection of 2000 AD's Defoe by Pat Mills and Leigh Gallagher, in which a 17th Century tough guy defends Charles II's England from the zombie hordes of Oliver Cromwell, as well as the 1970s classic Flesh, in which cattle ranchers from the future set up shop in prehistoric Earth to harvest dinosaurs and things spiral spectacularly out of control. Mills wrote a fair chunk of Flesh, with art chores by a number of creators, including Carlos Pino and Massimo Belardinelli.




Finally, here's something very interesting coming in June from Dark Horse:

PLAYBOY'S TRUMP! THE COMPLETE COLLECTION
Written and art by Harvey Kurtzman and various.
Launched in January 1957 by Harvey Kurtzman and Playboy publisher Hugh Hefner, Trump partnered Kurtzman with many of his "usual gang of idiots" from his time at Mad -- famous humor artists such as Jack Davis, Al Jaffee, and Wally Wood. They were joined by such dynamic humorists as Arnold Roth, comedians Mel Brooks and Doodles Weaver, and TV writer and novelist Max Shulman (creator of the character Dobie Gillis, who appeared in dozens of stories, a movie, and the popular TV series The Many Loves of Dobie Gillis). Though it lasted only two issues, this first effort after Kurtzman's historic split from Mad was the breeding ground for the magazines Humbug and Help!, and would ultimately lead to the more than thirty-year run of Kurtzman and Will Elder's landmark character Little Annie Fanny in the pages of Playboy magazine.

Trump! reprints the only two issues of the magazine, released in January and March of 1957. Trump! features the contributions of the following artists and writers: Harvey Kurtzman, Harry Chester, Jack Davis, Will Elder, Al Jaffee, Wally Wood, Arnold Roth, Russ Heath, Mel Brooks, Doodles Weaver, Max Shulman, and many others.
144 pages, $19.95, in stores on June 17.

That's all for this time. I'll try to do a better job of remembering my features instead of spending all my blog time revising old entries, and we'll see what's new... in a couple of weeks.

Thursday, January 1, 2009

Reprint This! The New Adventures of Hitler



Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected several titles which should be on bookshelves, but at this time are not.

One missing gem is THE NEW ADVENTURES OF HITLER by Grant Morrison and Steve Yeowell. This instantly-controversial 48-page story, set in 1912 Liverpool and featuring the luckless painter who'd later become the planet's most infamous man slowly losing his mind in a strange adventure with bicycles, bulldogs and 1980s pop stars, has been serialized twice. Each time it prompted an outcry from journalists on slow news days and commentators who thought little of Morrison using controversial topics to get his own name in the press.



The New Adventures of Hitler was an incredibly surreal story set in the early 1910s in which Hitler, then an aspiring painter, lodged in a Liverpool bed & breakfast for a few months. There, he lost his mind amid a torrent of 20th Century British iconography, with strange cameos by Morrissey and Margaret Thatcher, as he was ordered to search for the Holy Grail. The use of real characters to tell a story about a magical, fairytale Britain populated by some of its most iconic faces and names would have only been slightly eyebrow-raising, but using Hitler as the protagonist was a bold, risky move. It infuriated many readers, along with plenty of people who would have never purchased the magazines where the serial ran anyway, but who read stories about the controversy, fueled by certain British newspapers. These were interesting examples of how the late '80s trend of media reporting on "adult graphic novels," led by the mainstream success of Maus or Watchmen, would occasionally be sidetracked by reporters looking for a sexy angle to spice up stories.

Grant Morrison had already made a name for himself as one of the most popular and celebrated writers in American and British comics when the series premiered. With ongoing mainstream work for DC and for 2000 AD, he undertook some experimental work for smaller publishers in the late 1980s, including the similarly controversial St. Swithin's Day, in which an unemployed kid goes to London to assassinate the prime minister, for the now-defunct Trident Comics. Steve Yeowell had previously worked with Morrison on Zoids, Zenith and a one-issue fill-in on Doom Patrol. Here. his artwork is given a remarkable sheen with some really novel coloring that incorporates patterns, mosaics and other cut-out images, heightening the dreamlike, haunting feel of the series.



The series first appeared as twelve weekly four-page episodes in the Scottish magazine Cut in 1989. Cut was an arts and culture magazine of some notoreity, although there appears to be little information about it online today apart from references to the ensuing controversy. The next year, the story was reprinted across four issues of 2000 AD's twice-monthly sister title Crisis, each compiling three of the original weekly episodes.

At only 48 pages, the work is a little slim, but it occurs to me that St. Swithin's Day is similarly out of print - it was last collected by Oni in 1998 (and somebody who borrowed my copy of that never returned it) - and the two of those would make a nice edition together. Round it out with a decent essay or two, and some notes about the two series' controversial appearances, along with an interview with the writer and some sketches from Yeowell and Swithin's artist, Paul Grist, and you've probably got a pretty good 120-page book. I recall that Yeowell drew the young Hitler again in a 1990 cover illustration for Amazing Heroes which featured a Morrison interview, so that could be included. I'm not sure who could tackle such a project, nor whether Morrison, who (I'm totally guessing) might own the rights to both series, would back it, but I do feel strongly that the work of major writers in comics should remain in print for new readers to enjoy, so I certainly hope that some publisher looks into such a project. How about it, somebody?

(Originally posted January 01, 2009, 12:19 at hipsterdad's livejournal.)

Friday, December 19, 2008

Reprint This! Update on One Pound Gospel

Viz released the last episodes of Rumiko Takahashi's One Pound Gospel in English for the first time this month. This series, with three or four new installments released every couple of years over a two decade run, has long been overdue for a proper digest edition with the artwork in its original configuration. In the mid-90s, Viz released three collections in their old graphic novel format, but let those go out of print. Now the series, which finally concluded in 2007, is available in full in four digests.

It's an incredibly cute and occasionally hilarious comedy about a weak-willed boxer named Kosaku who cannot stop his unhealthy eating habits, and can't get over his doomed crush on an attractive young nun who sees a spark of potential in him. Kosaku kind of radiates between a hopelessly ingratiating dimwit and the great underdog hero for whom you'll enjoy cheering in the ring, and his supporting cast, notably his long-suffering coach, provides endless fun. Sister Angela, meanwhile, has her own (quite small) supporting cast, notably the mother superior who understands neither boxing nor Sister Angela's support of this clumsy young fighter.

It's a delightful comedy of errors and manners, with excellent artwork and hilarious moments. Possibly the best is a great five-part story in the third volume, in which everybody misunderstands everybody else and a rival boxer with an awful intestinal problem that keeps forcing his matches with Kosaku to be postponed conspires to make everybody's situation unbearable. It's really great stuff, and you should definitely look into it!




Read more of what I've written about Rumiko Takahashi at A Journal of Zarjaz Things.

Read other reviews of One Pound Gospel:
Ai Kano at Animanganation
Greg McElhatton at CBR
Pop Culture Shock
Greg Hackman at Mania.com
Connie at Slightly Biased Manga




In related reprinting news, Pat Mills is interviewed about the classic Charley's War, which he wrote for Battle Picture Weekly in the early 80s, over at Comicon.

Titan is planning two Modesty Blaise books for 2009: The Lady Killers in April and The Scarlet Maiden in October.

Here's some more information about the forthcoming collections of Steve Ditko's The Creeper and Sergio Aragones' Bat Lash, planned for June and July 2009:

SHOWCASE PRESENTS: THE CREEPER TP
Writers: Steve Ditko, Don Segall, Dennis O'Neil, Bob Haney, Len Wein and Michael Fleisher
Artists: Steve Ditko, Neal Adams, Dick Giordano, Mike Peppe, Jack Sparling, Dick Dillon, Sid Greene, Irv Novick, Ernie Chua, Jose Luis Garcia-Lopez and Mike Royer
Collects: SHOWCASE #73, BEWARE THE CREEPER #1-6, THE BRAVE AND THE BOLD #80, JUSTICE LEAGUE OF AMERICA #70, DETECTIVE COMICS #418, 447 and 448, THE JOKER #3 and 1ST ISSUE SPECIAL #7
$9.99 US, 296 pages

SHOWCASE PRESENTS: BAT LASH TP
Writers: Sergio Aragones, Dennis O'Neil, Nick Cardy, Len Wein and Cary Bates
Artists: Nick Cardy, Mike Sekowsky, George Moliterni and Dan Spiegle
Collects: SHOWCASE #76, BAT LASH #1-7, DC SPECIAL SERIES #16 and stories from JONAH HEX #49, 51 and 52
$9.99 US, 240 pages

(Originally posted December 19, 2008, 12:35 at hipsterdad's livejournal.)

Monday, December 1, 2008

Reprint This! Sugar and Spike



Reprint This! is a periodic feature where I talk about some out-of-print comic book gems that are not available in collected form for readers to enjoy. This is hoping to let rights owners know that, yes, readers are out here, and we'd like to buy the things we can't get at this time!

Despite such an enormous variety of books available these days, and genuine efforts to present the material in reasonably-priced, archival volumes, there are still countless fabulous series from the US, Britain and Japan which are overdue for new editions. I've selected several titles which should be on bookshelves, but at this time are not.

One missing gem is SUGAR AND SPIKE by Sheldon Mayer, the longtime DC Comics editor who worked on everything from their superhero to comedy titles back in the 1940s and 1950s, and who would later co-create the wonderful adventure series Black Orchid. In the days when an American comic book company couldn't be successful without a very broad range of titles for all interests, Sugar & Spike was a huge hit, and one that Mayer closely guarded. The series ran for more than thirty years, and he was the sole writer and artist of every story.



Sugar and Spike were a pair of babies who toddled around trying to make some sense of the incredibly bizarre world of grown-ups. They communicated in their own "baby talk" language with all infants, whether human or animal, and had oddball little adventures interacting with things they couldn't quite explain. One of the hallmarks of the series, outside of the silly slapstick that drove the funny plots, was the strange wordplay. None of the babies, for example, knew the word "door," but they knew it was a thing that would swing, and so doors would be referred to as "swingy things."

A tremendously popular strip in its day, DC was glad to indulge its creator's wishes and so Sugar and Spike was, unlike most kid-friendly trademarks, not merchandised very much, and no other artists ever worked on it. There was, briefly, an TV cartoon; it was a low-budget, limited-to-no animation offering which appeared as part of a program called Video Comics on Nickelodeon when I was in elementary school. (LJ's dramaqueer might remember it, even if nobody else saw it.)



Apparently, Sheldon Mayer suffered from cataracts which made it increasingly impossible for him to draw the strip. With sales of this kind of material sagging in the early 70s anyway, DC shelved the book. After Mayer recovered from surgery, he resumed drawing it, but few of these were published in the US, but instead they showed up in various South American and European countries where the series was still quite popular. There are apparently about fifteen years' worth of Sugar and Spike which few readers in the States have seen. In the early 1980s, some of these were used in a few issues of the digest-sized anthology Best of DC, sometimes in the company of Mayer's teen-comedy Binky (an Archie knockoff) or Arnold Drake's Stanley and His Monster, other fun sixties strips whose time, DC felt, had mostly passed.

I have absolutely no idea how much Sugar and Spike material is out there. The few websites that are out there (such as this one) aren't much help in tracing the international editions of the comic. But good heavens, DC, if ever a book was made for your Showcase Presents line, it's got to be this one. Considering that many of the later editions of its 98-issue American run leaned heavily on reprints, they could probably compile everything in just three of those 500-page books before even starting on all the material first published overseas.

DC's made a pretty good case for using the Showcase line to spotlight all the genres other than superheroes that they used to do well, with good representation from the war and horror lines, and one or two Westerns. But they haven't even started touching the really fun comedy stuff from the 1950s and 1960s. This is long overdue, and Sugar & Spike should spearhead it. It will go over well with amateur historians, with kids who will just eat this stuff up, and with anybody who will get a kick of some really solid cartooning. So how about it, DC?

(Originally posted December 01, 2008, 12:32 at hipsterdad's livejournal.)